6828 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1763
1763
Titre:
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Classification:
dessins
dessins
Date:
1763
1763
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Personnes et institutions:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Titre:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Niveau de description archivistique:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Blaise Marchand
Fonds Blaise Marchand
Numéro de référence:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Personnes et institutions:
Date:
1927, 1938-1964
1927, 1938-1964
Titre:
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1927, 1938-1964
1927, 1938-1964
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Personnes et institutions:
Date:
1981-1988
1981-1988
Titre:
Art magazines and gallery brochures
Actions:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Art magazines and gallery brochures
Actions:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Classification:
documents textuels
documents textuels
Date:
1981-1988
1981-1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Projects
Projects
Numéro de référence:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Personnes et institutions:
Date:
circa 1990-2002
circa 1990-2002
Titre:
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Niveau de description archivistique:
Sub-series 2
Sub-series 2
Date:
circa 1990-2002
circa 1990-2002
Personnes et institutions:
Numéro de référence:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Personnes et institutions:
Date:
29 janvier 1964
29 janvier 1964
Titre:
Lettre de Jeet Malhotra à Le Corbusier relative au barrage de Bhakra, en Inde
Actions:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Lettre de Jeet Malhotra à Le Corbusier relative au barrage de Bhakra, en Inde
Actions:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Date:
29 janvier 1964
29 janvier 1964
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Personnes et institutions:
Date:
circa 1950s-1970s
circa 1950s-1970s
Titre:
Views of buildings by Le Corbusier including Pavillon Suisse
Actions:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Views of buildings by Le Corbusier including Pavillon Suisse
Actions:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Classification:
photographies
photographies
Date:
circa 1950s-1970s
circa 1950s-1970s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Personnes et institutions:
Date:
1949-1956
1949-1956
Titre:
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Niveau de description archivistique:
project
project
Date:
1949-1956
1949-1956
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Photographs of the signs by Le Corbusier in Chandigarh, India
Actions:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Photographs of the signs by Le Corbusier in Chandigarh, India
Actions:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Classification:
photographies
photographies
Date:
s.d.
s.d.
Personnes et institutions:
