6506 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Personnes et institutions:
Date:
1981-1988
1981-1988
Titre:
Art magazines and gallery brochures
Actions:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Art magazines and gallery brochures
Actions:
ARCH255531
Description:
19 art magazines and gallery brochures - General Idea, Inuit Art and Crafts, Jerry Pethick, Sculpture in the Parks of the Nation's Capital, The Idea of North, Ippilie Oshoweetok, Uumajut: Animal Imagery in Inuit Art, fiction from The Art Gallery of Ontario, Arctic Vision: Art of the Canadian Inuit, About Arts and Crafts, Art Bank Catalogue, Azure, Canadian Art, Culture's Nature, En Route.
Classification:
documents textuels
documents textuels
Date:
1981-1988
1981-1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Projects
Projects
Numéro de référence:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Personnes et institutions:
Date:
circa 1990-2002
circa 1990-2002
Titre:
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Niveau de description archivistique:
Sub-series 2
Sub-series 2
Date:
circa 1990-2002
circa 1990-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Blaise Marchand
Fonds Blaise Marchand
Numéro de référence:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Personnes et institutions:
Date:
1927, 1938-1964
1927, 1938-1964
Titre:
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1927, 1938-1964
1927, 1938-1964
Personnes et institutions:
Numéro de référence:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Personnes et institutions:
Date:
29 janvier 1964
29 janvier 1964
Titre:
Lettre de Jeet Malhotra à Le Corbusier relative au barrage de Bhakra, en Inde
Actions:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Lettre de Jeet Malhotra à Le Corbusier relative au barrage de Bhakra, en Inde
Actions:
ARCH264173
Description:
La lettre traite de sculptures, de bâtiments et de peintures à Bhakra.
Date:
29 janvier 1964
29 janvier 1964
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Personnes et institutions:
Date:
circa 1950s-1970s
circa 1950s-1970s
Titre:
Views of buildings by Le Corbusier including Pavillon Suisse
Actions:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Views of buildings by Le Corbusier including Pavillon Suisse
Actions:
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
Classification:
photographies
photographies
Date:
circa 1950s-1970s
circa 1950s-1970s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Personnes et institutions:
Date:
1949-1956
1949-1956
Titre:
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Tweede Vrijzinnig Christselijk Lyceum (Second Liberal Christian Lyceum), The Hague, Netherlands (1949-1956)
Actions:
CI005.S1.1949.PR2
Description:
Oud was commissioned to design the Tweede Vrijzinnig Christelijk Lyceum. Oud designed the school within the larger parameters of the Reconstruction Plan for Sportlaan; he presented his design to the board in 1950. Oud's design aligned with reconstruction plans, except that he designed a four- rather than a three-storey building. Oud's layout featured three blocks: one for classrooms and an auditorium, another for classrooms, and the last one for a gymnasium – this building connected to the main wing by circular stairs. Each of the three separate blocks was surrounded by a playground. The street side facades were closed in contrast to the open facades facing the playground. Oud's design also featured visual art and sculptures (Taverne et al. 2001, 533-535). Project series includes plans and photographs of facades and aerial views. , 12 drawings 11 photographs
Niveau de description archivistique:
project
project
Date:
1949-1956
1949-1956
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Photographs of the signs by Le Corbusier in Chandigarh, India
Actions:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Photographs of the signs by Le Corbusier in Chandigarh, India
Actions:
ARCH269020
Description:
Group consists of photographs of some of the Le Corbusier's signs in Chandigarh, India. There are photographs of an open hand traced in sand and a lightning engraved in concrete, a photographs of a sculpture of the Modulor Man, photograph of the bas-relief of a fish in concrete and a photographs of the bas-relief of a Chandigarh plan on a manhole cover. The group also include photographs of paintings by Le Corbusier.
Classification:
photographies
photographies
Date:
s.d.
s.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Personnes et institutions:
Date:
1974-2002
1974-2002
Titre:
Commonwealth Square, Art Gallery of Hamilton, Ontario (1999)
Actions:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Commonwealth Square, Art Gallery of Hamilton, Ontario (1999)
Actions:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Niveau de description archivistique:
Project
Project
Date:
1974-2002
1974-2002
Personnes et institutions:
Classification:
photographies
Quantité:
16 photograph(s)
photographies
Quantité:
16 photograph(s)
Numéro de référence:
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
Personnes et institutions:
Date:
between 1953 and 1965
between 1953 and 1965
Titre:
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
Classification:
photographies
Quantité:
16 photograph(s)
photographies
Quantité:
16 photograph(s)
Date:
between 1953 and 1965
between 1953 and 1965
Personnes et institutions:
