13724 Résultats
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livres
livres
Titre:
Face: a visual odyssey
Face: a visual odyssey
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything(...)
$56.95
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything(...)
Titre:
Face: a visual odyssey
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$56.95
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything from historical mugshots to Instagram posts, she examines how the face has been perceived and represented over time; how it has been instrumentalized by others; and how we have reclaimed it for our own purposes. From vintage advertisements for a “nose adjuster” to contemporary artists who reconsider the visual construction of race, ''Face'' delivers an intimate yet kaleidoscopic adventure while posing universal questions about identity.
Face: a visual odyssey
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything from historical mugshots to Instagram posts, she examines how the face has been perceived and represented over time; how it has been instrumentalized by others; and how we have reclaimed it for our own purposes. From vintage advertisements for a “nose adjuster” to contemporary artists who reconsider the visual construction of race, ''Face'' delivers an intimate yet kaleidoscopic adventure while posing universal questions about identity.
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livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$41.95
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Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and(...)
$41.95
(disponible sur commande)
Résumé:
Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and(...)
Titre:
Propaganda art in the 21st century
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$41.95
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Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.
Propaganda art in the 21st century
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Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$56.00
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The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful works expressing a vibrant and unflinching second-wave feminist sensibility. In Radical Virtuosity, art historian Genevieve Hyacinthe offers a new view of Mendieta, connecting her innovative artwork to the art, cultural aesthetics and concerns, feminisms, and sociopolitical messages of the black Atlantic.
$56.00
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The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful works expressing a vibrant and unflinching second-wave feminist sensibility. In Radical Virtuosity, art historian Genevieve Hyacinthe offers a new view of Mendieta, connecting her innovative artwork to the art, cultural aesthetics and concerns, feminisms, and sociopolitical messages of the black Atlantic.
Titre:
Radical virtuosity : Ana Mendieta and the Black Atlantic
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The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful works expressing a vibrant and unflinching second-wave feminist sensibility. In Radical Virtuosity, art historian Genevieve Hyacinthe offers a new view of Mendieta, connecting her innovative artwork to the art, cultural aesthetics and concerns, feminisms, and sociopolitical messages of the black Atlantic.
Radical virtuosity : Ana Mendieta and the Black Atlantic
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The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful works expressing a vibrant and unflinching second-wave feminist sensibility. In Radical Virtuosity, art historian Genevieve Hyacinthe offers a new view of Mendieta, connecting her innovative artwork to the art, cultural aesthetics and concerns, feminisms, and sociopolitical messages of the black Atlantic.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Material and mind
Material and mind
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$48.95
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An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making—in design, the arts, culture, and science.
$48.95
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An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making—in design, the arts, culture, and science.
Titre:
Material and mind
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An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making—in design, the arts, culture, and science.
Material and mind
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An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making—in design, the arts, culture, and science.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$28.95
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Résumé:
“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all…(...)
$28.95
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all…(...)
Titre:
Propositions for non-fascist living: tentative and urgent
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all… the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of “living” rather than the mere object of life. Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an “unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying. “Propositions for Non-Fascist Living” is the first in a BASICS series of readers from BAK, “basis voor actuele kunst”, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.
Propositions for non-fascist living: tentative and urgent
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$28.95
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all… the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of “living” rather than the mere object of life. Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an “unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying. “Propositions for Non-Fascist Living” is the first in a BASICS series of readers from BAK, “basis voor actuele kunst”, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$22.95
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Résumé:
In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty(...)
$22.95
(disponible sur commande)
Résumé:
In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty(...)
Titre:
Good entertainment: a deconstruction of the Western Passion narrative
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$22.95
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
Good entertainment: a deconstruction of the Western Passion narrative
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$22.95
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Résumé:
In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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$60.00
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
$60.00
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Résumé:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
Titre:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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$60.00
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For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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$60.00
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Résumé:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Michael Snow
Michael Snow
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$36.95
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in(...)
$36.95
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Résumé:
Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in(...)
Titre:
Michael Snow
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$36.95
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.
Michael Snow
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The cybernetic hypothesis
The cybernetic hypothesis
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$18.95
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Résumé:
This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction,(...)
$18.95
(disponible sur commande)
Résumé:
This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction,(...)
Titre:
The cybernetic hypothesis
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$18.95
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Résumé:
This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction, which unfortunately has required the reduction of a disturbing humanity to packets of manageable information. Not so easily done. Not smooth. A matter of civil war, in fact. According to the authors, cybernetics is the latest master fable, welcomed at a certain crisis juncture in late capitalism. And now the interesting question is: Has the guest in the house become the master of the house?
The cybernetic hypothesis
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$18.95
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Résumé:
This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction, which unfortunately has required the reduction of a disturbing humanity to packets of manageable information. Not so easily done. Not smooth. A matter of civil war, in fact. According to the authors, cybernetics is the latest master fable, welcomed at a certain crisis juncture in late capitalism. And now the interesting question is: Has the guest in the house become the master of the house?
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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Prix:
$36.00
(disponible sur commande)
Résumé:
We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the(...)
$36.00
(disponible sur commande)
Résumé:
We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the(...)
Titre:
Sharks, death, surfers: an illustrated companion
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$36.00
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We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the newspaper obituary in and out of literature and past cinema, Melissa McCarthy investigates a fundamental aspect of the human condition: our state of being between life and death, always in precarious and watery balance. Sharks, Death, Surfers: An Illustrated Companion observes how sharks have been depicted over centuries and across cultures, then flips the lens (and dissects the cornea) to consider what sharks see when they look back.
Sharks, death, surfers: an illustrated companion
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Prix:
$36.00
(disponible sur commande)
Résumé:
We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the newspaper obituary in and out of literature and past cinema, Melissa McCarthy investigates a fundamental aspect of the human condition: our state of being between life and death, always in precarious and watery balance. Sharks, Death, Surfers: An Illustrated Companion observes how sharks have been depicted over centuries and across cultures, then flips the lens (and dissects the cornea) to consider what sharks see when they look back.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
