1385 Résultats
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists(...)
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists(...)
Titre:
The Bauhaus group : six masters of modernism
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well as with these figures' lesser-known wives and girlfriends. In thisgroup biography, Weber brings to life the pioneering art school in Germany's Weimar and Dessau in the 1920s and early 1930s, and captures the spirit and flair with which these Bauhaus geniuses lived, as well as their consuming goal of making art and architecture.
The Bauhaus group : six masters of modernism
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well as with these figures' lesser-known wives and girlfriends. In thisgroup biography, Weber brings to life the pioneering art school in Germany's Weimar and Dessau in the 1920s and early 1930s, and captures the spirit and flair with which these Bauhaus geniuses lived, as well as their consuming goal of making art and architecture.
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livres
livres
Publication:
février 2011
février 2011
Sujet:
Modernisme
Modernisme
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livres
livres
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$49.95
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Résumé:
The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society(...)
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The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society(...)
Titre:
Gropius: the man who built the Bauhaus
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The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Gropius: the man who built the Bauhaus
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The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$87.00
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war(...)
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war(...)
Publication:
septembre 2023
septembre 2023
Titre:
50 Years after 50 Years of the Bauhaus
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$87.00
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of '50 Years Bauhaus'', the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.
50 Years after 50 Years of the Bauhaus
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of '50 Years Bauhaus'', the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.
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livres
livres
Publication:
septembre 2023
septembre 2023
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livres
livres
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Description:
271 pages : illustrations (some color) ; 30 cm
Description:
271 pages : illustrations (some color) ; 30 cm
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[Baden, Switzerland] : Lars Muüller, [199-?]
[Baden, Switzerland] : Lars Muüller, [199-?]
Titre:
Streamlined : a metaphor for progress : the esthetics of minimized drag / [edited by Claude Lichtenstein, Franz Engler].
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Description:
271 pages : illustrations (some color) ; 30 cm
Streamlined : a metaphor for progress : the esthetics of minimized drag / [edited by Claude Lichtenstein, Franz Engler].
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271 pages : illustrations (some color) ; 30 cm
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livres
livres
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[Baden, Switzerland] : Lars Muüller, [199-?]
[Baden, Switzerland] : Lars Muüller, [199-?]
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Description:
278 pages illustrations 25 cm
Description:
278 pages illustrations 25 cm
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Cambridge, Mass., Harvard University Press, 1968.
Cambridge, Mass., Harvard University Press, 1968.
Titre:
Architecture and politics in Germany, 1918-1945.
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Description:
278 pages illustrations 25 cm
Architecture and politics in Germany, 1918-1945.
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278 pages illustrations 25 cm
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livres
livres
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Cambridge, Mass., Harvard University Press, 1968.
Cambridge, Mass., Harvard University Press, 1968.
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Description:
xii, 186 pages, 24 unnumbered pages of plates : illustrations ; 25 cm
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xii, 186 pages, 24 unnumbered pages of plates : illustrations ; 25 cm
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Princeton : Princeton University Press, ©2006.
Princeton : Princeton University Press, ©2006.
Titre:
The Taylorized beauty of the mechanical : scientific management and the rise of modernist architecture / Mauro F. Guillén.
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xii, 186 pages, 24 unnumbered pages of plates : illustrations ; 25 cm
The Taylorized beauty of the mechanical : scientific management and the rise of modernist architecture / Mauro F. Guillén.
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xii, 186 pages, 24 unnumbered pages of plates : illustrations ; 25 cm
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livres
livres
Publication:
Princeton : Princeton University Press, ©2006.
Princeton : Princeton University Press, ©2006.
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livres
livres
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$47.50
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Résumé:
In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly(...)
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly(...)
Titre:
Isokon and the Bauhaus in Britain
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and the infamous dinner parties.
Isokon and the Bauhaus in Britain
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Résumé:
In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and the infamous dinner parties.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$60.00
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Résumé:
After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
Publication:
juin 1999, Cambridge
juin 1999, Cambridge
Titre:
The Bauhaus and America : first contacts 1919-1936
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
The Bauhaus and America : first contacts 1919-1936
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$60.00
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Résumé:
After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
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livres
livres
Publication:
juin 1999, Cambridge
juin 1999, Cambridge
Classification:
livres
livres
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$42.00
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Résumé:
In 2019 it will be the hundredth anniversary of the founding of the Bauhaus. Prompted by this occasion, with "project bauhaus" ARCH+ has undertaken a critical appraisal of the Bauhaus ideas: working for several years, an international group of experts from a wide range of disciplines has investigated the socio-political relevance and emancipatory potential of the Bauhaus(...)
$42.00
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Résumé:
In 2019 it will be the hundredth anniversary of the founding of the Bauhaus. Prompted by this occasion, with "project bauhaus" ARCH+ has undertaken a critical appraisal of the Bauhaus ideas: working for several years, an international group of experts from a wide range of disciplines has investigated the socio-political relevance and emancipatory potential of the Bauhaus(...)
Titre:
Arch+: Project Bauhaus. Can design change society?
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$42.00
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Résumé:
In 2019 it will be the hundredth anniversary of the founding of the Bauhaus. Prompted by this occasion, with "project bauhaus" ARCH+ has undertaken a critical appraisal of the Bauhaus ideas: working for several years, an international group of experts from a wide range of disciplines has investigated the socio-political relevance and emancipatory potential of the Bauhaus - historically, for today, and for the future. How can design still become effective as a political project? What are the possibilities and problems encountered by universal design in the age of globalization? Can the emancipatory potential of technology still be activated in a digitalized world? The answers to these questions are published here for the first time for an international readership.
Arch+: Project Bauhaus. Can design change society?
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$42.00
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Résumé:
In 2019 it will be the hundredth anniversary of the founding of the Bauhaus. Prompted by this occasion, with "project bauhaus" ARCH+ has undertaken a critical appraisal of the Bauhaus ideas: working for several years, an international group of experts from a wide range of disciplines has investigated the socio-political relevance and emancipatory potential of the Bauhaus - historically, for today, and for the future. How can design still become effective as a political project? What are the possibilities and problems encountered by universal design in the age of globalization? Can the emancipatory potential of technology still be activated in a digitalized world? The answers to these questions are published here for the first time for an international readership.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Revues
Revues
Classification:
audio
audio
Titre:
Grimes
Grimes
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1 online resource (1 audio file)
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Publication:
Joshua Citarella 2025
Joshua Citarella 2025
Classification:
audio
audio
Publication:
Joshua Citarella 2025
Joshua Citarella 2025
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