archives
Niveau de description archivistique:
Fonds
Fonds Ernest Cormier
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
1857-1980
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
archives
Niveau de description archivistique:
Fonds
1857-1980
Projet
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
1974-2002
Commonwealth Square, Art Gallery of Hamilton, Ontario (1999)
Actions:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Project
1974-2002
photographies
Quantité:
16 photograph(s)
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
between 1953 and 1965
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269641
Description:
Group consists of photographs of schools and colleges in Chandigarh, India. There are photographs Higher Secondary School in sector 20, 21, 27 and 40 and photographs of a primary school in sector 22. There is also a photograph of the College for Women in sector 11 and the Hostel for Polytechnic for Men in sector 26. The group also includes photographs a sculpture by Pierre Jeanneret in the yard of a nursery school in sector 16.
photographies
Quantité:
16 photograph(s)
between 1953 and 1965
photographies
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
1956-c.1970
Photographs of miscellaneous public buildings and installations in Chandigarh, India
Actions:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
photographies
1956-c.1970
Sous-série
Il Ritorno Dei Re (1980)
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
circa 1980
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Subseries
circa 1980
photographies
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
s.d.
Mounted photographs of nurseries and schools in Chandigarh, India
Actions:
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
photographies
s.d.
archives
Niveau de description archivistique:
Fonds
Fonds Max Wolfe Roth
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
1933-2000
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
archives
Niveau de description archivistique:
Fonds
1933-2000
dessins
Quantité:
7 working drawing(s)
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
Preliminary and final plans, elevations and sections
Actions:
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
dessins
Quantité:
7 working drawing(s)
Projet
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
1973-1976
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Project
1973-1976
dessins, photographies
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
Exterior view of bank after alterations, interior views and details of conference room
Actions:
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
dessins, photographies