6506 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Personnes et institutions:
Date:
1956-c.1970
1956-c.1970
Titre:
Photographs of miscellaneous public buildings and installations in Chandigarh, India
Actions:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Photographs of miscellaneous public buildings and installations in Chandigarh, India
Actions:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1956-c.1970
1956-c.1970
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ernest Cormier
Fonds Ernest Cormier
Numéro de référence:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Personnes et institutions:
Date:
1857-1980
1857-1980
Titre:
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1857-1980
1857-1980
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Il Ritorno Dei Re (1980)
Il Ritorno Dei Re (1980)
Numéro de référence:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
circa 1980
circa 1980
Titre:
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1980
circa 1980
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Mounted photographs of nurseries and schools in Chandigarh, India
Actions:
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
Mounted photographs of nurseries and schools in Chandigarh, India
Actions:
ARCH280819
Description:
Group consists of photographs of some of the nurseries and schools in Chandigarh, India. There is a photograph of the Hall of the Higher Secondary School in sector 10, of the Primary School in sector 15 (including one while the school was under construction) and a photograph of the Boy Hostel in sector 14. The group also contains three photographs of a sculpture by Pierre Jeanneret in the nursery school yard in sector 16, including one with children playing around.
Classification:
photographies
photographies
Date:
s.d.
s.d.
Personnes et institutions:
Classification:
dessins
Quantité:
7 working drawing(s)
dessins
Quantité:
7 working drawing(s)
Numéro de référence:
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
Personnes et institutions:
Titre:
Preliminary and final plans, elevations and sections
Actions:
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
Preliminary and final plans, elevations and sections
Actions:
ARCH187748
Description:
preliminary and final plans, elevations and sections for installation of sculptures and alterations to exterior, elevation of existing fonds
Classification:
dessins
Quantité:
7 working drawing(s)
dessins
Quantité:
7 working drawing(s)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Personnes et institutions:
Date:
1973-1976
1973-1976
Titre:
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Niveau de description archivistique:
Project
Project
Date:
1973-1976
1973-1976
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Max Wolfe Roth
Fonds Max Wolfe Roth
Numéro de référence:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Personnes et institutions:
Date:
1933-2000
1933-2000
Titre:
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-2000
1933-2000
Personnes et institutions:
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
Personnes et institutions:
Titre:
Exterior view of bank after alterations, interior views and details of conference room
Actions:
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
Exterior view of bank after alterations, interior views and details of conference room
Actions:
ARCH186189
Description:
exterior view of bank after alterations, interior views and details of conference room, lighting fixtures, sculptures, floor plans
Classification:
dessins, photographies
dessins, photographies
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
George Rohault de Fleury
George Rohault de Fleury
Numéro de référence:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Personnes et institutions:
Date:
1866, 1874
1866, 1874
Titre:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Niveau de description archivistique:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Personnes et institutions:
Date:
1986-1992
1986-1992
Titre:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
1986-1992
1986-1992
Personnes et institutions:
