CARTHA: On making heimat
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then(...)
CARTHA: On making heimat
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA collaborated with the German Pavilion at the International Architecture Exhibition of the 2016 Venice Biennale. Titled Making Heimat: Germany, Arrival Country, the German Pavilion explored the challenges and potential of the recent influx of refugees to Germany has posed for architecture and urban design, and contributions to CARTHA further reflect on this topic. Contributors include, among others, architect Arno Brandlhuber, critic Marina Otero Verzier, and design studio Urban ThinkTank, and the book also features interviews with Iverna McGowan of Amnesty International; David Harvey of Graduate Center, CUNY; Saskia Sassen of Columbia University; and Giovanna Borasi, of the Canadian Centre for Architecture.
Théorie de l’architecture
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The evolution of Jo Nagasaka’s design process is unveiled in a unique publication about his practice. This book tells the story of Schemata Architects, encapsulating the essence of the studio’s work. Highlighting methods and processes through a series of essays, the designer offers insight into how concepts were developed in order to realise the wide-ranging portfolio of(...)
Jo Nagasaka, Schemata Architects: objects and spaces
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The evolution of Jo Nagasaka’s design process is unveiled in a unique publication about his practice. This book tells the story of Schemata Architects, encapsulating the essence of the studio’s work. Highlighting methods and processes through a series of essays, the designer offers insight into how concepts were developed in order to realise the wide-ranging portfolio of Schemata Architects that are showcased in the book. Nagasaka’s focus is often drawn to tired, found objects or unused spaces. Through investigations to seek modern solutions and pioneering re-purposing techniques, he manages to transform interiors and breathe life back into objects. His projects range from large-scale installations and interactive interior environments to smaller-scale products. Revealing insights into his way of working, the book highlights new findings about how the designer is able to capture the essence of his thoughts and relate the key aspects of a project in creative and innovative ways. The articles emphasise the designer's concepts, giving unique insight into the firm's process from the designer’s perspective.
Architecture, monographies
And now: Architecture against a developer presidency. Essays on the occasion of Trump's inauguration
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The election and inauguration of Donald J. Trump as the president of the United States of America have provoked an unprecedented intensity of reflection in virtually all academic disciplines. The professions of architecture and planning, faced with the phenomenon of a self-proclaimed "builder-in-chief," have found themselves facing a series of fundamental questions, both(...)
And now: Architecture against a developer presidency. Essays on the occasion of Trump's inauguration
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The election and inauguration of Donald J. Trump as the president of the United States of America have provoked an unprecedented intensity of reflection in virtually all academic disciplines. The professions of architecture and planning, faced with the phenomenon of a self-proclaimed "builder-in-chief," have found themselves facing a series of fundamental questions, both old and new. How should we think, teach, and practice under a developer presidency? What sort of walls will we and won't we choose to build? What are our commitments of critical thought, and what obligations should we turn our energies toward? The essays gathered in And Now explore the nature of architecture's many long-standing complicities. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); and it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed-designing and building the boundaries between the "haves" and the "have-nots." This fundamental reality of architectural practice need not inspire either nihilism or defensiveness but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.
Architecture contemporaine
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Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
Four walls and a roof: the complex nature of a simple profession
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Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
Théorie de l’architecture
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Hiroshi Sugimoto turns his lens on Italy's architectural masterworks to create a meditation on the potential of cultural exchange and the possibility of cultural fusion. In 1585, four Japanese youths appeared before Pope Gregory XIII, summoned to his court from the nascent Christian community in Japan to present themselves at the capital of their faith. Sugimoto follows(...)
Hiroshi Sugimoto: Gates of Paradise
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Hiroshi Sugimoto turns his lens on Italy's architectural masterworks to create a meditation on the potential of cultural exchange and the possibility of cultural fusion. In 1585, four Japanese youths appeared before Pope Gregory XIII, summoned to his court from the nascent Christian community in Japan to present themselves at the capital of their faith. Sugimoto follows in the boys' footsteps, capturing the architectural wonders of Rome, Florence, and Venice. Sugimoto's images present each chapel and theater as a marvel, imposing and dark. He contextualizes his photographs with Japanese works from the period and the decades that follow. These panels and objects attest to the impact of Western culture, specifically Jesuit Christianity, on Momoyama and Edo aesthetics as Japanese artists envisioned scenes of European life.
Monographies photo
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This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities.(...)
Iconic buildings: a folio of the world's most remarkable architecture
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This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities. Featuring remarkably detailed line drawings elegantly rendered in black and white, these captivating artworks and the accompanying text help the reader learn each structure’s history and understand what makes them so visually and culturally iconic. With the aim of exploring and communicating the deeper qualities of architecture by looking at it from new angles and presenting it in fresh and engaging ways, the illustrations are distinctive and elegant—inspired by Studio Esinam’s Landmarks and Elevations series of prints. Among the buildings included are such global icons as New York’s Chrysler Building, London’s St. Paul’s Cathedral, and the Sydney Opera House, along with lesser-known yet equally outstanding structures like the Centre Pompidou in Paris or Mies van der Rohe’s Neue Nationalgalerie in Berlin.
Architecture contemporaine
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The official two volume catalog dedicated to the 57th International art exhibition of la biennale di Venezia. Volume I of the two volume set dedicated to the Biennale Arte 2017 features four pages devoted to each invited artist. These pages include a critical essay and a statement by the artist supporting their works on display, as well as supplementary images that(...)
octobre 2017
Viva Arte Viva: 57th international art exhibition, La Biennale di Venezia
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The official two volume catalog dedicated to the 57th International art exhibition of la biennale di Venezia. Volume I of the two volume set dedicated to the Biennale Arte 2017 features four pages devoted to each invited artist. These pages include a critical essay and a statement by the artist supporting their works on display, as well as supplementary images that describe the artist’s practice. Volume II is dedicated to the national participations, the special projects, and the collateral events. Texts and images describe and illustrate each of the individual exhibitions.
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a(...)
Théorie de la photographie
juin 2017
The Polaroid project: at the intersection of art and technology
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality—within an hour. Land’s creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, "The Polaroid project" is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, "The Polaroid project" provides a unique perspective on the Polaroid phenomenon—a technology, an art form, a convergence of both—and its enduring cultural legacy.
Théorie de la photographie
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art(...)
Corporate imaginations: Fluxus strategies for living
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art practice in this way at that time. For all its avant-garde criticality, Fluxus also ambivalently shared aspects of the rising corporate culture of the day. In this book, Mari Dumett addresses the “business” of Fluxus and explores the larger discursive issues of organization, mediatization, routinization, automation, commoditization, and systematization that Fluxus artists both manipulated and exposed. A study of six central figures in the group—George Brecht, Alison Knowles, George Maciunas, Nam June Paik, Mieko Shiomi, and Robert Watts—reveals how they developed historically specific strategies of mimicking the capitalist system.
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively(...)
Agnes Varda: between film, photography and art
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.