36049 Résultats
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livres
livres
Titre:
Mémoires de pierres
Mémoires de pierres
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$41.95
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Au XIXe siècle, des photographes reprennent le principe des vedute, petits tableaux de paysages représentant des “vues” des villes et des sites remarquables d’Italie et produisent des photographies de monuments, de places, d’objets archéologiques. Désir d’exhumer la mémoire de la civilisation, de l’inventer visuellement, aujourd’hui Alain Fleischer, Christian Milovanoff,(...)
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Au XIXe siècle, des photographes reprennent le principe des vedute, petits tableaux de paysages représentant des “vues” des villes et des sites remarquables d’Italie et produisent des photographies de monuments, de places, d’objets archéologiques. Désir d’exhumer la mémoire de la civilisation, de l’inventer visuellement, aujourd’hui Alain Fleischer, Christian Milovanoff,(...)
Titre:
Mémoires de pierres
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$41.95
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Au XIXe siècle, des photographes reprennent le principe des vedute, petits tableaux de paysages représentant des “vues” des villes et des sites remarquables d’Italie et produisent des photographies de monuments, de places, d’objets archéologiques. Désir d’exhumer la mémoire de la civilisation, de l’inventer visuellement, aujourd’hui Alain Fleischer, Christian Milovanoff, Mimmo Jodice, Giulio Paolini parmi bien d’autres, sur des registres esthétiques très différents, parlent encore du paysage antique, de ce paysage de mémoire, constitué par la présence de la ruine.
Mémoires de pierres
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Au XIXe siècle, des photographes reprennent le principe des vedute, petits tableaux de paysages représentant des “vues” des villes et des sites remarquables d’Italie et produisent des photographies de monuments, de places, d’objets archéologiques. Désir d’exhumer la mémoire de la civilisation, de l’inventer visuellement, aujourd’hui Alain Fleischer, Christian Milovanoff, Mimmo Jodice, Giulio Paolini parmi bien d’autres, sur des registres esthétiques très différents, parlent encore du paysage antique, de ce paysage de mémoire, constitué par la présence de la ruine.
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livres
livres
Publication:
janvier 1900, Marseille
janvier 1900, Marseille
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$70.95
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A Marseille, s’est tenu le forum Jérusalem au pluriel, qui réunissait des architectes, écrivains, cinéastes, artistes et critiques israéliens et palestiniens. Leurs interventions se portaient sur le thème des bouleversements urbains.
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A Marseille, s’est tenu le forum Jérusalem au pluriel, qui réunissait des architectes, écrivains, cinéastes, artistes et critiques israéliens et palestiniens. Leurs interventions se portaient sur le thème des bouleversements urbains.
Titre:
Pré/occupations d'espace : Jerusalem au pluriel
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A Marseille, s’est tenu le forum Jérusalem au pluriel, qui réunissait des architectes, écrivains, cinéastes, artistes et critiques israéliens et palestiniens. Leurs interventions se portaient sur le thème des bouleversements urbains.
Pré/occupations d'espace : Jerusalem au pluriel
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A Marseille, s’est tenu le forum Jérusalem au pluriel, qui réunissait des architectes, écrivains, cinéastes, artistes et critiques israéliens et palestiniens. Leurs interventions se portaient sur le thème des bouleversements urbains.
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livres
livres
Publication:
janvier 1900, Marseille
janvier 1900, Marseille
Sujet:
Arch Moyen-Orient
Arch Moyen-Orient
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livres
livres
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$84.00
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going(...)
$84.00
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going(...)
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Occupying space : Sammlung Generali Foundation collection
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going beyond photography, film, video, and installation, all of which allow for process-oriented engagement. The Generali Foundation in Vienna has devoted much of its collection, exhibition energy, and research focus to this "difficult" type of artwork. Though many of the artists that form its collection are part of the canon of recent art history, they are mostly underrepresented in institutions--but not the Generali Foundation. Occupying Space presents a dense, comprehensive selection of projects from its collection by such artists as Valie Export, Andrea Fraser, Isa Genzken, Dan Graham, Hans Haacke, Hans Hollein, Mary Kelly, Gordon Matta-Clark, Adrian Piper, Martha Rosler, Allan Sekula, Peter Weibel, and Franz West, together with brief, articulate texts on their work.
Occupying space : Sammlung Generali Foundation collection
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$84.00
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going beyond photography, film, video, and installation, all of which allow for process-oriented engagement. The Generali Foundation in Vienna has devoted much of its collection, exhibition energy, and research focus to this "difficult" type of artwork. Though many of the artists that form its collection are part of the canon of recent art history, they are mostly underrepresented in institutions--but not the Generali Foundation. Occupying Space presents a dense, comprehensive selection of projects from its collection by such artists as Valie Export, Andrea Fraser, Isa Genzken, Dan Graham, Hans Haacke, Hans Hollein, Mary Kelly, Gordon Matta-Clark, Adrian Piper, Martha Rosler, Allan Sekula, Peter Weibel, and Franz West, together with brief, articulate texts on their work.
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livres
livres
Publication:
mars 2004, Vienna
mars 2004, Vienna
Classification:
livres
livres
Titre:
Ed Ruscha : the drawn word
Ed Ruscha : the drawn word
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$74.95
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"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
Titre:
Ed Ruscha : the drawn word
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$74.95
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Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
Ed Ruscha : the drawn word
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$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
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livres
livres
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
Classification:
livres
livres
Titre:
Partners
Partners
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$62.95
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Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are(...)
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Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are(...)
Titre:
Partners
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$62.95
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Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, "Partners" combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's HIM, a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears.
Partners
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$62.95
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Résumé:
Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, "Partners" combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's HIM, a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears.
Classification:
livres
livres
Publication:
mars 2004, Cologne
mars 2004, Cologne
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$77.00
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The German Stock Exchange in Frankfurt, headquartered in Germany and Luxembourg, has significantly extended its collection of photographs in the last year, acquiring primarily large-format works by upcoming artists. Hence the necessity to produce "XL Photography 2", sequel to the two-year-old "XL Photography". This volume features photographers who employ an unparalleled(...)
$77.00
(disponible sur commande)
Résumé:
The German Stock Exchange in Frankfurt, headquartered in Germany and Luxembourg, has significantly extended its collection of photographs in the last year, acquiring primarily large-format works by upcoming artists. Hence the necessity to produce "XL Photography 2", sequel to the two-year-old "XL Photography". This volume features photographers who employ an unparalleled(...)
Titre:
XL photography 2 : art collection Deutsche Börse
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$77.00
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The German Stock Exchange in Frankfurt, headquartered in Germany and Luxembourg, has significantly extended its collection of photographs in the last year, acquiring primarily large-format works by upcoming artists. Hence the necessity to produce "XL Photography 2", sequel to the two-year-old "XL Photography". This volume features photographers who employ an unparalleled range of modes of design and expression, spanning the rather classical black-and-white photographs of Nicholas Nixon and the cool color photographs of Stephen Shore, as well as the innovative One-Minute Sculptures of Erwin Wurm. Under the artistic guidance of Jean-Christophe Ammann, the photographic collection of the German Stock Exchange in Frankfurt places established artists such as Bernd & Hilla Becher, Sebastião Selgado, Philip-Lorca diCorcia, Rineke Dijkstra, Roni Horn, and Jürgen Teller next to younger, as yet-undiscovered talents. This luxuriously designed, large-scale picture book represents all significant positions taken by photography in the past ten years.
XL photography 2 : art collection Deutsche Börse
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$77.00
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Résumé:
The German Stock Exchange in Frankfurt, headquartered in Germany and Luxembourg, has significantly extended its collection of photographs in the last year, acquiring primarily large-format works by upcoming artists. Hence the necessity to produce "XL Photography 2", sequel to the two-year-old "XL Photography". This volume features photographers who employ an unparalleled range of modes of design and expression, spanning the rather classical black-and-white photographs of Nicholas Nixon and the cool color photographs of Stephen Shore, as well as the innovative One-Minute Sculptures of Erwin Wurm. Under the artistic guidance of Jean-Christophe Ammann, the photographic collection of the German Stock Exchange in Frankfurt places established artists such as Bernd & Hilla Becher, Sebastião Selgado, Philip-Lorca diCorcia, Rineke Dijkstra, Roni Horn, and Jürgen Teller next to younger, as yet-undiscovered talents. This luxuriously designed, large-scale picture book represents all significant positions taken by photography in the past ten years.
Classification:
livres
livres
Publication:
mars 2004, Ostfildern
mars 2004, Ostfildern
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$123.95
(disponible en magasin)
Résumé:
This is the first comprehensive monograph on Balthasar Burkhard, the Swiss master of the sublime. A visual vocabulary of the world we live in, meditative and haunting, instilling peace and anxiety at the same time. This is a book about the beauty of nature - its force, silence, and eternal existence - and about cities - seen from above as they keep growing, threatening to(...)
$123.95
(disponible en magasin)
Résumé:
This is the first comprehensive monograph on Balthasar Burkhard, the Swiss master of the sublime. A visual vocabulary of the world we live in, meditative and haunting, instilling peace and anxiety at the same time. This is a book about the beauty of nature - its force, silence, and eternal existence - and about cities - seen from above as they keep growing, threatening to(...)
Titre:
Balthasar Burkhard : photographer
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$123.95
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This is the first comprehensive monograph on Balthasar Burkhard, the Swiss master of the sublime. A visual vocabulary of the world we live in, meditative and haunting, instilling peace and anxiety at the same time. This is a book about the beauty of nature - its force, silence, and eternal existence - and about cities - seen from above as they keep growing, threatening to suffocate us. Swiss photographer Balthasar Burkhard presents work from the last ten years, images from all over the world - from Japan to the USA, from South America to Africa and to the European Alps. The photographs are arranged in chapters that each focus on one aspect of the world - Desert, River, Skies, Cities, Landscapes. Together, they add up to a poetic atlas, a vision of the beauties and horrors of the world today. Intense black-and-white images that can only be created with a photo camera. A masterpiece of landscape and cityscape photography!
Balthasar Burkhard : photographer
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$123.95
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Résumé:
This is the first comprehensive monograph on Balthasar Burkhard, the Swiss master of the sublime. A visual vocabulary of the world we live in, meditative and haunting, instilling peace and anxiety at the same time. This is a book about the beauty of nature - its force, silence, and eternal existence - and about cities - seen from above as they keep growing, threatening to suffocate us. Swiss photographer Balthasar Burkhard presents work from the last ten years, images from all over the world - from Japan to the USA, from South America to Africa and to the European Alps. The photographs are arranged in chapters that each focus on one aspect of the world - Desert, River, Skies, Cities, Landscapes. Together, they add up to a poetic atlas, a vision of the beauties and horrors of the world today. Intense black-and-white images that can only be created with a photo camera. A masterpiece of landscape and cityscape photography!
Classification:
livres
livres
Publication:
juin 2004, Zurich
juin 2004, Zurich
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$20.00
(disponible sur commande)
Résumé:
As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return(...)
$20.00
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As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return(...)
Titre:
Bruno Munari : teoremi sull'arte / art theorems / art théorèmes
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$20.00
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As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return to reality ... is the choice of subject important?/raphael's marriage of the virgin/art/john brown's marriage of the virgin/not art/art isn't the subject ... a hundred lovers can even understand realism/a million admirers/will reject concrete art/with all their might ... in italy art is supposed to be italian/in poland polish/in turkey turkish/and if a turk goes to paint in poland/what sort of art should he do?/and what if poland occupies turkey? ... ministers and dictators/noblemen/the bored rich/sportsmen/dissatisfied professionals/worldly galleries/obliging critics/welcoming newspapers/opening cocktails/lots of people/art no.
Bruno Munari : teoremi sull'arte / art theorems / art théorèmes
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$20.00
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Résumé:
As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return to reality ... is the choice of subject important?/raphael's marriage of the virgin/art/john brown's marriage of the virgin/not art/art isn't the subject ... a hundred lovers can even understand realism/a million admirers/will reject concrete art/with all their might ... in italy art is supposed to be italian/in poland polish/in turkey turkish/and if a turk goes to paint in poland/what sort of art should he do?/and what if poland occupies turkey? ... ministers and dictators/noblemen/the bored rich/sportsmen/dissatisfied professionals/worldly galleries/obliging critics/welcoming newspapers/opening cocktails/lots of people/art no.
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livres
livres
Publication:
mars 2004, Mantua
mars 2004, Mantua
Classification:
livres
livres
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Publication:
mars 2004, New York
mars 2004, New York
Titre:
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Classification:
livres
livres
Publication:
mars 2004, New York
mars 2004, New York
Classification:
livres
livres
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$33.95
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Matali Crasset, née en 1965 à Chalons-en-Champagne, est designer industriel de formation, diplômée des Ateliers. Elle travaille d'abord aux côtés de Denis Santachiara à Milan puis avec Philippe Starck pendant cinq ans au sein de l'agence et de Thomson multimédia, où elle anime le designer center, Tim Thom. Elle crée sa propre structure en 1999. Depuis matali travaille sur(...)
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Matali Crasset, née en 1965 à Chalons-en-Champagne, est designer industriel de formation, diplômée des Ateliers. Elle travaille d'abord aux côtés de Denis Santachiara à Milan puis avec Philippe Starck pendant cinq ans au sein de l'agence et de Thomson multimédia, où elle anime le designer center, Tim Thom. Elle crée sa propre structure en 1999. Depuis matali travaille sur(...)
Titre:
Le pigeonnier, capsule / the pigeon loft, capsule
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Matali Crasset, née en 1965 à Chalons-en-Champagne, est designer industriel de formation, diplômée des Ateliers. Elle travaille d'abord aux côtés de Denis Santachiara à Milan puis avec Philippe Starck pendant cinq ans au sein de l'agence et de Thomson multimédia, où elle anime le designer center, Tim Thom. Elle crée sa propre structure en 1999. Depuis matali travaille sur les rites domestiques et sur l'intégration de la technologie dans le quotidien. Son projet le plus connu, la colonne d'hospitalité, Quand Jim monte à Paris, témoigne de son intérêt pour les nouvelles typologies et de son désir de créer des propositions ouvertes basées sur des notions simples telles que l'hospitalité, la générosité, l'empathie, la flexibilité. Mtali intervient dans des domaines aussi variés que le design industriel, le mobilier, le graphisme, la scénographie, l'architecture intérieure. En 2003 elle réalise un projet global, HI, un hôtel de ville à Nice, qui propose une expérience du contemporain et Le Pigeonnier Capsule, sa première micro-architecture. Le mu. dac de Lausanne a présenté à l'automne 2002, Un pas de côté 1991/2002, la première rétrospective sur son travail. Cette exposition a été ensuite présentée au Victoria & Albert museum de Londres en février 2003 puis au Grand-Hornu en Belgique à l'été 2003.
Le pigeonnier, capsule / the pigeon loft, capsule
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Résumé:
Matali Crasset, née en 1965 à Chalons-en-Champagne, est designer industriel de formation, diplômée des Ateliers. Elle travaille d'abord aux côtés de Denis Santachiara à Milan puis avec Philippe Starck pendant cinq ans au sein de l'agence et de Thomson multimédia, où elle anime le designer center, Tim Thom. Elle crée sa propre structure en 1999. Depuis matali travaille sur les rites domestiques et sur l'intégration de la technologie dans le quotidien. Son projet le plus connu, la colonne d'hospitalité, Quand Jim monte à Paris, témoigne de son intérêt pour les nouvelles typologies et de son désir de créer des propositions ouvertes basées sur des notions simples telles que l'hospitalité, la générosité, l'empathie, la flexibilité. Mtali intervient dans des domaines aussi variés que le design industriel, le mobilier, le graphisme, la scénographie, l'architecture intérieure. En 2003 elle réalise un projet global, HI, un hôtel de ville à Nice, qui propose une expérience du contemporain et Le Pigeonnier Capsule, sa première micro-architecture. Le mu. dac de Lausanne a présenté à l'automne 2002, Un pas de côté 1991/2002, la première rétrospective sur son travail. Cette exposition a été ensuite présentée au Victoria & Albert museum de Londres en février 2003 puis au Grand-Hornu en Belgique à l'été 2003.
Classification:
livres
livres
Publication:
janvier 2004, Paris
janvier 2004, Paris
Sujet:
Architecture miniature
Architecture miniature
