4194 Résultats
Classification:
événements
événements
Description:
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
Date:
17 novembre 2011
17 novembre 2011
Titre:
Urgence 2011 : Jean-Philippe Vassal et Giancarlo Mazzanti
Actions:
Description:
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
Urgence 2011 : Jean-Philippe Vassal et Giancarlo Mazzanti
Actions:
Description:
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
Classification:
événements
événements
Date:
17 novembre 2011
17 novembre 2011
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2011
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Date:
avril 2011 au octobre 2011
avril 2011 au octobre 2011
Titre:
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Classification:
recherche
recherche
Date:
avril 2011 au
octobre 2011
avril 2011 au
octobre 2011
Classification:
articles
articles
Titre:
2011 : StackView / ShelfLife
2011 : StackView / ShelfLife
Actions:
Dossier:
C’était le futur
C’était le futur
Mot(s)-clé(s):
bibliothèque, Bibliothèque de Congrés, Google, Harvard, Harvard Library Innovation Laboratory, livre, skeuomorphisme, système décimal Dewey
bibliothèque, Bibliothèque de Congrés, Google, Harvard, Harvard Library Innovation Laboratory, livre, skeuomorphisme, système décimal Dewey
Publié:
5 juillet 2012
5 juillet 2012
Dossier:
C’était le futur
C’était le futur
Classification:
recherche
recherche
Titre:
Bourses d’appui 2011
Bourses d’appui 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Date:
14 mars 2011 au 28 novembre 2011
14 mars 2011 au 28 novembre 2011
Titre:
Bourses d’appui 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Bourses d’appui 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Classification:
recherche
recherche
Date:
14 mars 2011 au
28 novembre 2011
14 mars 2011 au
28 novembre 2011
Classification:
recherche
recherche
Date:
janvier 2011 au décembre 2011
janvier 2011 au décembre 2011
Classification:
recherche
recherche
Date:
janvier 2011 au
décembre 2011
janvier 2011 au
décembre 2011
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark(...)
Date:
février 2011 au novembre 2011
février 2011 au novembre 2011
Titre:
Programme pour les doctorants 2011
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark(...)
Programme pour les doctorants 2011
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark(...)
Classification:
recherche
recherche
Date:
février 2011 au
novembre 2011
février 2011 au
novembre 2011
Niveau de description archivistique:
Projet
Projet
Titre:
Architecture + Nature (2011)
Architecture + Nature (2011)
Numéro de référence:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2017
2011-2017
Titre:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2017
2011-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Numéro de référence:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
La Linea Del Tempo [Time Line] (2011)
Actions:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
La Linea Del Tempo [Time Line] (2011)
Actions:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Uno Spazio Per Pierre [A Space for Pierre] (2011)
Actions:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
Uno Spazio Per Pierre [A Space for Pierre] (2011)
Actions:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
