articles
5 mai 2025
Le pouvoir de transformation du cinéma
Andrea Lissoni et Akram Zaatari discutent de films, d’institutions et de leurs caractères métamorphiques
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160 pages : illustrations (chiefly color) ; 24 cm
London : Tate Publishing, 2016.
Philippe Parreno : anywhen / edited by Andrea Lissoni ; contributions by Philippe Parreno and Zoe Stillpass.
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160 pages : illustrations (chiefly color) ; 24 cm
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London : Tate Publishing, 2016.
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176 pages : illustrations (chiefly color) ; 27 cm
London : Tate Publishing, 2020., ©2020
Bruce Nauman / edited by Andrea Lissoni and Nicholas Serota ; with contributions by Henriette Huldisch, Andrea Lissoni, Nicholas Serota, Joan Simon and Katy Wan.
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176 pages : illustrations (chiefly color) ; 27 cm
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London : Tate Publishing, 2020., ©2020
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166 pages : illustrations, portrait ; 19 cm.
[Milan, Italy] : Bruno Mondadori, ©2007.
Architetture, città, visioni : riflessioni sulla fotografia / Gabriele Basilico ; a cura di Andrea Lissoni.
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166 pages : illustrations, portrait ; 19 cm.
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[Milan, Italy] : Bruno Mondadori, ©2007.
Bruce Nauman
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Bruce Nauman is a restlessly inventive artist. Since the late 1960s he has shaped our understanding of how contemporary art can both reflect and comment on our experience of ourselves and of the world. Focusing on his experiments with sound, language, moving image and immersive installations, this book includes texts on Nauman’s video works of the 1980s and 1990s, as well(...)
Bruce Nauman
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$44.00
(disponible sur commande)
Résumé:
Bruce Nauman is a restlessly inventive artist. Since the late 1960s he has shaped our understanding of how contemporary art can both reflect and comment on our experience of ourselves and of the world. Focusing on his experiments with sound, language, moving image and immersive installations, this book includes texts on Nauman’s video works of the 1980s and 1990s, as well as on the development of his studio practice over a period of fifty years, along with a conversation between the artist, Andrea Lissoni, and Nicholas Serota. Nauman is here revealed as an artist who has made his mark on the art of both the twentieth and twenty-first centuries.
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Philippe Parreno (born 1964) is interested more in the dynamics of how a work of art is shown to the public than in its actual production, and in his films, installations, performances and texts, he subverts the codes normally applied to exhibition spaces. By placing the construction of the exhibition at the heart of his process, the French artist redefines the exhibition(...)
Philippe Parreno: hypnosis hypothesis
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Philippe Parreno (born 1964) is interested more in the dynamics of how a work of art is shown to the public than in its actual production, and in his films, installations, performances and texts, he subverts the codes normally applied to exhibition spaces. By placing the construction of the exhibition at the heart of his process, the French artist redefines the exhibition experience as a coherent object rather than a collection of individual works. “The exhibition is conceived as a scripted space,” he writes, “like an automaton, producing different temporalities, a rhythm, an itinerary, and a duration. The visitor is guided through the spaces by the appearance and orchestration of sounds and images ... a mental choreography.” Published to accompany his 2015 exhibitions in New York and Milan, Hypnosis Hypothesis offers a rich critical overview of Parreno's work, featuring essays by Cyril Béghin, Molly Nesbit, Brian O’Doherty and Adam Thirlwell, and interviews with exhibition curators Hans Ulrich Obrist and Andrea Lissoni. The monograph provides invaluable new research on one of the most influential and charismatic figures on the contemporary art scene.