Théâtre Paul-Desmarais Mot(s)-clé(s):
Conférence Stirlinlg, Robert Mangurian, Mary-Ann Ray
13 novembre 2008 au 21 octobre 2009
Théâtre Paul-Desmarais Mot(s)-clé(s):
Conférence Stirlinlg, Robert Mangurian, Mary-Ann Ray
photographies
ARCH267916
2000
photographies
2000
photographies
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
1980s
Photographs of the Beijing Renewal project collaboration
Actions:
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
photographies
1980s
Projet
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
2005-2006
Villa en Forest Forever, Beijing, China (2005)
Actions:
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
Project
2005-2006
dessins
AP149.S2.SS3.027
1980s
dessins
1980s
Série(s)
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
2000 - 2007
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Series
2000 - 2007
maquettes
ARCH283671
2005
maquettes
2005
documents textuels
AP179.S3.038
2000
documents textuels
2000
documents textuels
AP179.S3.044
2003
documents textuels
2003
documents textuels
AP179.S3.045
2003
documents textuels
2003