315 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Actions:
Numéro de référence:
PH1998:0013:024:001-005
PH1998:0013:024:001-005
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1931 and 1933
between 1931 and 1933
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
between 1931 and 1933
between 1931 and 1933
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
événements
événements
Actions:
Description:
Sujet : Designing Life Off-the-Grid: The 1970s Autonomy Moment Séminaire : Classique culte des années 1970 : La maison autonome
Sujet : Designing Life Off-the-Grid: The 1970s Autonomy Moment Séminaire : Classique culte des années 1970 : La maison autonome
Date:
6 août 2015
6 août 2015
Titre:
Séminaire de chercheur en résidence : Lee Stickells
Actions:
Description:
Sujet : Designing Life Off-the-Grid: The 1970s Autonomy Moment Séminaire : Classique culte des années 1970 : La maison autonome
Séminaire de chercheur en résidence : Lee Stickells
Actions:
Description:
Sujet : Designing Life Off-the-Grid: The 1970s Autonomy Moment Séminaire : Classique culte des années 1970 : La maison autonome
Classification:
événements
événements
Date:
6 août 2015
6 août 2015
Classification:
événements
événements
Actions:
Description:
Face aux bouleversements économiques des années 1970, les architectes britanniques, qui travaillaient alors principalement au service de l’État providence, gagnèrent en autonomie.
Face aux bouleversements économiques des années 1970, les architectes britanniques, qui travaillaient alors principalement au service de l’État providence, gagnèrent en autonomie.
Localisation:
la salle d’étude Mot(s)-clé(s):
les architectes britanniques, 1970, autonomie, périphérique
la salle d’étude Mot(s)-clé(s):
les architectes britanniques, 1970, autonomie, périphérique
Date:
6 août 2026, 18h à 19h30
6 août 2026, 18h à 19h30
Titre:
Une architecture de la flexibilité
Actions:
Description:
Face aux bouleversements économiques des années 1970, les architectes britanniques, qui travaillaient alors principalement au service de l’État providence, gagnèrent en autonomie.
Une architecture de la flexibilité
Actions:
Description:
Face aux bouleversements économiques des années 1970, les architectes britanniques, qui travaillaient alors principalement au service de l’État providence, gagnèrent en autonomie.
Classification:
événements
événements
Date:
6 août 2026
18h à 19h30
6 août 2026
18h à 19h30
Localisation:
la salle d’étude Mot(s)-clé(s):
les architectes britanniques, 1970, autonomie, périphérique
la salle d’étude Mot(s)-clé(s):
les architectes britanniques, 1970, autonomie, périphérique
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D73
Description:
File documents an unsuccessful competition entry for a new train terminal at the San Cristoforo Station in Milan, Italy. Precise recommendations were made by the "Azienda autonomous ferrovie dello stato" for this competition. Material in this file was produced in 1984. File contains design drawings and presentation drawings.
AP142.S1.D73
Description:
File documents an unsuccessful competition entry for a new train terminal at the San Cristoforo Station in Milan, Italy. Precise recommendations were made by the "Azienda autonomous ferrovie dello stato" for this competition. Material in this file was produced in 1984. File contains design drawings and presentation drawings.
Personnes et institutions:
Date:
1984
1984
Titre:
Nuovo terminal della stazione San Cristoforo di Milano
Actions:
AP142.S1.D73
Description:
File documents an unsuccessful competition entry for a new train terminal at the San Cristoforo Station in Milan, Italy. Precise recommendations were made by the "Azienda autonomous ferrovie dello stato" for this competition. Material in this file was produced in 1984. File contains design drawings and presentation drawings.
Nuovo terminal della stazione San Cristoforo di Milano
Actions:
AP142.S1.D73
Description:
File documents an unsuccessful competition entry for a new train terminal at the San Cristoforo Station in Milan, Italy. Precise recommendations were made by the "Azienda autonomous ferrovie dello stato" for this competition. Material in this file was produced in 1984. File contains design drawings and presentation drawings.
Niveau de description archivistique:
File 73
File 73
Date:
1984
1984
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ábalos & Herreros
Fonds Ábalos & Herreros
Numéro de référence:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Personnes et institutions:
Date:
1920-2009
1920-2009
Titre:
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1920-2009
1920-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
2 avril 2009
2 avril 2009
Titre:
Michael Rakowitz et Luca Stasi de Recetas Urbanas
Actions:
Description:
Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Michael Rakowitz et Luca Stasi de Recetas Urbanas
Actions:
Description:
Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Classification:
événements
événements
Date:
2 avril 2009
2 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
articles
articles
Actions:
Dossier:
Notre client, la planète
Notre client, la planète
Mot(s)-clé(s):
maison autonome, McGill University, Minimum Cost Housing Group (MCHG), Stop the Five Gallon Flush, toilettes
maison autonome, McGill University, Minimum Cost Housing Group (MCHG), Stop the Five Gallon Flush, toilettes
Publié:
19 octobre 2015
19 octobre 2015
Dossier:
Notre client, la planète
Notre client, la planète
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Actions:
Numéro de référence:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Date:
1980s-1990s
1980s-1990s
Titre:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Classification:
événements
événements
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte américain Michael Reynolds fait le point sur les maisons « Earthships » qui emploient des matériaux recyclés et des technologies d’énergie durable afin de créer des habitations autonomes.La réutilisation des matériaux s’étend à l’ensemble de la structure et des systèmes de maisons « Earthships », depuis le(...)
Dans la série de conférences Hier d’aujourd’hui, l’architecte américain Michael Reynolds fait le point sur les maisons « Earthships » qui emploient des matériaux recyclés et des technologies d’énergie durable afin de créer des habitations autonomes.La réutilisation des matériaux s’étend à l’ensemble de la structure et des systèmes de maisons « Earthships », depuis le(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
15 novembre 2007
15 novembre 2007
Titre:
Michael Reynolds : The Earthship Sustainable Housing Concept
Actions:
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte américain Michael Reynolds fait le point sur les maisons « Earthships » qui emploient des matériaux recyclés et des technologies d’énergie durable afin de créer des habitations autonomes.La réutilisation des matériaux s’étend à l’ensemble de la structure et des systèmes de maisons « Earthships », depuis le(...)
Michael Reynolds : The Earthship Sustainable Housing Concept
Actions:
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte américain Michael Reynolds fait le point sur les maisons « Earthships » qui emploient des matériaux recyclés et des technologies d’énergie durable afin de créer des habitations autonomes.La réutilisation des matériaux s’étend à l’ensemble de la structure et des systèmes de maisons « Earthships », depuis le(...)
Classification:
événements
événements
Date:
15 novembre 2007
15 novembre 2007
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
