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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la(...)
septembre 2011
Lucidité : vues de l'intérieur / Lucidity: inward views
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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la photographie et la lucidité. Il s'agit de la publication officielle de la 12e édition du Mois de la photo à Montréal. In this lavishly illustrated book, guest curator Anne-Marie Ninacs introduces the twenty-five artists whose works are exhibited in the international biennale of contemporary photography. It is the official publication of the 12th presentation of Le Mois de la photo à Montréal.
After nature
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original(...)
After nature
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original book, enriched with images that have been hand-placed between the pages, and a new fold-out dust jacket. The result is a singular hybrid that is part appropriation, part recycled material--informed by the artistic tradition of the found object. Conceived as an homage, the catalogue features an essay by the New Museum's Massimiliano Gioni, a complete checklist and 25 color images by each of the featured artists, who include Pawel Althamer, Huma Bhabha, Maurizio Cattelan, William Christenberry, Nathalie Djurberg, Werner Herzog, Zoe Leonard, Klara Liden, Dana Schutz and Tino Sehgal, among others.
Expositions collectives
Amateurs
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This publication accompanies the exhibition Amateurs at the CCA Wattis Institute for Contemporary Arts, on view from April 23 through August 9, 2008, in the lower of the Logan Galleries on the San Francisco campus of California College of the Arts.
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juillet 2008, San Francisco
Amateurs
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This publication accompanies the exhibition Amateurs at the CCA Wattis Institute for Contemporary Arts, on view from April 23 through August 9, 2008, in the lower of the Logan Galleries on the San Francisco campus of California College of the Arts.
Expositions collectives
Brussels biennial
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The 2008 Brussels Biennial focuses on collaboration, globalization and mobilization. This generously illustrated volume features the work of the Biennial's nearly 100 international artists, including Simon Starling, Joëlle Tuerlinckx, Pawel Althamer, Art & Language, Nicolas Uriburu, Shahidul Alam, Kostis Velonis, Stelios Votsis and Luc Deleu & T.O.P. Office.
Brussels biennial
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The 2008 Brussels Biennial focuses on collaboration, globalization and mobilization. This generously illustrated volume features the work of the Biennial's nearly 100 international artists, including Simon Starling, Joëlle Tuerlinckx, Pawel Althamer, Art & Language, Nicolas Uriburu, Shahidul Alam, Kostis Velonis, Stelios Votsis and Luc Deleu & T.O.P. Office.
Expositions collectives
The wizard of Oz
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This catalog accompanies the exhibition The Wizard of Oz at the CCA Wattis Institute for Contemporary Arts, on view from September 2 through December 13, 2008 in the lower of the Logan Galleries in the San Francisco campus of California College of Art.
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février 2009, San Francisco
The wizard of Oz
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This catalog accompanies the exhibition The Wizard of Oz at the CCA Wattis Institute for Contemporary Arts, on view from September 2 through December 13, 2008 in the lower of the Logan Galleries in the San Francisco campus of California College of Art.
Expositions collectives
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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janvier 1900, Luzern
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Expositions collectives
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Au siècle de l'urbanisation galopante, la mutation rapide des villes est au coeur de leurs interrogations. Des études de Robert Venturi consacrées au Las Vegas des années 1970 à l'ouvrage de Rem Koolhaas New York Délire, qui fait du Luna Park de Coney Island l'" incubateur " mythologique de Manhattan, des cités idéales rêvées par Watt Disney aux fantaisies architecturales(...)
Dreamlands: des parcs d'attractions aux cités du futur
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Au siècle de l'urbanisation galopante, la mutation rapide des villes est au coeur de leurs interrogations. Des études de Robert Venturi consacrées au Las Vegas des années 1970 à l'ouvrage de Rem Koolhaas New York Délire, qui fait du Luna Park de Coney Island l'" incubateur " mythologique de Manhattan, des cités idéales rêvées par Watt Disney aux fantaisies architecturales des urbanistes de Dubaï ou de Shanghai, cette punlication retrace les étapes d'une métamorphose ludique de la ville, qui est peut-être aussi celle de la culture, à l'heure du tourisme de masse.
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People Meet in Architecture is the official catalog of the 12th International Architecture Biennale. The idea of Kazuyo Sejima for this Biennale is to restart the discussion about architecture and its role in civilization, thus helping people relate to architecture while helping architecture relate to people and helping people relate to themselves.
People meet in architecture: Biennale Architettura 2010, official catalog
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People Meet in Architecture is the official catalog of the 12th International Architecture Biennale. The idea of Kazuyo Sejima for this Biennale is to restart the discussion about architecture and its role in civilization, thus helping people relate to architecture while helping architecture relate to people and helping people relate to themselves.
Expositions collectives
$43.00
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered(...)
The end of the line: attitudes in drawing
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas.
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Jorinde Voigt: nexus
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In her drawings, German artist Jorinde Voigt (born 1977) develops a code of abstractionist signage that at first appears deeply subjective but soon reveals itself as the product of strict rules and systems. Blurring borders between science and art, these drawings analyze the structures of diverse cultural patterns via abstract parameters such as speed, frequency and orientation.
Jorinde Voigt: nexus
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In her drawings, German artist Jorinde Voigt (born 1977) develops a code of abstractionist signage that at first appears deeply subjective but soon reveals itself as the product of strict rules and systems. Blurring borders between science and art, these drawings analyze the structures of diverse cultural patterns via abstract parameters such as speed, frequency and orientation.
Expositions collectives