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This book examines the various functions of Indian architecture and traces the various developments in the field beginning with the Indus Valley Civilization under the heads of settlement patterns, houses, residences, palaces, funerary monuments, and religious structures.
Histoire jusqu'à 1900, Asie
janvier 2005, Oxford, New York, New Delhi
A social history of Indian architecture
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This book examines the various functions of Indian architecture and traces the various developments in the field beginning with the Indus Valley Civilization under the heads of settlement patterns, houses, residences, palaces, funerary monuments, and religious structures.
Histoire jusqu'à 1900, Asie
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The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
Histoire jusqu'à 1900, Asie
septembre 2006, New Haven / London
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
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septembre 2006, New Haven / London
Histoire jusqu'à 1900, Asie
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Continuing the "Architecture in Context" series, this second volume narrates the development of architecture across a huge swathe of the world, from the Indian subcontinent to the Japanese archipelago, over a period extending from prehistory to the arrival of Islam and its distinct traditions from the eleventh century onwards. Fantastically illustrated, with over 1,000(...)
The East: buddhists, hindus and the sons of heaven
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Continuing the "Architecture in Context" series, this second volume narrates the development of architecture across a huge swathe of the world, from the Indian subcontinent to the Japanese archipelago, over a period extending from prehistory to the arrival of Islam and its distinct traditions from the eleventh century onwards. Fantastically illustrated, with over 1,000 photographs and drawings, Christopher Tadgell covers the major architectural traditions of India, China, Thailand and Japan as well as the spectacular architecture of Sri Lanka, Nepal, Korea, Myenmar, Bhutan and Tibet. As with the first volume - "Antiquity" - "The East" presents not only the buildings themselves, but the cultures and peoples that they are a part of. Unprecedented in its scope, this volume is a beautiful guide to the fascinating history of Eastern architecture.
Histoire jusqu'à 1900, Asie
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A valuable resource for architecture students and design professionals alike, this book is packed with more than 650 photographs and an authoritative text that explores the new glass and steel masterpieces of Dubai. From state-of-the-art hotels to luxury residences to the headquarters of some of the world’s most important financial institutions, specially commissioned(...)
Histoire jusqu'à 1900, Asie
novembre 2008, Vercelli
New frontiers in architecture: Dubai between vision and reality
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A valuable resource for architecture students and design professionals alike, this book is packed with more than 650 photographs and an authoritative text that explores the new glass and steel masterpieces of Dubai. From state-of-the-art hotels to luxury residences to the headquarters of some of the world’s most important financial institutions, specially commissioned photographs showcase the innovations that make this an area of great interest to design professionals.
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality,(...)
Imagining the turkish house: collective visions of home
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
Histoire jusqu'à 1900, Asie
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Lors de la réoccupation des villes de Palestine au printemps 2002, l'armée israélienne a utilisé une tactique inédite: au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode,(...)
À travers les murs: l'architecture de la nouvelle guerre urbaine
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Lors de la réoccupation des villes de Palestine au printemps 2002, l'armée israélienne a utilisé une tactique inédite: au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode, "conceptualisée" sous le nom de "géométrie inversée" par des généraux qui aiment à citer Debord, Deleuze et Guattari ou Derrida, représente un tournant postmoderne dans la guerre des villes.
Histoire jusqu'à 1900, Asie
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges(...)
Histoire jusqu'à 1900, Asie
mai 2008, Tokyo, Rutland, Singapore
Chinese bridges: living architecture from China's past
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges of China move beyond that stereotype, as many are undeniably dramatic, even majestic and daring. Chinese Bridges illustrates in detail 20 well-preserved ancient bridges, along with descriptions and essays on the distinctive architectural elements shared by the various designs. For the first time in an English-language book, Chinese Bridges records scores of newly discovered bridges across China's vast landscape, illustrated with over 400 color photographs, as well as woodblock prints, historic images, paintings and line drawings. Ronald G. Knapp has been carrying out research on cultural and historical geography in China's countryside since 1965. Currently SUNY Distinguished Professor Emeritus at the State University of New York, New Paltz, he is the author or contributing editor of more than a dozen books.
Histoire jusqu'à 1900, Asie
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Throughout history, China has maintained one of the world’s richest built civilizations. The nation’s architectural achievements range from its earliest walled cities and the First Emperor’s vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this book, Nancy Shatzman Steinhardt presents a fully comprehensive(...)
Chinese architecture: a history
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Throughout history, China has maintained one of the world’s richest built civilizations. The nation’s architectural achievements range from its earliest walled cities and the First Emperor’s vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this book, Nancy Shatzman Steinhardt presents a fully comprehensive survey of Chinese architecture in any language. With rich political and historical context, Steinhardt covers forty centuries of architecture, from the genesis of Chinese building through to the twenty-first century and the challenges of urban expansion and globalism.
Histoire jusqu'à 1900, Asie
Chinese architecture
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Ancient Chinese architecture is not only a source of reference for modern Chinese design, it has also had an international influence and attracted global attention. Moreover, architectural remains in China reveal much about the history of this ancient civilisation. The palaces, gardens, temples, tombs and dwellings of the Chinese people reflect, for example, the military(...)
Chinese architecture
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Ancient Chinese architecture is not only a source of reference for modern Chinese design, it has also had an international influence and attracted global attention. Moreover, architectural remains in China reveal much about the history of this ancient civilisation. The palaces, gardens, temples, tombs and dwellings of the Chinese people reflect, for example, the military achievements of the Qin emperor, the spirit of the Tang Dynasty, the palace intrigues of the Ming Dynasty, the diversity of Chinese culture through the ages and the skill of countless generations of craftsmen and labourers. This publication provides an accessible, illustrated introduction to this essential part of China's cultural heritage.
Histoire jusqu'à 1900, Asie
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
Histoire jusqu'à 1900, Asie
janvier 1900, Cambridge / London
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
Histoire jusqu'à 1900, Asie