$79.95
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This monograph is the most up-to-date and definitive book on the work of Jeff Wall, the artist responsible for bringing photography to the forefront of contemporary art since the late 1970s. It is a complete career retrospective that includes four essays by art historians such as Mark Lewis and Boris Groys, interviews with and writings by the artist, and full-colour(...)
Jeff Wall : the complete edition
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This monograph is the most up-to-date and definitive book on the work of Jeff Wall, the artist responsible for bringing photography to the forefront of contemporary art since the late 1970s. It is a complete career retrospective that includes four essays by art historians such as Mark Lewis and Boris Groys, interviews with and writings by the artist, and full-colour reproductions of all his artworks.
Monographies photo
$50.95
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Avec cet ouvrage, Philippe Bazin nous livre son point de vue d’artiste sur le travail d’un photographe mondialement célébré. Invitant sans arrêt l’irréel au sein du banal, Jeff Wall est passé maître dans l’art de l’étrangeté familière. Bazin propose ici un panorama de son œuvre qu’il balaye généreusement, depuis les tous premiers travaux de la fin des années 1970 jusqu’à(...)
Jeff Wall : refonder la modernité
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Avec cet ouvrage, Philippe Bazin nous livre son point de vue d’artiste sur le travail d’un photographe mondialement célébré. Invitant sans arrêt l’irréel au sein du banal, Jeff Wall est passé maître dans l’art de l’étrangeté familière. Bazin propose ici un panorama de son œuvre qu’il balaye généreusement, depuis les tous premiers travaux de la fin des années 1970 jusqu’à l’aube des années 2000. Il éclaire ainsi une trentaine de photographies, reproduites en grand format, en les confrontant à l’idéal baudelairien du «peintre de la vie moderne», qui irrigue la pratique et la réflexion de l’artiste canadien depuis ses débuts. Ce livre présente l’avantage de s’offrir comme une conversation fluide, un dialogue intellectuel et sensible entre deux photographes à l’affût du « antastique réel extrait de la vie», que Baudelaire avait entrevu.
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Monographies photo
septembre 2010
Jeff Wall: L'édition complète
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Monographies photo
Jeff Wall: the crooked path
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The photography of Jeff Wall (born 1946) is consciously and profoundly saturated in the social: in the Vancouver art community from which he first emerged, fully formed, in the late 1970s; in the racial and gender politics of our times, which he analyses with marvelous clarity in his huge photographic light boxes that declare an equal status with painting through their(...)
Jeff Wall: the crooked path
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The photography of Jeff Wall (born 1946) is consciously and profoundly saturated in the social: in the Vancouver art community from which he first emerged, fully formed, in the late 1970s; in the racial and gender politics of our times, which he analyses with marvelous clarity in his huge photographic light boxes that declare an equal status with painting through their scale and their carefully plotted depth and grandeur; in the art history pantheon that informs his staged compositions, from Hokusai to Velásquez and Manet; and in his influence on at least two generations of photographers, most notably the Düsseldorf school (Andreas Gursky once cited Wall as “a great model for me” ). This publication examines the cultural context for Wall's tremendous achievement in photography. Wall himself has chosen 25 of his own photographs, taken between the late 1970s and the present, and has constellated them among the visionary company his work keeps, alongside reproductions of works by Marcel Duchamp, Diane Arbus, Eugene Atget, Wols, Andreas Gursky, David Claerbout, Thomas Struth, Frank Stella, Robert Smithson, Rodney Graham, Ian Wallace, Lawrence Wiener and R.W. Fassbinder. This book orients Wall's photography across ten themed chapters, each of which is prefaced with an interview with Wall by Hans De Wolf. Also included are testimonies and essays by fellow artists and art historians, such as Luc Tuymans, Lawrence Weiner, Michael Fried and David Campany.
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livres
Carnegie International 1999/2000 : Nov 6, 1999 - Mar 26, 2000 / [curator Madeleine Grynsztehn].
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2 volumes (206 pages, 174 pages) : illustrations (some color) ; in case 31 cm
Pittsburgh, Pa. : Carnegie Museum of Art, 1999.
Carnegie International 1999/2000 : Nov 6, 1999 - Mar 26, 2000 / [curator Madeleine Grynsztehn].
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2 volumes (206 pages, 174 pages) : illustrations (some color) ; in case 31 cm
livres
Pittsburgh, Pa. : Carnegie Museum of Art, 1999.
livres
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279 pages : illustrations (chiefly color), portraits ; 31 x 33 cm
Berlin : Hatje Cantz, [2019], ©2019
This place = מקום זה = هذا المكان / editor, Matt Brogan. This place = Maḳom zeh = Hādhā al-makān / editor, Matt Brogan.
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279 pages : illustrations (chiefly color), portraits ; 31 x 33 cm
livres
Berlin : Hatje Cantz, [2019], ©2019
livres
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158 pages : illustrations (chiefly color) ; 23 cm
Paris : Jeu de paume, ©2004.
L'ombre du temps / [text, Régis Durand, Michel Poivert].
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158 pages : illustrations (chiefly color) ; 23 cm
livres
Paris : Jeu de paume, ©2004.
$54.95
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Like almost no other artist of his generation, Canadian Jeff Wall (born in 1946) has focused on the potential of artistic composition, the boundaries between the genres of painting, photography, sculpture, and film, fiction and reality. This publication aims to take a fresh look at Wall's oeuvre, which has been so influential and had such an international impact, and to(...)
Jeff Wall: works from Munich collections
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Like almost no other artist of his generation, Canadian Jeff Wall (born in 1946) has focused on the potential of artistic composition, the boundaries between the genres of painting, photography, sculpture, and film, fiction and reality. This publication aims to take a fresh look at Wall's oeuvre, which has been so influential and had such an international impact, and to allow his works to be experienced in light of the recognition of photography as an art form.
Monographies photo
Jeff Wall
$69.00
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed(...)
Jeff Wall
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$69.00
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. It also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.
Théorie de la photographie
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
Marcel Duchamp : étant donnés
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
Théorie de l’art