photographies
PH2000:0018
architecture, ingénierie, urbanisme
between 13 September and 18 September 1966
photographies
between 13 September and 18 September 1966
architecture, ingénierie, urbanisme
photographies
PH2000:0047
architecture, ingénierie, urbanisme
between 13 September and 18 September 1966
photographies
between 13 September and 18 September 1966
architecture, ingénierie, urbanisme
photographies
PH1980:0205.02:025
architecture, portrait
between 1904 and 1917
photographies
between 1904 and 1917
architecture, portrait
photographies
PH1987:0080:051
1914-1916
photographies
1914-1916
ARCH252518
1961
PH2003:0081
architecture, portrait
April 1996
architecture, portrait
dessins
PH1979:0603.04:004
portrait
published 1874
dessins
published 1874
portrait
ARCH284891
Description:
An inscription on the slide identifies the location as Peru.
1972?
Portrait of some Qhas Qut suñi (Uru people) near the water's edge on a floating island on Titicaca Lake, Peru and Bolivia
Actions:
ARCH284891
Description:
An inscription on the slide identifies the location as Peru.
PH1985:0426:100
architecture, ornement, portrait
between 1860 and 1870
architecture, ornement, portrait
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
architecture, portrait
1930-1931
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
architecture, portrait