1870 Résultats
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well(...)
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2009, New York
janvier 2009, New York
Titre:
Eugène Atget photographe de Paris
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well as a translation of the original Pierre Mac Orlan text on Eugene Atget's remarkable documentation of Paris at the turn of the nineteenth century. Noted author and lecturer David Campany contributes a contemporary essay called "Atget's Intelligent Documents" written for this volume.
Eugène Atget photographe de Paris
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well as a translation of the original Pierre Mac Orlan text on Eugene Atget's remarkable documentation of Paris at the turn of the nineteenth century. Noted author and lecturer David Campany contributes a contemporary essay called "Atget's Intelligent Documents" written for this volume.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Monographies photo
Monographies photo
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livres
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le(...)
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le(...)
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Le Corbusier:Paris - Chandigarh
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le Corbusier almost throughout his late period until his death. In between these two great phases - in this book as well - comes his town planning work applied to concrete projects and also his preoccupation with geometrical design principles in the Modulor.
Le Corbusier:Paris - Chandigarh
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le Corbusier almost throughout his late period until his death. In between these two great phases - in this book as well - comes his town planning work applied to concrete projects and also his preoccupation with geometrical design principles in the Modulor.
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livres
livres
Publication:
janvier 2000
janvier 2000
Sujet:
Architecture, monographies
Architecture, monographies
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périodiques
périodiques
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance,(...)
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance,(...)
Titre:
Bookforum vol.31 n. 4 : Spring 2025
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance, Harmony Holiday considers Nettie Jones’s 1983 novel Fish Tales, Audrey Wollen writes about Ariana Reines’s Wave of Blood, Kay Gabriel and Patrick DeDauw review the complete three-volume set of Peter Weiss’s The Aesthetics of Resistance, and so much more.
Bookforum vol.31 n. 4 : Spring 2025
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance, Harmony Holiday considers Nettie Jones’s 1983 novel Fish Tales, Audrey Wollen writes about Ariana Reines’s Wave of Blood, Kay Gabriel and Patrick DeDauw review the complete three-volume set of Peter Weiss’s The Aesthetics of Resistance, and so much more.
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périodiques
périodiques
Publication:
mai 2025
mai 2025
Sujet:
Revues
Revues
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livres
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Titre:
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
Titre:
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
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livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings(...)
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings(...)
Titre:
Six memos for the next millenium
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of "lightness, quickness, exactitude, visibility, and multiplicity", drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern.
Six memos for the next millenium
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of "lightness, quickness, exactitude, visibility, and multiplicity", drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern.
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livres
livres
Publication:
août 2016
août 2016
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he(...)
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he(...)
Titre:
Contact Warhol: photography without end
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs - Warhol's final body of work
Contact Warhol: photography without end
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs - Warhol's final body of work
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release(...)
$32.95
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release(...)
Titre:
Carl Dair and the Cartier typeface
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release of the First Proof of Cartier in 1966 until his sudden death in 1967, including candid criticisms and detailed critiques from some of the twentieth century’s foremost typographic minds?Sem Hartz, John Dreyfus, Paul Standard, Beatrice Warde, Hermann Zapf and others.
Carl Dair and the Cartier typeface
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release of the First Proof of Cartier in 1966 until his sudden death in 1967, including candid criticisms and detailed critiques from some of the twentieth century’s foremost typographic minds?Sem Hartz, John Dreyfus, Paul Standard, Beatrice Warde, Hermann Zapf and others.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
livres
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$26.00
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually(...)
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually(...)
Titre:
Art and posthistory: Conversations on the end of aesthetics
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually returned to the concepts at the core of Danto’s thinking—posthistory and the end of aesthetics—provocative notions that to this day shape questions about the meaning and future of contemporary art. This book presents these rich dialogues and correspondence, testifying to the ongoing importance of Danto’s ideas.
Art and posthistory: Conversations on the end of aesthetics
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually returned to the concepts at the core of Danto’s thinking—posthistory and the end of aesthetics—provocative notions that to this day shape questions about the meaning and future of contemporary art. This book presents these rich dialogues and correspondence, testifying to the ongoing importance of Danto’s ideas.
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livres
livres
Publication:
août 2022
août 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time,(...)
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time,(...)
Publication:
novembre 2011
novembre 2011
Titre:
Isaac Cordal : cement eclipses, small interventions in the big city
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings, on top of bus shelters - and in many other unusual and unlikely places.
Isaac Cordal : cement eclipses, small interventions in the big city
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$27.00
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings, on top of bus shelters - and in many other unusual and unlikely places.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
