Becoming an artwork
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For some time, artists and intellectuals struggled for the sovereign right to present themselves to society in their own way – to become self-created works of art. Today everybody has not only a right but also an obligation to practice self-design. We are responsible for the way we present ourselves to others – and we cannot get rid of this aesthetic responsibility.(...)
Becoming an artwork
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For some time, artists and intellectuals struggled for the sovereign right to present themselves to society in their own way – to become self-created works of art. Today everybody has not only a right but also an obligation to practice self-design. We are responsible for the way we present ourselves to others – and we cannot get rid of this aesthetic responsibility. However, we are not able to produce our own bodies. Before we begin to practice self-design, we find ourselves already designed by the gaze of others. That is why the practice of self-design mostly takes a critical and confrontational turn. We want to bring others to see us in the way we want to be seen – not only during our earthly life but also after our death. This is a complicated struggle, and the aim of this book is to describe and analyze it.
Théorie de l’art
William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching(...)
William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
Ornementation
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Théorie du paysage
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful(...)
The photographs of Joan Leigh Fermor
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful recorder of the London Blitz. But the true scale of her achievement was only realized after her death, when a treasure trove of photographs was discovered documenting the landscape and culture of Greece between 1945 and 1960. Through Leigh Fermor’s fundamentally democratic lens, we meet Cretan shepherds, Meteoran monastics, and Macedonian bear tamers. She brings the same intimate eye to architecture, while showing just as much facility in the panoramas of landscape—all clearly animated by a love of Greece.
Monographies photo
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In this book, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled - and what if that's not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it's possible to survive fascism, climate change, and pandemics and to bring about liberation?(...)
The future is disabled: Prophecies, love notes and mourning songs
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In this book, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled - and what if that's not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it's possible to survive fascism, climate change, and pandemics and to bring about liberation? Written over the course of two years of disabled isolation during the pandemic, this is a book of love letters to other disabled QTBIPOC (and those concerned about disability justice, the care crisis, and surviving the apocalypse); honour songs for kin who are gone; recipes for survival; questions and real talk about care, organizing, disabled families, and kin networks and communities; and wild brown disabled femme joy in the face of death. With passion and power, the book remembers our dead and insists on our future.
Social
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his(...)
The letters of Colin Rowe: five decades of correspondence
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his brother, David, and sister-in-law, Dorothy, in England. Informal and elegant ruminations, they illuminate moments in Rowe's migratory life, addressing a wide range of subjects from books, furniture, landscapes, politics, history and education, to architecture and the urban condition and a host of other engaging topics. Rich with wit and an astonishing array of scholarship, each is written in the incomparable style for which Rowe has long been famous, making evident his love affair with words and revealing a man of great humour, warmth and charm.
Théorie de l’architecture
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
Théorie de l’architecture
juin 2007, London
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
Théorie de l’architecture
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after(...)
The magic of silence: Caspar David Friedrich's journey through time
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.
Théorie de l’art
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When Claude Monet settled in Giverny in 1883, he designed a flower garden full of impressive color compositions for observing light and time. The American artist Sarah Schorr understands Monet’s garden as a creative, living laboratory. Her images in this book were inspired by the movement of water in Monet’s garden – from the tiny teardrops of rain to the steady stream(...)
Sarah Schorr: Ephemeral field journal. Climate and love in Claude Monet's garden
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When Claude Monet settled in Giverny in 1883, he designed a flower garden full of impressive color compositions for observing light and time. The American artist Sarah Schorr understands Monet’s garden as a creative, living laboratory. Her images in this book were inspired by the movement of water in Monet’s garden – from the tiny teardrops of rain to the steady stream feeding the water lily pond. By collecting fallen, injured flowers in Monet’s historic green spaces, Schorr transforms them into striking works of art by bringing them to life with paint, light, paper, water, and photography: experimental still lifes. "Ephemeral Field Journal" is an evocative artist’s journal in which Schorr evokes the fragility of nature and illuminates the complex interplay of climate change, beauty, and loss. On the occasion of the 100th anniversary of Monet’s death, the project will be exhibited internationally in 2025 and 2026.
Monographies photo
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In "Jane Jacobs : urban visionary", journalist Alice Sparberg Alexiou deconstructs Jane Jacobs’ richly packed life of ideas and social action, offering a fluid and engaging synthesis of meticulously researched observation and analysis. Alexiou traces Jacobs’ move from Scranton, Pennsylvania, to New York City and the controversy that erupted when she dared to take on(...)
Jane Jacobs : urban visionary
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In "Jane Jacobs : urban visionary", journalist Alice Sparberg Alexiou deconstructs Jane Jacobs’ richly packed life of ideas and social action, offering a fluid and engaging synthesis of meticulously researched observation and analysis. Alexiou traces Jacobs’ move from Scranton, Pennsylvania, to New York City and the controversy that erupted when she dared to take on conventional urban planning wisdom with her classic "Death and life". She protested then-current urban renewal practices and championed the "sidewalk ballet" — the fragile meeting of buildings, streets and people — threatened by the building of highways and the tearing down of working neighbourhoods. Jacobs moved to Canada in the late 1960s and embarke on Toronto-saving campaigns, helping to preserve Old City Hall and Union Station. She was also instrumental in preventing the construction of the Spadina Expressway, which would have cut a swath through Toronto’s Annex and other essential neighbourhoods.
Théorie de l’urbanisme