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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these(...)
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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these(...)
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Monographies photo
Monographies photo
Publication:
avril 2007, New York
avril 2007, New York
Titre:
New York rises : photographs by Eugene de Salignac
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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these remarkably lyrical photographs have been used in books and films, but never credited to de Salignac. New York Rises is the first monograph to present them as an aesthetically coherent oeuvre by a photographer with a unique vision. As meticulous in his record keeping as he was creative in his photography, de Salignac left five handwritten logs that identify each negative by place and exact date. This information is complemented throughout the book by narrative captions expanding on themes such as accidents, bridges, workers, and the Depression. Michael Lorenzini has unearthed primary sources to reconstruct de Salignac's biography. Kevin Moore explores his work in the context of other photographers of the period, including Eugène Atget and Berenice Abbott.
New York rises : photographs by Eugene de Salignac
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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these remarkably lyrical photographs have been used in books and films, but never credited to de Salignac. New York Rises is the first monograph to present them as an aesthetically coherent oeuvre by a photographer with a unique vision. As meticulous in his record keeping as he was creative in his photography, de Salignac left five handwritten logs that identify each negative by place and exact date. This information is complemented throughout the book by narrative captions expanding on themes such as accidents, bridges, workers, and the Depression. Michael Lorenzini has unearthed primary sources to reconstruct de Salignac's biography. Kevin Moore explores his work in the context of other photographers of the period, including Eugène Atget and Berenice Abbott.
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avril 2007, New York
avril 2007, New York
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Monographies photo
Monographies photo
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xviii, 130 pages : illustrations, maps ; 24 cm.
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xviii, 130 pages : illustrations, maps ; 24 cm.
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Philadelphia : University of Pennsylvania Press, ©2011.
Philadelphia : University of Pennsylvania Press, ©2011.
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Urban tomographies / Martin H. Krieger.
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xviii, 130 pages : illustrations, maps ; 24 cm.
Urban tomographies / Martin H. Krieger.
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xviii, 130 pages : illustrations, maps ; 24 cm.
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Philadelphia : University of Pennsylvania Press, ©2011.
Philadelphia : University of Pennsylvania Press, ©2011.
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Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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3 volumes : illustrations (some color), portraits ; 32 cm
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3 volumes : illustrations (some color), portraits ; 32 cm
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New York : Museum of Modern Art, 2015-2017.
New York : Museum of Modern Art, 2015-2017.
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Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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Description:
3 volumes : illustrations (some color), portraits ; 32 cm
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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3 volumes : illustrations (some color), portraits ; 32 cm
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New York : Museum of Modern Art, 2015-2017.
New York : Museum of Modern Art, 2015-2017.
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
Publication:
février 2010
février 2010
Titre:
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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Publication:
février 2010
février 2010
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$69.95
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
Titre:
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
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Publication:
octobre 2018
octobre 2018
Sujet:
Monographies photo
Monographies photo
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
Titre:
See/ Saw: Looking at photographs
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
See/ Saw: Looking at photographs
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
février 2010
février 2010
Titre:
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
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Publication:
février 2010
février 2010
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Titre:
The tree in photographs
The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
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The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
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$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With(...)
$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With(...)
Titre:
Man Ray : trees + flowers - insects animals
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$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings, street scenes, and the objects from which he drew inspiration for other artworks, the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process.
Man Ray : trees + flowers - insects animals
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$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings, street scenes, and the objects from which he drew inspiration for other artworks, the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Berenice Abbott
Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three(...)
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three(...)
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Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
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livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Monographies photo
Monographies photo
