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Alvaro Siza : O'Neil Ford monograph 1 : Bouça Residents Association Housing, Porto 1972-77, 2005-06
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From start to finish, it took the Modernist Portuguese architect Álvaro Siza, winner of the 1992 Pritzker Prize and designer of The Serpentine Gallery's 2005 Summer Pavilion, 33 years to construct the Bouça Residents' Association Housing in the northern city of Porto--which he realized in association with architect António Madureira. During those years, Siza completed(...)
mars 2008, Tübingen, Berlin, New York
Alvaro Siza : O'Neil Ford monograph 1 : Bouça Residents Association Housing, Porto 1972-77, 2005-06
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From start to finish, it took the Modernist Portuguese architect Álvaro Siza, winner of the 1992 Pritzker Prize and designer of The Serpentine Gallery's 2005 Summer Pavilion, 33 years to construct the Bouça Residents' Association Housing in the northern city of Porto--which he realized in association with architect António Madureira. During those years, Siza completed numerous important commissions, including the architecture faculty building at the University of Porto in 1985 and the Fundação Serralves museum of contemporary art in that same city in 1999. In 1988 he restored the Chiado district of Lisbon, Portugal, after a devastating fire; and his Portuguese Pavilion for Lisbon's EXPO 98 was internationally recognized. While Siza was busy with all of these buildings and plans, the first phase of the Bouça project was falling ever deeper into disrepair, hampered by municipal neglect. It has since been brought up to Siza's standards, and this publication appraises the project, now happily completed. Siza's sketches, many of which are published here for the first time, reveal the tenacity of his search for the right solution.
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mars 2008, Tübingen, Berlin, New York
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Nanotechnology is widely regarded as one of the twenty-first century's key technologies, and its economic importance is sharply on the rise. In architecture and the construction industry it has potentials that are already usable today, especially the coating of surfaces to lend them functional characteristics such as increased tensile strength, self-cleaning capacity,(...)
Matériaux et éclairage
avril 2008, Basel, Boston, Berlin
Nano materials in architecture, interior architecture and design
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Nanotechnology is widely regarded as one of the twenty-first century's key technologies, and its economic importance is sharply on the rise. In architecture and the construction industry it has potentials that are already usable today, especially the coating of surfaces to lend them functional characteristics such as increased tensile strength, self-cleaning capacity, fire resistance, and others. Additives based on nanomaterials make common materials lighter, more permeable, and more resistant to wear. Nanomaterials are not only extremely useful for roofs and facades; they also expand design possibilities for interior and exterior rooms and spaces. Nano insulating materials open up new possibilities for ecologically oriented architects. In this book, with a foreword by nobel prize winner Harold Kroto, architects, interior designers and designers will find an introduction to the scientific background specifically tailored to their needs, a critical discussion of the advantages and limits of the technology, and above all a comprehensive presentation of sixteen characteristics and functions of nanomaterials that are specially relevant for building and design, illustrated by numerous international project examples.
Matériaux et éclairage
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new(...)
Bits and spaces : architecture and computing for physical, virtual, hybrid realms
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new projects which demonstrate the growing significance of CAAD for today's architects. Divided into 5 main chapters: Design in Space and Time; Learning and Creative Collaboration; Virtual Environments; IT and Practice; and Blurring Boundaries, the projects illustrate how computers can be used innovatively and creatively in designing physical, virtual and hybrid architecture. Particular emphasis is placed on the interaction between man and computer, and also on the aesthetic aspects. The book is accompanied by a CD-Rom which documents the design processes through animation sequences, demonstrating the dynamic features of the projects. Whilst these tools, installations and multi-media projects have arisen out of the field of architecture, they exceed the narrow confines of this discipline to touch upon areas such as interior design, graphic design and information technology. The designs presented are colourful and complex, seeking to fire the imagination in creating a fitting environment for today's society.
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mars 2001, Basel
Théorie de l’architecture
Flint: a lithic love letter
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Joanne Bourne has been in awe of flint as long as she can remember. It was all around her where she grew up in Kent: used for garden walls, to edge drives and weight dustbin lids, as well as to build pubs, churches, Roman villas and castles. For centuries it was the only building stone available. It is also magical. Made from the remains of plankton and sea sponges, it is(...)
Flint: a lithic love letter
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Joanne Bourne has been in awe of flint as long as she can remember. It was all around her where she grew up in Kent: used for garden walls, to edge drives and weight dustbin lids, as well as to build pubs, churches, Roman villas and castles. For centuries it was the only building stone available. It is also magical. Made from the remains of plankton and sea sponges, it is second only in hardness to a diamond and can be used to make fire. Part of human development for three million years, it was used as a weapon to hunt and in war, and hung as protection against thunderbolts and fairies. In a deeply personal love letter to this extraordinary ‘biogenic’ rock, Bourne traces its geological, architectural and social history and invites us to roam with her in search of it on her beloved North Downs. Fusing science, poetry, history and a profound love of landscape, this is her heartfelt, thoroughly persuasive tribute to the stone she calls ‘an art project of the great divine’.
Faune et flore
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How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. One of the book's innovations is(...)
CIty at the edge of forever: Los Angeles reimagined
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How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. One of the book's innovations is to brand Los Angeles as the alchemical city. Earth became real estate when the Yankees took control in the nineteenth century. Fire fueled the city's early explosive growth as the Southland's oil fields supplied the inexhaustible demands of drivers and their cars. Air defined the area from WWII to the end of the Cold War, with aeronautics and aerospace dominating the region's industries. Water is now the key element, and Southern California's ports are the largest in the western hemisphere. What alchemists identify as the ethereal fifth element, or quintessence, this book positions as the glamour of Hollywood, a spell that sustains the city but also needs to be broken in order to understand Los Angeles now.
Théorie de l’urbanisme
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In this walking meditation, forest ranger and writer William Tweed takes us to California’s spectacular High Sierra to discover a new vision for american national parks as they approach their 100th anniversary facing dramatic changes. Tweed, who worked among the Sierra Nevada’s big peaks and big trees for more than thirty years, has now hiked more than 200 miles along(...)
Uncertain path : a search for the future of national parks
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In this walking meditation, forest ranger and writer William Tweed takes us to California’s spectacular High Sierra to discover a new vision for american national parks as they approach their 100th anniversary facing dramatic changes. Tweed, who worked among the Sierra Nevada’s big peaks and big trees for more than thirty years, has now hiked more than 200 miles along California’s John Muir Trail in a personal search for answers : How do we address the climate change we are seeing even now — in melting glaciers in Glacier National Park, changing rainy seasons on Mt Rainer, and more fire in the West’s iconic parks. Should we intervene where we can to preserve biodiversity? Should the parks merely become ecosystem museums that exhibit famous landscapes and species? Tweed weaves his experiences along this high-altitude trail together with reflections on the people and ideas that created the parks and on their status and meaning today. Asking how we can make these magnificent parks relevant for the next generation, Tweed’s journey ultimately shows why we must do just that.
Théorie du paysage
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Description:
488 pages : illustrations ; 24 cm
London ; New York : Verso, 2016.
Fossil capital : the rise of steam power and the roots of global warming / Andreas Malm.
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488 pages : illustrations ; 24 cm
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London ; New York : Verso, 2016.
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New York, N. Why?
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This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The(...)
New York, N. Why?
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This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The Metropolitan Museum of Art, New York, it contains many of Burckhardt’s best-known images, dazzlingly sequenced into three urban themes – advertising, pedestrians, and street furniture. The photographer and poet met in Basel, Switzerland in 1934 and moved the following year to New York. There, the Burckhardt instinctively sought out what others overlooked – the abstract modernist tableaux of fire hydrants, standpipes, cornices, and columns; the readymade collage of newsstands and storefronts; and the complex choreography of pedestrians darting and weaving through crowded intersections. An accompanying essay by Doug Eklund, Associate Curator in the Department of Photographs at the Metropolitan, examines the album in relation to Burckhardt’s contemporaneous films, Denby’s pioneering writing on dance from the same moment, and the origins of the New York School in painting, photography, and poetry.
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janvier 2008
Photographie- collections
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
Groundswell: Women of land art
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Land Art
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The perimeter around the occupied Gaza Strip is formed by a sophisticated system of fences, forts and surveillance technologies. With each Israeli incursion, a military no-go area, or a "buffer zone," is established along Gaza's "borders," extending deep into Palestinian residential areas and farmlands— further compounding the Gaza Strip's isolation from the rest of(...)
Environmental warfare in Gaza: Colonial violence and new landscapes of resistance
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The perimeter around the occupied Gaza Strip is formed by a sophisticated system of fences, forts and surveillance technologies. With each Israeli incursion, a military no-go area, or a "buffer zone," is established along Gaza's "borders," extending deep into Palestinian residential areas and farmlands— further compounding the Gaza Strip's isolation from the rest of Palestine. Since 2014, the bulldozing of Palestinian lands by the Israeli occupation forces has been complemented by unannounced aerial spraying of military herbicides, extending the reach of Israeli violence into the realm of chemical warfare. Today, the spraying has destroyed entire swaths of arable land in Gaza, forcibly changing a once-lush Palestinian landscape, and providing the Israeli army with better visibility to fire at Palestinian targets with lethal force from a distance. This book is a vivid document of this latest stage of Israeli warfare, including original maps, images and visualisations which deepen our understanding of its environmental and human impact. It collects new documents, original archival materials, stills of drone footage, first-hand testimonies of farmers, organisers and protesters, and documents affected vegetation in Gaza as "silent witnesses" to Israeli settler-colonial violence.
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