1845 Résultats
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xiii, 291 pages, cxi leaves of plates : illustrations ; 35 cm
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xiii, 291 pages, cxi leaves of plates : illustrations ; 35 cm
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Glasgow : Blackie, 1865.
Glasgow : Blackie, 1865.
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The carpenter and joiner's assistant : being a comprehensive treatise on the selection, preparation and strength of materials and the mechanical principles of framing ; also, a course of instruction in practical geometry ... and an illustrated glossary of terms used in architecture and building / by James Newlands.
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xiii, 291 pages, cxi leaves of plates : illustrations ; 35 cm
The carpenter and joiner's assistant : being a comprehensive treatise on the selection, preparation and strength of materials and the mechanical principles of framing ; also, a course of instruction in practical geometry ... and an illustrated glossary of terms used in architecture and building / by James Newlands.
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xiii, 291 pages, cxi leaves of plates : illustrations ; 35 cm
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Glasgow : Blackie, 1865.
Glasgow : Blackie, 1865.
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audio
audio
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1 online resource.
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[Place of publication not identified] : Thinkbelt, 2020.
[Place of publication not identified] : Thinkbelt, 2020.
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Interstitial EP038 : Who Killed Berta Cáceres? by Nina Lakhani.
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1 online resource.
Interstitial EP038 : Who Killed Berta Cáceres? by Nina Lakhani.
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1 online resource.
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audio
audio
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[Place of publication not identified] : Thinkbelt, 2020.
[Place of publication not identified] : Thinkbelt, 2020.
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237 pages ; 21 cm.
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237 pages ; 21 cm.
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London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
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London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
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Dear Swimmer.
Dear Swimmer.
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1 online resource.
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[Place of publication not identified] : Gauss PDF, 2011.
[Place of publication not identified] : Gauss PDF, 2011.
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[Place of publication not identified] : Gauss PDF, 2011.
[Place of publication not identified] : Gauss PDF, 2011.
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$48.95
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Résumé:
Few pieces elicit such immediate joy as the artworks created by Rebecca Louise Law. She has spent much of her artistic life recreating the fields of flowers that delighted her as a child. Her massive, installations—described as “deconstructed gardens” and “floral magic”—include cascades of multicolored wildflowers and lines of monochromatic roses, all hand dried and hand(...)
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Few pieces elicit such immediate joy as the artworks created by Rebecca Louise Law. She has spent much of her artistic life recreating the fields of flowers that delighted her as a child. Her massive, installations—described as “deconstructed gardens” and “floral magic”—include cascades of multicolored wildflowers and lines of monochromatic roses, all hand dried and hand(...)
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Rebecca Louise Law: Life in death
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Few pieces elicit such immediate joy as the artworks created by Rebecca Louise Law. She has spent much of her artistic life recreating the fields of flowers that delighted her as a child. Her massive, installations—described as “deconstructed gardens” and “floral magic”—include cascades of multicolored wildflowers and lines of monochromatic roses, all hand dried and hand tied. Her art has appeared everywhere from Times Square to Windsor Castle and companies such as Hermès, Tiffany, and Jo Malone, have commissioned her to decorate their stores. "Life in Death" is the most comprehensive collection to date of Law’s work. It documents the evolution of Law’s unique artistic practice, and explains why she chose to use preserved flowers as sculptural material. It offers a journey through her earliest experiments to her best known immersive installations, via a series of beautifully documented photographs. It also provides a unique insight into Law’s life and influences, including an introduction written by the artist herself.
Rebecca Louise Law: Life in death
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$48.95
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Few pieces elicit such immediate joy as the artworks created by Rebecca Louise Law. She has spent much of her artistic life recreating the fields of flowers that delighted her as a child. Her massive, installations—described as “deconstructed gardens” and “floral magic”—include cascades of multicolored wildflowers and lines of monochromatic roses, all hand dried and hand tied. Her art has appeared everywhere from Times Square to Windsor Castle and companies such as Hermès, Tiffany, and Jo Malone, have commissioned her to decorate their stores. "Life in Death" is the most comprehensive collection to date of Law’s work. It documents the evolution of Law’s unique artistic practice, and explains why she chose to use preserved flowers as sculptural material. It offers a journey through her earliest experiments to her best known immersive installations, via a series of beautifully documented photographs. It also provides a unique insight into Law’s life and influences, including an introduction written by the artist herself.
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mars 2018
mars 2018
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276 pages : color illustrations, plans ; 24 cm
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276 pages : color illustrations, plans ; 24 cm
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London : Reaktion Books, 2016.
London : Reaktion Books, 2016.
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Global undergrounds : exploring cities within / edited by Paul Dobraszczyk, Carlos López Galviz and Bradley L. Garrett.
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276 pages : color illustrations, plans ; 24 cm
Global undergrounds : exploring cities within / edited by Paul Dobraszczyk, Carlos López Galviz and Bradley L. Garrett.
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276 pages : color illustrations, plans ; 24 cm
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London : Reaktion Books, 2016.
London : Reaktion Books, 2016.
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$49.95
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that(...)
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that(...)
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Théorie de la photographie
Théorie de la photographie
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janvier 1900, Montreal and Kingston
janvier 1900, Montreal and Kingston
Titre:
Faking death : Canadian art photography and the Canadian imagination
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that also occur in Canadian literature, film, and political life. Exploring the ambivalent preoccupations Canadian photographers have with death and dying, bondage and entrapment, she argues that the forms of death depicted in the works are 'faked' and express a collective Canadian wish for a symbolic passage to national maturity. Penny Cousineau-Levine discusses the works of over 120 artists. The book includes 16 colour reproductions and 150 duotones of photographs by artists such as Raymonde April, Geneviève Cadieux, Lynne Cohen, Donigan Cumming, Evergon, Janieta Eyre, Charles Gagnon, Thaddeus Holownia, Geoffrey James, Michel Lambeth, Ken Lum, Shelley Niro, Gabor Szilasi, Diana Thorneycroft, Jeff Wall, Ian Wallace, and Jin-me Yoon.
Faking death : Canadian art photography and the Canadian imagination
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that also occur in Canadian literature, film, and political life. Exploring the ambivalent preoccupations Canadian photographers have with death and dying, bondage and entrapment, she argues that the forms of death depicted in the works are 'faked' and express a collective Canadian wish for a symbolic passage to national maturity. Penny Cousineau-Levine discusses the works of over 120 artists. The book includes 16 colour reproductions and 150 duotones of photographs by artists such as Raymonde April, Geneviève Cadieux, Lynne Cohen, Donigan Cumming, Evergon, Janieta Eyre, Charles Gagnon, Thaddeus Holownia, Geoffrey James, Michel Lambeth, Ken Lum, Shelley Niro, Gabor Szilasi, Diana Thorneycroft, Jeff Wall, Ian Wallace, and Jin-me Yoon.
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janvier 1900, Montreal and Kingston
janvier 1900, Montreal and Kingston
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Théorie de la photographie
Théorie de la photographie
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Forensic Architecture Goldsmiths, University of London Forensis Argos 2023
Forensic Architecture Goldsmiths, University of London Forensis Argos 2023
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Forensic Architecture Goldsmiths, University of London Forensis Argos 2023
Forensic Architecture Goldsmiths, University of London Forensis Argos 2023
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The life and death of images
The life and death of images
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$31.00
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as(...)
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as(...)
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Théorie de l’art
Théorie de l’art
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avril 2008, London, New York
avril 2008, London, New York
Titre:
The life and death of images
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as a return to beauty-but almost no interesting work has been done on the underlying issues. Costello and Willsdon conceive the problem in terms of aesthetics and ethics, and they enlist a number of the foremost writers in and around images in a series of exchanges. The format is innovative, and generates the kind of real interdisciplinary friction that is so often missing from ordinary edited volumes. The book's insights and hopes are an accurate reflection of the state of conceptualization of the image." -James Elkins, School of the Art Institute of Chicago
The life and death of images
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$31.00
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as a return to beauty-but almost no interesting work has been done on the underlying issues. Costello and Willsdon conceive the problem in terms of aesthetics and ethics, and they enlist a number of the foremost writers in and around images in a series of exchanges. The format is innovative, and generates the kind of real interdisciplinary friction that is so often missing from ordinary edited volumes. The book's insights and hopes are an accurate reflection of the state of conceptualization of the image." -James Elkins, School of the Art Institute of Chicago
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avril 2008, London, New York
avril 2008, London, New York
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Théorie de l’art
Théorie de l’art
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143 pages : illustrations (some color), plans ; 28 cm
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143 pages : illustrations (some color), plans ; 28 cm
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London : RIBA, [2015], ©2015
London : RIBA, [2015], ©2015
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Palladian design : the good, the bad and the unexpected / edited by Marie Bak Mortensen ; essays by Pier Vittorio Aureli, Guido Beltramini and Daniel Maudlin.
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143 pages : illustrations (some color), plans ; 28 cm
Palladian design : the good, the bad and the unexpected / edited by Marie Bak Mortensen ; essays by Pier Vittorio Aureli, Guido Beltramini and Daniel Maudlin.
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143 pages : illustrations (some color), plans ; 28 cm
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London : RIBA, [2015], ©2015
London : RIBA, [2015], ©2015
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