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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical(...)
The eyes of the skin, 4th edition
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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For a student reading this text for the first time, "The eyes of the skin" is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication.
Théorie de l’architecture
SOM journal 5
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Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's(...)
SOM journal 5
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Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's leading thinkers: artists, engineers, architectural critics and architects themselves.
Revues
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story(...)
Steven Holl: Heart, Herning Museum of Contemporary Art
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.
Architecture, monographies
$52.95
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The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
Pallasmaa : the eyes of the skin, architecture and the senses (3rd edition)
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The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.
Théorie de l’architecture
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Revues
livres
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With a statement by Daniel Libeskind.
Architecture, monographies
avril 1998, Windsor, UK
Peter Pran : an architecture of poetic movement
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With a statement by Daniel Libeskind.
livres
avril 1998, Windsor, UK
Architecture, monographies
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the(...)
janvier 1900, Cologne
Rachel Whiteread : walls, doors, floors and stairs
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the "house" transform the functional qualities of surrounding architecture into aura-filled works of art. They comprise early and new works, providing a useful overview of this aspect of Whiteread's notable career. Four essays by well-known critics illuminate the principles behind her work to go along with over 50 color illustrations.
Alvar Aalto : designer
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Cet ouvrage, fondé sur des renseignements tirés d'archives jusqu'alors inexploitées, constitue la première vue d'ensemble de la production d'Aalto en tant que designer. Il permet de préciser le travail de l'artiste d'un point de vue structurel, sa recherche de lignes et de formes nouvelles, tout en le replaçant dans les préoccupations sociologiques qui l'ont toujours(...)
Design, monographies
octobre 2003, Paris
Alvar Aalto : designer
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Cet ouvrage, fondé sur des renseignements tirés d'archives jusqu'alors inexploitées, constitue la première vue d'ensemble de la production d'Aalto en tant que designer. Il permet de préciser le travail de l'artiste d'un point de vue structurel, sa recherche de lignes et de formes nouvelles, tout en le replaçant dans les préoccupations sociologiques qui l'ont toujours motivé. Ainsi est mise en lumière la sensibilité de cet architecte en matière de design, qui s'étend avec une rigueur et une qualité égales de l'urbanisme des grands projets au mobilier conçu pour les habiter, des fauteuils aux objets de verre, des poignées de porte aux luminaires.
Design, monographies
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can(...)
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.
Théorie de l’architecture
Le regard des sens
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Qu'est ce qui fait qu'un dessin, séduisant sur la table à dessin ou l'écran d'ordinateur, est décevant une fois construit? La réponse est à chercher dans la domination - le règne - de la vue dans notre civilisation technicienne et consumériste. La négligence des autres sens a perverti la pratique de l'architecture. L'auteur relate d'abord l'histoire de la progression de(...)
Le regard des sens
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Qu'est ce qui fait qu'un dessin, séduisant sur la table à dessin ou l'écran d'ordinateur, est décevant une fois construit? La réponse est à chercher dans la domination - le règne - de la vue dans notre civilisation technicienne et consumériste. La négligence des autres sens a perverti la pratique de l'architecture. L'auteur relate d'abord l'histoire de la progression de la domination de l'oeil dans la culture occidentale depuis les Grecs, avant d'analyser le rôle des autres sens dans l'expérience architecturale
Théorie de l’architecture