$63.95
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Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem(...)
Design d’intérieur
janvier 1900, Milan
Total living : fashion, architecture, design, art, communication
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$63.95
(disponible sur commande)
Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem Koolhaas, Helmut Lang, Le Corbusier, Levi's, Mandarina Duck, Marni, Steven Meisel, Alessandro Mendini, Ludwig Mies van der Rohe, Issey Miyake, Moschino, Helmut Newton, Nike, NL Architects, Ora-Ito Studio, John Powson, Prada, Emilio Pucci, Ralph Lauren, Claudio Silvestrin, Hedi Slimane, Paul Smith, Ettore Sottsass, Philippe Starck, Versace, Louis Vuitton, Bruce Weber, Yves Saint Laurent. Styles and lifestyles are fast becoming uniform under labels and definitions of fashion, and as an industry and a cultural form. Total Living is the point of no return in a project which, step-by-step, develops strategies whose goal it is to offer an even more sophisticated and targeted lifestyle. It is a place where there are definitions for clothes, behavior modes, and even the atmoshpheres and spaces in which one moves. Assuming the contours of a landscape of the future, this scenario raises topical themes and problems connected with the overwhelming power of consumerism. Accompanying scholarly essays consider the thematic universes of fashion designers and brands; models of total living in 20th century history; references to total living in mass culture; living and eating; arty fashion and fashionable art; the world of fashion design; the languages of shopping; urban fashion districts; and advertising as a narrative. A rich and interconnected iconographic passage visually narrates the various forms and ramifications of total living today and in the recent past through a succession of utopias, life-projects, urban visions, architecture, special homes, stores, art galleries, museums, and editorial pages and ads from fashion and lifestyle magazines. With texts by Papla Antonelli, Francesco Bonami, Michele Ciavarella, Emanuela de Cecco, Riccardo Dirindin, Roberto Monelli, Herbert Muschamp, Chee Pearlman, Michele Sernini, Dietmar Steiner, and Deyan Sudjic.
Design d’intérieur
$72.00
(disponible sur commande)
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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and(...)
Fashion at the time of Fascism
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$72.00
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Résumé:
The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and Alessandra Vaccari explore and compare a large range of forgotten archival sources, such as women's glossies, fashion, film and gossip magazines, photo archives, exhibition and commercial catalogues, books, manuals and magazines on tailoring, dressmaking, design and architecture, and corporate and government journals. This abundance of materials is presented in a fluid sequence of image and text that charts the rhythms, rituals and lifestyles of the typical Italian day through the four basic themes of "Measurements," "Model," "Brand" and "Parade." Each section includes texts that highlight the key figures and phases in Italian fashion, from the 1920s to the early 1940s, juxtaposing them with Modernism's broader salient themes and emphasizing the conscious use of glamour in the regime's super-choreographed portrayal of itself.
Création de mode