1694 Results
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articles
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Text by Katherine Romba
Keyword(s):
20th century, Alfred Gotthold Meyer, Allemagne, Deutscher Werkbund, engineering, Friedrich Naumann, Germany, ingénierie, Ingenieur-Ästhetik, Joseph August Lux, Karl Marx, Katherine Romba, Munich, Rudolf Metzger, William Morris, XXe siècle
20th century, Alfred Gotthold Meyer, Allemagne, Deutscher Werkbund, engineering, Friedrich Naumann, Germany, ingénierie, Ingenieur-Ästhetik, Joseph August Lux, Karl Marx, Katherine Romba, Munich, Rudolf Metzger, William Morris, XXe siècle
Published:
14 October 2010
14 October 2010
Form:
articles
articles
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Emanuel Admassu and Zoé Samudzi in conversation
Issue:
Figuring Territory
Figuring Territory
Published:
13 February 2023
13 February 2023
Title:
Soyinka’s Aesthetics and Monumentality
Emanuel Admassu and Zoé Samudzi in conversation
Actions:
Soyinka’s Aesthetics and Monumentality
Emanuel Admassu and Zoé Samudzi in conversation
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Issue:
Figuring Territory
Figuring Territory
Form:
events
events
Form:
events
events
Date:
2 August 2007
2 August 2007
Form:
articles
articles
Title:
The place of money
The place of money
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Juan Campanini and Josefina Sposito discuss how an aesthetic of trust abruptly comes to an end
Keyword(s):
Juan Campanini, Josefina Sposito, Buenos Aires, CCA c/o, banks, doors, financial crisis, 2001
Juan Campanini, Josefina Sposito, Buenos Aires, CCA c/o, banks, doors, financial crisis, 2001
Published:
9 January 2021
9 January 2021
Title:
The place of money
Juan Campanini and Josefina Sposito discuss how an aesthetic of trust abruptly comes to an end
Actions:
The place of money
Juan Campanini and Josefina Sposito discuss how an aesthetic of trust abruptly comes to an end
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events
events
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
9 June 2016, 6pm
9 June 2016, 6pm
Title:
Amy Kulper: Architecture’s Digital Turn and the Advent of Photoshop
Actions:
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Amy Kulper: Architecture’s Digital Turn and the Advent of Photoshop
Actions:
Description:
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Form:
events
events
Date:
9 June 2016
6pm
9 June 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
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Reference number:
ARCH264620
Description:
Le manuscrit traite d'esthétique et de la beauté.
ARCH264620
Description:
Le manuscrit traite d'esthétique et de la beauté.
People:
Date:
s.d.
s.d.
Title:
Manuscrit traitant d'esthétiques, d'urbanisme et d'architecture
Actions:
ARCH264620
Description:
Le manuscrit traite d'esthétique et de la beauté.
Manuscrit traitant d'esthétiques, d'urbanisme et d'architecture
Actions:
ARCH264620
Description:
Le manuscrit traite d'esthétique et de la beauté.
Form:
textual records
textual records
Date:
s.d.
s.d.
People:
Form:
exhibitions
exhibitions
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Description:
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Location:
Main galleries
Main galleries
Date:
10 June 1992 to 2 August 1992
10 June 1992 to 2 August 1992
Title:
Czech Cubism: Architecture and Design, 1910–1925
Actions:
Description:
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Czech Cubism: Architecture and Design, 1910–1925
Actions:
Description:
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Form:
exhibitions
exhibitions
Date:
10 June 1992 to
2 August 1992
10 June 1992 to
2 August 1992
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Location:
Main galleries
Main galleries
Date:
5 March 1997 to 25 May 1997
5 March 1997 to 25 May 1997
Title:
The New Spirit: Modern Architecture in Vancouver, 1938-1963
Actions:
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938-1963
Actions:
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Form:
exhibitions
exhibitions
Date:
5 March 1997 to
25 May 1997
5 March 1997 to
25 May 1997
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Location:
Main galleries
Main galleries
Date:
25 November 2009 to 28 February 2010
25 November 2009 to 28 February 2010
Title:
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Form:
exhibitions
exhibitions
Date:
25 November 2009 to
28 February 2010
25 November 2009 to
28 February 2010
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Victor Landriault fonds
Victor Landriault fonds
Reference number:
AP111
Synopsis:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
AP111
Synopsis:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
People:
Date:
1948-1987
1948-1987
Title:
Victor Landriault fonds
Actions:
AP111
Synopsis:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
Victor Landriault fonds
Actions:
AP111
Synopsis:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1987
1948-1987
People:
