5738 Results
Form:
exhibitions
exhibitions
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 November 2010 to 6 February 2011
11 November 2010 to 6 February 2011
Title:
404 ERROR: The object is not online
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
404 ERROR: The object is not online
Actions:
Description:
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Form:
exhibitions
exhibitions
Date:
11 November 2010 to
6 February 2011
11 November 2010 to
6 February 2011
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Date:
6 December 1989 to 11 February 1990
6 December 1989 to 11 February 1990
Title:
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Form:
exhibitions
exhibitions
Date:
6 December 1989 to
11 February 1990
6 December 1989 to
11 February 1990
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Form:
exhibitions
exhibitions
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Location:
Hall cases
Hall cases
Date:
17 January 1990 to 22 April 1990
17 January 1990 to 22 April 1990
Title:
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Form:
exhibitions
exhibitions
Date:
17 January 1990 to
22 April 1990
17 January 1990 to
22 April 1990
Location:
Hall cases
Hall cases
Form:
photographs
photographs
Actions:
Reference number:
PH1990:0146
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
PH1990:0146
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Date:
1990
1990
Title:
CCA Garden: Partial view of the Orchard and cadastral walls which represent rural "rangs" or property lines with the Arcade and the Obelisk-Chimney Allegorical Column in the background, Montréal, Québec, Canada
Actions:
PH1990:0146
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
CCA Garden: Partial view of the Orchard and cadastral walls which represent rural "rangs" or property lines with the Arcade and the Obelisk-Chimney Allegorical Column in the background, Montréal, Québec, Canada
Actions:
PH1990:0146
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
Form:
photographs
photographs
Date:
1990
1990
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1990:0151
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
PH1990:0151
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Date:
1990
1990
Title:
View of a man sitting on one of the cadastral walls which represent rural "rangs" or property lines, CCA garden, Montréal, Québec, Canada
Actions:
PH1990:0151
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
View of a man sitting on one of the cadastral walls which represent rural "rangs" or property lines, CCA garden, Montréal, Québec, Canada
Actions:
PH1990:0151
Description:
- Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
Form:
photographs
photographs
Date:
1990
1990
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1990:0153
Description:
Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
PH1990:0153
Description:
Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Date:
1990
1990
Title:
View of one of the cadastral walls which represent rural "rangs" or property lines through an opening in the arcade, CCA garden, Montréal, Québec, Canada
Actions:
PH1990:0153
Description:
Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
View of one of the cadastral walls which represent rural "rangs" or property lines through an opening in the arcade, CCA garden, Montréal, Québec, Canada
Actions:
PH1990:0153
Description:
Photographs PH1990:0146, PH1990:0151, and PH1990:0153 show the cadastral walls which represent rural "rangs" or property lines (CCA: Building and Gardens, p. 94).
Form:
photographs
photographs
Date:
1990
1990
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Level of archival description:
Project
Project
Reference number:
AP142.S1.D18
Description:
File documents a partially executed project for a public piazza bordering the city hall of Segrate, Italy. The design emphasizes the play of shadows and the use of primary forms. The fountain represents a monument to the partisans of World War II. Material in this file was produced in approximately 1965. File contains design development drawings and presentation drawings.
AP142.S1.D18
Description:
File documents a partially executed project for a public piazza bordering the city hall of Segrate, Italy. The design emphasizes the play of shadows and the use of primary forms. The fountain represents a monument to the partisans of World War II. Material in this file was produced in approximately 1965. File contains design development drawings and presentation drawings.
People:
Date:
[ca. 1965]
[ca. 1965]
Title:
Piazza del municipio e fontana monumentale a Segrate
Actions:
AP142.S1.D18
Description:
File documents a partially executed project for a public piazza bordering the city hall of Segrate, Italy. The design emphasizes the play of shadows and the use of primary forms. The fountain represents a monument to the partisans of World War II. Material in this file was produced in approximately 1965. File contains design development drawings and presentation drawings.
Piazza del municipio e fontana monumentale a Segrate
Actions:
AP142.S1.D18
Description:
File documents a partially executed project for a public piazza bordering the city hall of Segrate, Italy. The design emphasizes the play of shadows and the use of primary forms. The fountain represents a monument to the partisans of World War II. Material in this file was produced in approximately 1965. File contains design development drawings and presentation drawings.
Level of archival description:
File 18
File 18
Date:
[ca. 1965]
[ca. 1965]
People:
Form:
articles
articles
Actions:
Sony Devabhaktuni and Joanna Mansbridge on performances of everyday safety in Hong Kong
Title:
Everyday Safety: Beware of Falling Fruit
Sony Devabhaktuni and Joanna Mansbridge on performances of everyday safety in Hong Kong
Actions:
Everyday Safety: Beware of Falling Fruit
Sony Devabhaktuni and Joanna Mansbridge on performances of everyday safety in Hong Kong
Actions:
Issue:
Keep Safe
Keep Safe
Form:
exhibitions
exhibitions
Title:
Mel Ziegler: Growing Concern
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Location:
Baile Park
Baile Park
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Baile Park
Baile Park
Form:
works of art
works of art
Reference number:
DR1988:0437:023
Description:
- This etching for a fireworks construction or macchina is in the form of a triumphal arch, flanked on either side by representations of the smoking volcanoes Etna and Vesuvius.
DR1988:0437:023
Description:
- This etching for a fireworks construction or macchina is in the form of a triumphal arch, flanked on either side by representations of the smoking volcanoes Etna and Vesuvius.
People:
Subject:
temporary architecture
temporary architecture
Date:
printed 1756
printed 1756
Title:
Etching of Posi's design for the "prima macchina" of 1756
Actions:
DR1988:0437:023
Description:
- This etching for a fireworks construction or macchina is in the form of a triumphal arch, flanked on either side by representations of the smoking volcanoes Etna and Vesuvius.
Etching of Posi's design for the "prima macchina" of 1756
Actions:
DR1988:0437:023
Description:
- This etching for a fireworks construction or macchina is in the form of a triumphal arch, flanked on either side by representations of the smoking volcanoes Etna and Vesuvius.
Form:
works of art
works of art
Date:
printed 1756
printed 1756
People:
Subject:
temporary architecture
temporary architecture
