drawings, textual records
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
1968-1986
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
drawings, textual records
1968-1986
archives
Level of archival description:
Fonds
Victor Prus fonds
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
1945-1992
Victor Prus fonds
Actions:
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
archives
Level of archival description:
Fonds
1945-1992
archives
Level of archival description:
Fonds
Amancio Williams fonds
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
1848-2010s
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
archives
Level of archival description:
Fonds
1848-2010s
archives
Level of archival description:
Fonds
Alessandro Poli fonds
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
1963-1996
Alessandro Poli fonds
Actions:
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
archives
Level of archival description:
Fonds
1963-1996
Project
Housing Research
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
1951-1998, predominant 1967-1971
Housing Research
Actions:
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
File 67
1951-1998, predominant 1967-1971
archives
Level of archival description:
Fonds
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
1914-2008
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
archives
Level of archival description:
Collection
1914-2008
Series
Projects
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
1997
Projects
Actions:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Series
1997
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
30 November 2023, 6:30pm
Documents of Displacement I
Actions:
Description:
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
articles
Connecting Collectivity
archives
Level of archival description:
Fonds
AP218
Synopsis:
The Gillian Hopwood and John Godwin fonds documents Hopwood and Godwin’s architectural projects from the early 1950s to the late 1980s, as well as their training to become architects, the administration of their architecture practice, and their career as architectural consultants, and their writing from the 1940s to 2023. The fonds mostly contains material related to their architectural projects, over 450 of them, mostly in Nigeria and some from their practice in the United Kingdom.
1940-2025
Gillian Hopwood and John Godwin fonds
Actions:
AP218
Synopsis:
The Gillian Hopwood and John Godwin fonds documents Hopwood and Godwin’s architectural projects from the early 1950s to the late 1980s, as well as their training to become architects, the administration of their architecture practice, and their career as architectural consultants, and their writing from the 1940s to 2023. The fonds mostly contains material related to their architectural projects, over 450 of them, mostly in Nigeria and some from their practice in the United Kingdom.
archives
Level of archival description:
Fonds
1940-2025