4712 Results
Level of archival description:
Series
Series
Title:
Projects
Projects
Actions:
Reference number:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997
1997
Title:
Projects
Actions:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Series
Series
Date:
1997
1997
People:
Form:
exhibitions
exhibitions
Actions:
Description:
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 May 2012 to 9 September 2012
15 May 2012 to 9 September 2012
Title:
Très Grande Bibliothèque (Very Big Library)
Actions:
Description:
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Très Grande Bibliothèque (Very Big Library)
Actions:
Description:
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Form:
exhibitions
exhibitions
Date:
15 May 2012 to
9 September 2012
15 May 2012 to
9 September 2012
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
4 August 2016, 6pm
4 August 2016, 6pm
Title:
Visiting Scholar Seminar: Olumuyiwa Adegun
Actions:
Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Visiting Scholar Seminar: Olumuyiwa Adegun
Actions:
Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Form:
events
events
Date:
4 August 2016
6pm
4 August 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
Level of archival description:
Project
Project
Title:
Phun City
Phun City
Reference number:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
People:
Date:
1970-1971
1970-1971
Title:
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Level of archival description:
File 77
File 77
Date:
1970-1971
1970-1971
People:
Form:
events
events
Title:
Inter / Faces
Inter / Faces
Actions:
Description:
How can architecture respond to a specific urban context? How can the various typologies and cultural needs of diverse inhabitants influence design? How to capture the character of a city through its buildings? Portuguese architect Álvaro Siza’s social housing projects Bonjour Tristesse and Punt en Komma, designed for immigrant communities in Berlin and The Hague(...)
How can architecture respond to a specific urban context? How can the various typologies and cultural needs of diverse inhabitants influence design? How to capture the character of a city through its buildings? Portuguese architect Álvaro Siza’s social housing projects Bonjour Tristesse and Punt en Komma, designed for immigrant communities in Berlin and The Hague(...)
Date:
29 November 2015, 2:30pm - 4:30pm
29 November 2015, 2:30pm - 4:30pm
Title:
Inter / Faces
Actions:
Description:
How can architecture respond to a specific urban context? How can the various typologies and cultural needs of diverse inhabitants influence design? How to capture the character of a city through its buildings? Portuguese architect Álvaro Siza’s social housing projects Bonjour Tristesse and Punt en Komma, designed for immigrant communities in Berlin and The Hague(...)
Inter / Faces
Actions:
Description:
How can architecture respond to a specific urban context? How can the various typologies and cultural needs of diverse inhabitants influence design? How to capture the character of a city through its buildings? Portuguese architect Álvaro Siza’s social housing projects Bonjour Tristesse and Punt en Komma, designed for immigrant communities in Berlin and The Hague(...)
Form:
events
events
Date:
29 November 2015
2:30pm - 4:30pm
29 November 2015
2:30pm - 4:30pm
Form:
research
research
Title:
Visiting Scholars 2004
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
events
events
Title:
Do Not Come Any Closer
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
29 November 2012 , 7pm
29 November 2012 , 7pm
Title:
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Form:
events
events
Date:
29 November 2012
7pm
29 November 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
People:
Date:
1990s-2013
1990s-2013
Title:
Cloud 9 Villa Nurbs project records
Actions:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
Cloud 9 Villa Nurbs project records
Actions:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990s-2013
1990s-2013
People:
Form:
events
events
Title:
Soap
Soap
Actions:
Description:
This Thursday the CCA teams up with Pecha Kucha Montréal to host Soap, a special edition exploring issues of cleanliness within the context of Montréal.
This Thursday the CCA teams up with Pecha Kucha Montréal to host Soap, a special edition exploring issues of cleanliness within the context of Montréal.
Location:
Shaughnessy House Keyword(s):
soap, sense of the city, Jennifer Blair, Patrick Evans, Peter Fianu, Andrew Emond, Jason Prince, Nicholas Reeves
Shaughnessy House Keyword(s):
soap, sense of the city, Jennifer Blair, Patrick Evans, Peter Fianu, Andrew Emond, Jason Prince, Nicholas Reeves
Date:
11 February 2010 , 6PM
11 February 2010 , 6PM
Title:
Soap
Actions:
Description:
This Thursday the CCA teams up with Pecha Kucha Montréal to host Soap, a special edition exploring issues of cleanliness within the context of Montréal.
Soap
Actions:
Description:
This Thursday the CCA teams up with Pecha Kucha Montréal to host Soap, a special edition exploring issues of cleanliness within the context of Montréal.
Form:
events
events
Date:
11 February 2010
6PM
11 February 2010
6PM
Location:
Shaughnessy House Keyword(s):
soap, sense of the city, Jennifer Blair, Patrick Evans, Peter Fianu, Andrew Emond, Jason Prince, Nicholas Reeves
Shaughnessy House Keyword(s):
soap, sense of the city, Jennifer Blair, Patrick Evans, Peter Fianu, Andrew Emond, Jason Prince, Nicholas Reeves
Form:
events
events
Title:
Building Knowledge
Building Knowledge
Actions:
Description:
This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
16 April 2015 , 6pm
16 April 2015 , 6pm
Title:
Building Knowledge
Actions:
Description:
This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
Building Knowledge
Actions:
Description:
This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
Form:
events
events
Date:
16 April 2015
6pm
16 April 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
