17000 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
People:
Date:
ca. 1980- ca. 2000
ca. 1980- ca. 2000
Title:
Press material on Arthur Erickson
Actions:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
Press material on Arthur Erickson
Actions:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
Form:
textual records
textual records
Date:
ca. 1980- ca. 2000
ca. 1980- ca. 2000
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
People:
Date:
1970s-1980s
1970s-1980s
Title:
Working and presentation slides for various projects
Actions:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
Working and presentation slides for various projects
Actions:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
Form:
photographs
photographs
Date:
1970s-1980s
1970s-1980s
People:
Level of archival description:
Project
Project
Title:
Food for the Future
Food for the Future
Actions:
Reference number:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
People:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Title:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Level of archival description:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
People:
Level of archival description:
Project
Project
Title:
Human Wall (2012)
Human Wall (2012)
Actions:
Reference number:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2018
2012-2018
Title:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2018
2012-2018
People:
Form:
events
events
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Date:
24 April 2014 , 6pm
24 April 2014 , 6pm
Title:
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Form:
events
events
Date:
24 April 2014
6pm
24 April 2014
6pm
Form:
textual records
textual records
Actions:
Reference number:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
People:
Date:
1986-1990
1986-1990
Title:
Offer of Services and permanent files for various projects
Actions:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
Offer of Services and permanent files for various projects
Actions:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
Form:
textual records
textual records
Date:
1986-1990
1986-1990
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
People:
Date:
1976-1990
1976-1990
Title:
Other professional committees and associations
Actions:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
Other professional committees and associations
Actions:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
Level of archival description:
Subseries
Subseries
Date:
1976-1990
1976-1990
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
Form:
textual records
textual records
Title:
DDR - IAUS
DDR - IAUS
Reference number:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
People:
Date:
1968-1978, 1981
1968-1978, 1981
Title:
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
Form:
textual records
textual records
Date:
1968-1978, 1981
1968-1978, 1981
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
People:
Date:
1985, 1998-2005, 2009
1985, 1998-2005, 2009
Title:
Correspondence of Melvin Charney's sponsorship for project
Actions:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
Correspondence of Melvin Charney's sponsorship for project
Actions:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
Form:
textual records
textual records
Date:
1985, 1998-2005, 2009
1985, 1998-2005, 2009
People:
