4191 Results
Form:
drawings, photographs
drawings, photographs
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Reference number:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
People:
Title:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins
Actions:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins
Actions:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Form:
drawings, photographs
drawings, photographs
People:
Level of archival description:
Sub-series
Sub-series
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Reference number:
AP156.S6.SS3.D3
Description:
Le dossier documente certains dessins faits par Pierre Jeanneret dans le cadre de ses projets architecturaux. Le matériel dans ce dossier a été produit entre les années 1930 et le début des années 1960. Le dossier contient des diapositives. File documents some of the drawings by Pierre Jeanneret for his architectural projects. The material in this file was produced between the 1930s and the beginning of the 1960s. The file contains slides.
AP156.S6.SS3.D3
Description:
Le dossier documente certains dessins faits par Pierre Jeanneret dans le cadre de ses projets architecturaux. Le matériel dans ce dossier a été produit entre les années 1930 et le début des années 1960. Le dossier contient des diapositives. File documents some of the drawings by Pierre Jeanneret for his architectural projects. The material in this file was produced between the 1930s and the beginning of the 1960s. The file contains slides.
People:
Date:
1930-1965
1930-1965
Title:
Photographies de dessins et d'oeuvres de Pierre Jeanneret = Photographs of drawings and work of art by Pierre Jeanneret
Actions:
AP156.S6.SS3.D3
Description:
Le dossier documente certains dessins faits par Pierre Jeanneret dans le cadre de ses projets architecturaux. Le matériel dans ce dossier a été produit entre les années 1930 et le début des années 1960. Le dossier contient des diapositives. File documents some of the drawings by Pierre Jeanneret for his architectural projects. The material in this file was produced between the 1930s and the beginning of the 1960s. The file contains slides.
Photographies de dessins et d'oeuvres de Pierre Jeanneret = Photographs of drawings and work of art by Pierre Jeanneret
Actions:
AP156.S6.SS3.D3
Description:
Le dossier documente certains dessins faits par Pierre Jeanneret dans le cadre de ses projets architecturaux. Le matériel dans ce dossier a été produit entre les années 1930 et le début des années 1960. Le dossier contient des diapositives. File documents some of the drawings by Pierre Jeanneret for his architectural projects. The material in this file was produced between the 1930s and the beginning of the 1960s. The file contains slides.
Level of archival description:
Dossier 3
Dossier 3
Date:
1930-1965
1930-1965
People:
Actions:
Reference number:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
People:
Subject:
architecture
architecture
Date:
1988
1988
Title:
A vision of Britain : a personal view of architecture
Actions:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
A vision of Britain : a personal view of architecture
Actions:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
Date:
1988
1988
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
ARCH285480
ARCH285480
People:
Date:
1967
1967
Title:
Parkin recieving Massey Foundation Award in Architecture from Paul Martin Sr.
Actions:
ARCH285480
Parkin recieving Massey Foundation Award in Architecture from Paul Martin Sr.
Actions:
ARCH285480
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
events
events
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Description:
We invite kids to get out of the house and into the museum for a day of free activities at the CCA: workshops, animated activities and an interactive gallery tour will be on the agenda.
We invite kids to get out of the house and into the museum for a day of free activities at the CCA: workshops, animated activities and an interactive gallery tour will be on the agenda.
Title:
Click, Cut, Paste
Actions:
Description:
We invite kids to get out of the house and into the museum for a day of free activities at the CCA: workshops, animated activities and an interactive gallery tour will be on the agenda.
Click, Cut, Paste
Actions:
Description:
We invite kids to get out of the house and into the museum for a day of free activities at the CCA: workshops, animated activities and an interactive gallery tour will be on the agenda.
Form:
events
events
Date:
13 December 2023
9am to 3:30pm
13 December 2023
9am to 3:30pm
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
People:
Date:
1984
1984
Title:
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Level of archival description:
Dossier 2
Dossier 2
Date:
1984
1984
People:
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Actions:
Reference number:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Date:
1980s-1990s
1980s-1990s
Title:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Form:
events
events
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Date:
4 July 2013
4 July 2013
Title:
Visiting Scholar Seminar: Jorge Manuel Simão Alvez Correia
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Visiting Scholar Seminar: Jorge Manuel Simão Alvez Correia
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Form:
events
events
Date:
4 July 2013
4 July 2013
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aditya Prakash fonds
Aditya Prakash fonds
Reference number:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
People:
Date:
1947-2008
1947-2008
Title:
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2008
1947-2008
People:
Level of archival description:
Series
Series
Reference number:
AP018.S6
Description:
The Artwork and Photographic Materials series, circa 1930s-1980s, contains the personal art and photography collections of John C. Parkin. These include prints, original paintings, architectural slides and personal and architectural photographs, slides and negatives.
AP018.S6
Description:
The Artwork and Photographic Materials series, circa 1930s-1980s, contains the personal art and photography collections of John C. Parkin. These include prints, original paintings, architectural slides and personal and architectural photographs, slides and negatives.
People:
Date:
circa 1930s-1980s
circa 1930s-1980s
Title:
Artwork and Photographic Materials
Actions:
AP018.S6
Description:
The Artwork and Photographic Materials series, circa 1930s-1980s, contains the personal art and photography collections of John C. Parkin. These include prints, original paintings, architectural slides and personal and architectural photographs, slides and negatives.
Artwork and Photographic Materials
Actions:
AP018.S6
Description:
The Artwork and Photographic Materials series, circa 1930s-1980s, contains the personal art and photography collections of John C. Parkin. These include prints, original paintings, architectural slides and personal and architectural photographs, slides and negatives.
Level of archival description:
Series
Series
Date:
circa 1930s-1980s
circa 1930s-1980s
People:
