The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
13 November 2014 , 6pm
OFFICE wants to speak with you
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Description:
The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
Toy Town
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery
22 October 1997 to 31 May 1998
Toy Town
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Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery
textual records
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
1914, 1918, 1932, 1966
Documentation des expositions d'aquarelles d'Ernest Cormier
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ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
textual records
1914, 1918, 1932, 1966
Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
22 October 2015 , 6pm
Displaying Architecture: First Office
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Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
textual records
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
1951-1964
Schools of Architecture / Lectures
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ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
textual records
1951-1964
textual records
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
1971, 1992
Publication related to Melvin Charney's projects
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DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
textual records
1971, 1992
textual records
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
1949-1974
Published and unpublished papers (folder 3 of 4)
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AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
textual records
1949-1974
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Main galleries
4 July 2007 to 30 September 2007
Lessons from Bernard Rudofsky
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Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Main galleries
textual records
6407 / 2.4 / Specifications
ARCH267525
Description:
This group consists of specifications, tender forms and instructions concerning bids for the Expo '67 Stadium in Montréal, Québec. There are also blank agreements between the Canadian Corporation for the 1967 World Exhibition and the contractors, between the Corporation and the Labour Council; and between the Corporation and the local unions/or syndicates.
1964-1967
6407 / 2.4 / Specifications
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ARCH267525
Description:
This group consists of specifications, tender forms and instructions concerning bids for the Expo '67 Stadium in Montréal, Québec. There are also blank agreements between the Canadian Corporation for the 1967 World Exhibition and the contractors, between the Corporation and the Labour Council; and between the Corporation and the local unions/or syndicates.
textual records
1964-1967
Project
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
1971-2017
Vestirsi Di Siede [Wearable Chairs] (1971)
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AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Project
1971-2017