2426 Results
Form:
articles
articles
Actions:
Nicole Luke speaks to Rafico Ruiz and Ella den Elzen about collaboration, collectivity, and listening in the future of Indigenous design
Title:
Futurecasting: Towards Indigenous-Led Architecture
Nicole Luke speaks to Rafico Ruiz and Ella den Elzen about collaboration, collectivity, and listening in the future of Indigenous design
Actions:
Futurecasting: Towards Indigenous-Led Architecture
Nicole Luke speaks to Rafico Ruiz and Ella den Elzen about collaboration, collectivity, and listening in the future of Indigenous design
Actions:
Level of archival description:
Project
Project
Reference number:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
People:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Title:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Level of archival description:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
People:
Form:
textual records
textual records
Actions:
Reference number:
AP082.S1.018
Description:
Copies of drawings related to the Universal Floor, the Virtual Tower, the Collective Tower, Facades, Cost reduction, etc.
AP082.S1.018
Description:
Copies of drawings related to the Universal Floor, the Virtual Tower, the Collective Tower, Facades, Cost reduction, etc.
People:
Date:
22 January 1999
22 January 1999
Title:
Universal Building: selected drawings with notes and revisions
Actions:
AP082.S1.018
Description:
Copies of drawings related to the Universal Floor, the Virtual Tower, the Collective Tower, Facades, Cost reduction, etc.
Universal Building: selected drawings with notes and revisions
Actions:
AP082.S1.018
Description:
Copies of drawings related to the Universal Floor, the Virtual Tower, the Collective Tower, Facades, Cost reduction, etc.
Form:
textual records
textual records
Date:
22 January 1999
22 January 1999
People:
Form:
events
events
Description:
The inaugural Architecture as Public Concern Lecture marks the launch of the CCA Research Network, an entity that brings together alumni from almost four decades of research programs at the CCA. This annual lecture extends the theme of the Architecture as Public Concern Fellowship, which asks, in 2023, “Who is the Work For?” It also aligns with the CCA Research Network’s(...)
The inaugural Architecture as Public Concern Lecture marks the launch of the CCA Research Network, an entity that brings together alumni from almost four decades of research programs at the CCA. This annual lecture extends the theme of the Architecture as Public Concern Fellowship, which asks, in 2023, “Who is the Work For?” It also aligns with the CCA Research Network’s(...)
Location:
Online Keyword(s):
Samia Henni, Jay Pather, CCA Research Network, Architecture as Public Concern, communities
Online Keyword(s):
Samia Henni, Jay Pather, CCA Research Network, Architecture as Public Concern, communities
Date:
26 September 2023, 2pm to 4pm
26 September 2023, 2pm to 4pm
Title:
2023 Architecture as Public Concern Lecture: Who is the Work For?
Actions:
Description:
The inaugural Architecture as Public Concern Lecture marks the launch of the CCA Research Network, an entity that brings together alumni from almost four decades of research programs at the CCA. This annual lecture extends the theme of the Architecture as Public Concern Fellowship, which asks, in 2023, “Who is the Work For?” It also aligns with the CCA Research Network’s(...)
2023 Architecture as Public Concern Lecture: Who is the Work For?
Actions:
Description:
The inaugural Architecture as Public Concern Lecture marks the launch of the CCA Research Network, an entity that brings together alumni from almost four decades of research programs at the CCA. This annual lecture extends the theme of the Architecture as Public Concern Fellowship, which asks, in 2023, “Who is the Work For?” It also aligns with the CCA Research Network’s(...)
Form:
events
events
Date:
26 September 2023
2pm to 4pm
26 September 2023
2pm to 4pm
Location:
Online Keyword(s):
Samia Henni, Jay Pather, CCA Research Network, Architecture as Public Concern, communities
Online Keyword(s):
Samia Henni, Jay Pather, CCA Research Network, Architecture as Public Concern, communities
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0106:001-009
Description:
- A set of eight topographical views of that part of Windsor Great Park and its buildings known collectively as Virginia Water, with an engraved dedication to the Duke of Cumberland.
DR1987:0106:001-009
Description:
- A set of eight topographical views of that part of Windsor Great Park and its buildings known collectively as Virginia Water, with an engraved dedication to the Duke of Cumberland.
People:
Subject:
architecture, landscape architecture, topographic
architecture, landscape architecture, topographic
Date:
1754 or 1755
1754 or 1755
Title:
Eight Views of Windsor Great Park
Actions:
DR1987:0106:001-009
Description:
- A set of eight topographical views of that part of Windsor Great Park and its buildings known collectively as Virginia Water, with an engraved dedication to the Duke of Cumberland.
Eight Views of Windsor Great Park
Actions:
DR1987:0106:001-009
Description:
- A set of eight topographical views of that part of Windsor Great Park and its buildings known collectively as Virginia Water, with an engraved dedication to the Duke of Cumberland.
Form:
works of art
works of art
Date:
1754 or 1755
1754 or 1755
People:
Subject:
architecture, landscape architecture, topographic
architecture, landscape architecture, topographic
Form:
exhibitions
exhibitions
Form:
exhibitions
exhibitions
Date:
January 2018 to
September 2018
January 2018 to
September 2018
Level of archival description:
Series
Series
Title:
Une architecture des humeurs
Une architecture des humeurs
Actions:
Reference number:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
People:
Date:
2008-2011
2008-2011
Title:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Level of archival description:
Series
Series
Date:
2008-2011
2008-2011
People:
Level of archival description:
Series
Series
Title:
Projets et réalisations
Projets et réalisations
Reference number:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
People:
Date:
1973-1997
1973-1997
Title:
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Level of archival description:
Series
Series
Date:
1973-1997
1973-1997
People:
Form:
articles
articles
Actions:
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Issue:
With and Within
With and Within
Keyword(s):
cooperativism, collective, barcelona, spain, la borda, can batlló, social economy, indignados, context
cooperativism, collective, barcelona, spain, la borda, can batlló, social economy, indignados, context
Published:
19 April 2021
19 April 2021
Title:
The Architecture of Cooperation
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Actions:
The Architecture of Cooperation
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Actions:
Issue:
With and Within
With and Within
Form:
events
events
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Date:
7 March 2009
7 March 2009
Title:
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Form:
events
events
Date:
7 March 2009
7 March 2009
