396 Results
Form:
exhibitions
exhibitions
Actions:
Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Location:
Main galleries
Main galleries
Date:
15 November 2000 to 1 April 2001
15 November 2000 to 1 April 2001
Title:
New York: CCA Competition for the Design of Cities
Actions:
Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
New York: CCA Competition for the Design of Cities
Actions:
Description:
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Form:
exhibitions
exhibitions
Date:
15 November 2000 to
1 April 2001
15 November 2000 to
1 April 2001
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
People:
Date:
1995-1996
1995-1996
Title:
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-1996
1995-1996
People:
Form:
drawings, born digital
drawings, born digital
Actions:
Reference number:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
People:
Date:
15 October 1995 - 17 October 1995
15 October 1995 - 17 October 1995
Title:
Animated renderings of Chemnitz Stadium
Actions:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
Animated renderings of Chemnitz Stadium
Actions:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
Form:
drawings, born digital
drawings, born digital
Date:
15 October 1995 - 17 October 1995
15 October 1995 - 17 October 1995
People:
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Level of archival description:
Series
Series
Title:
Presentation files
Presentation files
Actions:
Reference number:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
People:
Date:
1999 - 2009
1999 - 2009
Title:
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Level of archival description:
Series
Series
Date:
1999 - 2009
1999 - 2009
People:
Form:
born digital
Quantity:
124 digital file(s)
born digital
Quantity:
124 digital file(s)
Title:
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Actions:
Reference number:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
People:
Date:
2002-2007
2002-2007
Title:
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Actions:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Actions:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
Form:
born digital
Quantity:
124 digital file(s)
born digital
Quantity:
124 digital file(s)
Date:
2002-2007
2002-2007
People:
Form:
events
events
Actions:
Description:
This summer, we offer day camps providing children from ages 7 to 10 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
This summer, we offer day camps providing children from ages 7 to 10 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Keyword(s):
summer camp
summer camp
Date:
June 2025 to August 2025
June 2025 to August 2025
Title:
Summer Camp 2025
Actions:
Description:
This summer, we offer day camps providing children from ages 7 to 10 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Summer Camp 2025
Actions:
Description:
This summer, we offer day camps providing children from ages 7 to 10 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Form:
events
events
Date:
June 2025 to
August 2025
June 2025 to
August 2025
Keyword(s):
summer camp
summer camp
Form:
events
events
Actions:
Description:
This summer, we are offering a week-long day camp providing children from ages 7 to 11 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
This summer, we are offering a week-long day camp providing children from ages 7 to 11 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Keyword(s):
summer camp
summer camp
Date:
August 2024
August 2024
Title:
Summer Camp 2024
Actions:
Description:
This summer, we are offering a week-long day camp providing children from ages 7 to 11 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Summer Camp 2024
Actions:
Description:
This summer, we are offering a week-long day camp providing children from ages 7 to 11 a wide range of activities that engage with architecture, the built environment, and design. Join us for this opportunity to discover the CCA through visits, workshops, and games that will engage and extend children’s creativity.
Form:
events
events
Date:
August 2024 to
August 2024
August 2024 to
August 2024
Keyword(s):
summer camp
summer camp
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
People:
Date:
1994-2004
1994-2004
Title:
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2004
1994-2004
People:
Form:
born digital
born digital
Actions:
Reference number:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
People:
Date:
1998-1999
1998-1999
Title:
Presentation materials for the IFCCA competition, CD-R, 650 MB
Actions:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
Presentation materials for the IFCCA competition, CD-R, 650 MB
Actions:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
Form:
born digital
born digital
Date:
1998-1999
1998-1999
People:
