3287 Results
Title:
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
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Reference number:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
People:
Date:
2007
2007
Title:
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
Actions:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
Actions:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
Date:
2007
2007
People:
Actions:
Reference number:
DR2001:0050:001
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:001
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
People:
Date:
ca 1858-1866
ca 1858-1866
Title:
Plan de l'Etablissement curial de la Pointe-Claire
Actions:
DR2001:0050:001
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Plan de l'Etablissement curial de la Pointe-Claire
Actions:
DR2001:0050:001
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
ca 1858-1866
ca 1858-1866
People:
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
People:
Date:
25 October 1975
25 October 1975
Title:
Document renouncing all of Gordon Matta-Clark's rights over Marc Petitjean's film footage of the projects "Conical Intersect" and "Etant d'art"
Actions:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
Document renouncing all of Gordon Matta-Clark's rights over Marc Petitjean's film footage of the projects "Conical Intersect" and "Etant d'art"
Actions:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
Form:
textual records
textual records
Date:
25 October 1975
25 October 1975
People:
Form:
textual records
textual records
Title:
Divers catalogues sur l'art
Divers catalogues sur l'art
Actions:
Reference number:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
People:
Date:
1907-1939
1907-1939
Title:
Divers catalogues sur l'art
Actions:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
Divers catalogues sur l'art
Actions:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
Form:
textual records
textual records
Date:
1907-1939
1907-1939
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
People:
Title:
Façades de bâtiments commerciaux de la rue Sherbrooke
Actions:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
Façades de bâtiments commerciaux de la rue Sherbrooke
Actions:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
Form:
textual records, photographs
textual records, photographs
People:
Level of archival description:
Project
Project
Title:
Projet Site Angus
Projet Site Angus
Actions:
Reference number:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
People:
Date:
1991
1991
Title:
Projet Site Angus
Actions:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
Projet Site Angus
Actions:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
Level of archival description:
Projet
Projet
Date:
1991
1991
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
People:
Date:
1969-1971
1969-1971
Title:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Level of archival description:
Project
Project
Date:
1969-1971
1969-1971
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH273413
Description:
Certificate of Honorary Citizen of the City of Taichung, Taiwan. Given to Arthur Erickson in recognition of his achievements; signed by the City's mayor, Lin Po-jung.
ARCH273413
Description:
Certificate of Honorary Citizen of the City of Taichung, Taiwan. Given to Arthur Erickson in recognition of his achievements; signed by the City's mayor, Lin Po-jung.
People:
Date:
25 May 1995
25 May 1995
Title:
Certificate of Honorary Citizen of the City of Taichung, Taiwan
Actions:
ARCH273413
Description:
Certificate of Honorary Citizen of the City of Taichung, Taiwan. Given to Arthur Erickson in recognition of his achievements; signed by the City's mayor, Lin Po-jung.
Certificate of Honorary Citizen of the City of Taichung, Taiwan
Actions:
ARCH273413
Description:
Certificate of Honorary Citizen of the City of Taichung, Taiwan. Given to Arthur Erickson in recognition of his achievements; signed by the City's mayor, Lin Po-jung.
Form:
textual records
textual records
Date:
25 May 1995
25 May 1995
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0352
Description:
- This drawing shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0352
Description:
- This drawing shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
architecture
architecture
Date:
1920s or 1930s
1920s or 1930s
Title:
Perspectival view showing a Tudor Revival building, probably an inn or a clubhouse
Actions:
DR1988:0352
Description:
- This drawing shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspectival view showing a Tudor Revival building, probably an inn or a clubhouse
Actions:
DR1988:0352
Description:
- This drawing shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
1920s or 1930s
1920s or 1930s
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0353
Description:
- This reprographic copy shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0353
Description:
- This reprographic copy shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
architecture
architecture
Date:
1920s or 1930s
1920s or 1930s
Title:
Perspectival view showing a Tudor Revival building, probably an inn or a clubhouse
Actions:
DR1988:0353
Description:
- This reprographic copy shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspectival view showing a Tudor Revival building, probably an inn or a clubhouse
Actions:
DR1988:0353
Description:
- This reprographic copy shows a three-storey Tudor Revival building viewed from the street corner. The number of entrances, along with the post for a sign (which is blank) suggest that this building is an inn, or possibly a clubhouse. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
1920s or 1930s
1920s or 1930s
People:
Subject:
architecture
architecture
