2149 Results
Level of archival description:
Project
Project
Reference number:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
People:
Date:
1983-1984
1983-1984
Title:
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Level of archival description:
Project
Project
Date:
1983-1984
1983-1984
People:
Form:
exhibitions
exhibitions
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Location:
Main galleries
Main galleries
Date:
19 October 1994 to 8 January 1995
19 October 1994 to 8 January 1995
Title:
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Form:
exhibitions
exhibitions
Date:
19 October 1994 to
8 January 1995
19 October 1994 to
8 January 1995
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
Level of archival description:
Series
Series
Title:
Projets et réalisations
Projets et réalisations
Reference number:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
People:
Date:
1973-1997
1973-1997
Title:
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Level of archival description:
Series
Series
Date:
1973-1997
1973-1997
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:085:017
Description:
File containing documents in French, including correspondence, newspaper clippings, and programs related to the following group exhibitions: - La ville, art et architecture en Europe 1870-1993, at Centre national d'art et de culture Georges Pompidou; - Visions urbaines. The above exhibitions included the following artworks: - Visions of the temple (after Matthias Hafenreffer's reconstruction of the temple of Jerusalem, Tübingen, Germany, 1631); - Parable no. 11 ... so be it; - Parable no. 12 ... RCA Corporation expansion, New York; - Better if they think they are going to a farm, no. 2; - The other city ... visions of the temple, no.1; - Fragments of the forgotten city, no. 6; - Fragments of the forgotten city. Original folder inscribed in graphite: CENTRE POMPIDOU/PARIS-BARCELONA/1994
DR2012:0012:085:017
Description:
File containing documents in French, including correspondence, newspaper clippings, and programs related to the following group exhibitions: - La ville, art et architecture en Europe 1870-1993, at Centre national d'art et de culture Georges Pompidou; - Visions urbaines. The above exhibitions included the following artworks: - Visions of the temple (after Matthias Hafenreffer's reconstruction of the temple of Jerusalem, Tübingen, Germany, 1631); - Parable no. 11 ... so be it; - Parable no. 12 ... RCA Corporation expansion, New York; - Better if they think they are going to a farm, no. 2; - The other city ... visions of the temple, no.1; - Fragments of the forgotten city, no. 6; - Fragments of the forgotten city. Original folder inscribed in graphite: CENTRE POMPIDOU/PARIS-BARCELONA/1994
People:
Date:
1992-1994
1992-1994
Title:
Correspondence, newspaper clippings, and programs related to group exhibitions "La ville, art et architecture en Europe 1870-1993" and "Visions urbaines"
Actions:
DR2012:0012:085:017
Description:
File containing documents in French, including correspondence, newspaper clippings, and programs related to the following group exhibitions: - La ville, art et architecture en Europe 1870-1993, at Centre national d'art et de culture Georges Pompidou; - Visions urbaines. The above exhibitions included the following artworks: - Visions of the temple (after Matthias Hafenreffer's reconstruction of the temple of Jerusalem, Tübingen, Germany, 1631); - Parable no. 11 ... so be it; - Parable no. 12 ... RCA Corporation expansion, New York; - Better if they think they are going to a farm, no. 2; - The other city ... visions of the temple, no.1; - Fragments of the forgotten city, no. 6; - Fragments of the forgotten city. Original folder inscribed in graphite: CENTRE POMPIDOU/PARIS-BARCELONA/1994
Correspondence, newspaper clippings, and programs related to group exhibitions "La ville, art et architecture en Europe 1870-1993" and "Visions urbaines"
Actions:
DR2012:0012:085:017
Description:
File containing documents in French, including correspondence, newspaper clippings, and programs related to the following group exhibitions: - La ville, art et architecture en Europe 1870-1993, at Centre national d'art et de culture Georges Pompidou; - Visions urbaines. The above exhibitions included the following artworks: - Visions of the temple (after Matthias Hafenreffer's reconstruction of the temple of Jerusalem, Tübingen, Germany, 1631); - Parable no. 11 ... so be it; - Parable no. 12 ... RCA Corporation expansion, New York; - Better if they think they are going to a farm, no. 2; - The other city ... visions of the temple, no.1; - Fragments of the forgotten city, no. 6; - Fragments of the forgotten city. Original folder inscribed in graphite: CENTRE POMPIDOU/PARIS-BARCELONA/1994
Form:
textual records
textual records
Date:
1992-1994
1992-1994
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH174273
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la S.V.P.M. relative aux travaux d'agrandissement du pavillon. Contient aussi des dessins et des photocopies de détails, et une lettre de Luc Laporte à un intervenant à Gidev construction concernant les modifications à apporter aux panneaux grillagés. Documents et sujets du dossier inclus : dessins des garde-corps, poignées de porte et métaux ouvrés, décompte progressifs, évaluation de la portée des travaux, verre des fenêtres, reconstruction des cloisons grillagées, agrandissement du local de la polisseuse à glace (Zamboni), corrections aux fondations, aménagement du restaurant, dessins de structure Soprin, déficience mur d'acier, ventilation et gargouilles, modification du vestibule, programme et aménagement du restaurant avec devis technique, ferme-porte, et détail d'acier perforé.
ARCH174273
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la S.V.P.M. relative aux travaux d'agrandissement du pavillon. Contient aussi des dessins et des photocopies de détails, et une lettre de Luc Laporte à un intervenant à Gidev construction concernant les modifications à apporter aux panneaux grillagés. Documents et sujets du dossier inclus : dessins des garde-corps, poignées de porte et métaux ouvrés, décompte progressifs, évaluation de la portée des travaux, verre des fenêtres, reconstruction des cloisons grillagées, agrandissement du local de la polisseuse à glace (Zamboni), corrections aux fondations, aménagement du restaurant, dessins de structure Soprin, déficience mur d'acier, ventilation et gargouilles, modification du vestibule, programme et aménagement du restaurant avec devis technique, ferme-porte, et détail d'acier perforé.
People:
Date:
1992
1992
Title:
Correspondance avec client et contractant, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174273
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la S.V.P.M. relative aux travaux d'agrandissement du pavillon. Contient aussi des dessins et des photocopies de détails, et une lettre de Luc Laporte à un intervenant à Gidev construction concernant les modifications à apporter aux panneaux grillagés. Documents et sujets du dossier inclus : dessins des garde-corps, poignées de porte et métaux ouvrés, décompte progressifs, évaluation de la portée des travaux, verre des fenêtres, reconstruction des cloisons grillagées, agrandissement du local de la polisseuse à glace (Zamboni), corrections aux fondations, aménagement du restaurant, dessins de structure Soprin, déficience mur d'acier, ventilation et gargouilles, modification du vestibule, programme et aménagement du restaurant avec devis technique, ferme-porte, et détail d'acier perforé.
Correspondance avec client et contractant, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174273
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la S.V.P.M. relative aux travaux d'agrandissement du pavillon. Contient aussi des dessins et des photocopies de détails, et une lettre de Luc Laporte à un intervenant à Gidev construction concernant les modifications à apporter aux panneaux grillagés. Documents et sujets du dossier inclus : dessins des garde-corps, poignées de porte et métaux ouvrés, décompte progressifs, évaluation de la portée des travaux, verre des fenêtres, reconstruction des cloisons grillagées, agrandissement du local de la polisseuse à glace (Zamboni), corrections aux fondations, aménagement du restaurant, dessins de structure Soprin, déficience mur d'acier, ventilation et gargouilles, modification du vestibule, programme et aménagement du restaurant avec devis technique, ferme-porte, et détail d'acier perforé.
Form:
drawings, textual records
drawings, textual records
Date:
1992
1992
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH256993
Description:
41 files of Permanent Files, offer of services and proposal reports for the following projects: Harbor Hotel, Bus Barn Site, Sanaa University (Yemen), Waterfront Centre, Simon Fraser University village, Saudi Arabian National Centre for Science and Technology, California Plaza schematic design, Songhees Redevelopment (Victoria), Vancouver Music Organization Recital Hall, Universal city MCA (California), British Columbia Place, Arabian Gulf University Project, Lands in Eau Claire (Calgary), California Centre (by Bunker Hill Associates), Esso Cold Lake Project, Lulu Island / Annacis Channel Study, Lethridge Hospital and Nursing Home, Hawally Local Plan and Central Area Redevelopment, Islamic University of Medina, Marathon Pier (B.C), Jeddah Main Building reconstruction, Wadi Sagra Circle, Stoker Farm report (B.C), Public Services Building (Portland).
ARCH256993
Description:
41 files of Permanent Files, offer of services and proposal reports for the following projects: Harbor Hotel, Bus Barn Site, Sanaa University (Yemen), Waterfront Centre, Simon Fraser University village, Saudi Arabian National Centre for Science and Technology, California Plaza schematic design, Songhees Redevelopment (Victoria), Vancouver Music Organization Recital Hall, Universal city MCA (California), British Columbia Place, Arabian Gulf University Project, Lands in Eau Claire (Calgary), California Centre (by Bunker Hill Associates), Esso Cold Lake Project, Lulu Island / Annacis Channel Study, Lethridge Hospital and Nursing Home, Hawally Local Plan and Central Area Redevelopment, Islamic University of Medina, Marathon Pier (B.C), Jeddah Main Building reconstruction, Wadi Sagra Circle, Stoker Farm report (B.C), Public Services Building (Portland).
People:
Date:
1980-1981;1988
1980-1981;1988
Title:
Permanent files, offer of services and proposal reports for various projects
Actions:
ARCH256993
Description:
41 files of Permanent Files, offer of services and proposal reports for the following projects: Harbor Hotel, Bus Barn Site, Sanaa University (Yemen), Waterfront Centre, Simon Fraser University village, Saudi Arabian National Centre for Science and Technology, California Plaza schematic design, Songhees Redevelopment (Victoria), Vancouver Music Organization Recital Hall, Universal city MCA (California), British Columbia Place, Arabian Gulf University Project, Lands in Eau Claire (Calgary), California Centre (by Bunker Hill Associates), Esso Cold Lake Project, Lulu Island / Annacis Channel Study, Lethridge Hospital and Nursing Home, Hawally Local Plan and Central Area Redevelopment, Islamic University of Medina, Marathon Pier (B.C), Jeddah Main Building reconstruction, Wadi Sagra Circle, Stoker Farm report (B.C), Public Services Building (Portland).
Permanent files, offer of services and proposal reports for various projects
Actions:
ARCH256993
Description:
41 files of Permanent Files, offer of services and proposal reports for the following projects: Harbor Hotel, Bus Barn Site, Sanaa University (Yemen), Waterfront Centre, Simon Fraser University village, Saudi Arabian National Centre for Science and Technology, California Plaza schematic design, Songhees Redevelopment (Victoria), Vancouver Music Organization Recital Hall, Universal city MCA (California), British Columbia Place, Arabian Gulf University Project, Lands in Eau Claire (Calgary), California Centre (by Bunker Hill Associates), Esso Cold Lake Project, Lulu Island / Annacis Channel Study, Lethridge Hospital and Nursing Home, Hawally Local Plan and Central Area Redevelopment, Islamic University of Medina, Marathon Pier (B.C), Jeddah Main Building reconstruction, Wadi Sagra Circle, Stoker Farm report (B.C), Public Services Building (Portland).
Form:
textual records
textual records
Date:
1980-1981;1988
1980-1981;1988
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
Form:
exhibitions
exhibitions
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Location:
Main galleries
Main galleries
Date:
18 June 1996 to 29 September 1996
18 June 1996 to 29 September 1996
Title:
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Form:
exhibitions
exhibitions
Date:
18 June 1996 to
29 September 1996
18 June 1996 to
29 September 1996
Location:
Main galleries
Main galleries
Form:
articles
articles
Title:
Unintended Memories
Unintended Memories
Actions:
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
Published:
11 September 2023
11 September 2023
Title:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
