702 Results
Level of archival description:
Project
Project
Reference number:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
People:
Date:
1970-1978
1970-1978
Title:
Memorial University of Newfoundland, Health Sciences Complex, St. Johns, Newfoundland (1971-1976)
Actions:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
Memorial University of Newfoundland, Health Sciences Complex, St. Johns, Newfoundland (1971-1976)
Actions:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1970-1978
1970-1978
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH255007
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
ARCH255007
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
People:
Title:
Publicity Files containing photographs and written data on projects
Actions:
ARCH255007
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
Publicity Files containing photographs and written data on projects
Actions:
ARCH255007
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
Form:
photographs
photographs
People:
Form:
photographs
photographs
Reference number:
ARCH284794
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
ARCH284794
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
People:
Date:
circa 1967-1988
circa 1967-1988
Title:
Publicity Files containing photographs and written data on projects
Actions:
ARCH284794
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
Publicity Files containing photographs and written data on projects
Actions:
ARCH284794
Description:
Publicity Files containing photographs and written data on projects - Simon Fraser University; MacMillan Bloedel Building; Blocks 51, 61, 71 (Robson Square); Canadian Government Pavilion, Osaka; Institute for the Future; University of Lethbridge; West Seattle Freeway; Hilborn House; Imperial Oil project, Don Mills; Canadian Architect Yearbook competition; Canadian Education Showplace competition; Man in the Community Pavilion; Paris competition (Centre du Plateau Beaubourg); Sikh Temple, photocopies of negatives
Form:
photographs
photographs
Date:
circa 1967-1988
circa 1967-1988
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Joseph Rykwert fonds
Joseph Rykwert fonds
Reference number:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
People:
Date:
1928-2022
1928-2022
Title:
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-2022
1928-2022
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
People:
Date:
1987-1992
1987-1992
Title:
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Level of archival description:
Project
Project
Date:
1987-1992
1987-1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
People:
Date:
1992-1995
1992-1995
Title:
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Level of archival description:
Project
Project
Date:
1992-1995
1992-1995
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Cache fonds
Bernard Cache fonds
Actions:
Reference number:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
People:
Date:
1992-2011
1992-2011
Title:
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1992-2011
1992-2011
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
People:
Date:
1949-2001
1949-2001
Title:
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Level of archival description:
Project
Project
Date:
1949-2001
1949-2001
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
People:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Title:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Level of archival description:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
People:
Form:
events
events
Title:
Learning from... Montréal
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
2 May 2013 , 7pm
2 May 2013 , 7pm
Title:
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Form:
events
events
Date:
2 May 2013
7pm
2 May 2013
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
