1120 Results
Level of archival description:
Series
Series
Title:
Professional papers
Professional papers
Reference number:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
People:
Date:
circa 1950-2008
circa 1950-2008
Title:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Level of archival description:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Anyone Corporation fonds
Anyone Corporation fonds
Reference number:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
People:
Date:
1990-2001
1990-2001
Title:
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990-2001
1990-2001
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
People:
Date:
1965-2015
1965-2015
Title:
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Level of archival description:
Subseries
Subseries
Date:
1965-2015
1965-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
People:
Date:
[1997]-1998
[1997]-1998
Title:
IIT - New Campus Center Competition fonds
Actions:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
IIT - New Campus Center Competition fonds
Actions:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
[1997]-1998
[1997]-1998
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
People:
Date:
1949-2019
1949-2019
Title:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Level of archival description:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
People:
Level of archival description:
Series
Series
Title:
Professional activities
Professional activities
Reference number:
AP022.S4
Description:
Series documents professional activities of Arthur Erickson outside of designing buildings, including awards and honours, such as the Massey Medals for Architecture and others, Erickson involvement with professional associations as well as addresses and writings by Erickson, book projects, conferences and workshops. The series contains correspondence with professional associations, certificats and medals received by Erickson throughout his career, invitations to events, drafts, notes and texts for lectures, conferences programs, and recordings of various televisions appearances of Erickson.
AP022.S4
Description:
Series documents professional activities of Arthur Erickson outside of designing buildings, including awards and honours, such as the Massey Medals for Architecture and others, Erickson involvement with professional associations as well as addresses and writings by Erickson, book projects, conferences and workshops. The series contains correspondence with professional associations, certificats and medals received by Erickson throughout his career, invitations to events, drafts, notes and texts for lectures, conferences programs, and recordings of various televisions appearances of Erickson.
People:
Date:
1955-1999 (predominant 1964-1989)
1955-1999 (predominant 1964-1989)
Title:
Professional activities
Actions:
AP022.S4
Description:
Series documents professional activities of Arthur Erickson outside of designing buildings, including awards and honours, such as the Massey Medals for Architecture and others, Erickson involvement with professional associations as well as addresses and writings by Erickson, book projects, conferences and workshops. The series contains correspondence with professional associations, certificats and medals received by Erickson throughout his career, invitations to events, drafts, notes and texts for lectures, conferences programs, and recordings of various televisions appearances of Erickson.
Professional activities
Actions:
AP022.S4
Description:
Series documents professional activities of Arthur Erickson outside of designing buildings, including awards and honours, such as the Massey Medals for Architecture and others, Erickson involvement with professional associations as well as addresses and writings by Erickson, book projects, conferences and workshops. The series contains correspondence with professional associations, certificats and medals received by Erickson throughout his career, invitations to events, drafts, notes and texts for lectures, conferences programs, and recordings of various televisions appearances of Erickson.
Level of archival description:
Series
Series
Date:
1955-1999 (predominant 1964-1989)
1955-1999 (predominant 1964-1989)
People:
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Roland Dumais fonds
Roland Dumais fonds
Actions:
Reference number:
AP005
Synopsis:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
AP005
Synopsis:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
People:
Date:
1930-1975
1930-1975
Title:
Roland Dumais fonds
Actions:
AP005
Synopsis:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
Roland Dumais fonds
Actions:
AP005
Synopsis:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1930-1975
1930-1975
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP142.S1
Description:
The series includes architectural, urban planning and design projects, as well as installation projects for special events such as the Biennale di Venezia and Triennale di Milano, by Aldo Rossi and Studio di Architettura (SDA). Projects represented include major and minor commissions, competition entries, and "dead projects". Architectural drawings are in the hand of Rossi and others, and the series also includes reprographic copies of drawings by Rossi and others. Arrangement within the series is roughly chronological. Textual records in this series also often include conceptual, design development, presentation and working drawings.
AP142.S1
Description:
The series includes architectural, urban planning and design projects, as well as installation projects for special events such as the Biennale di Venezia and Triennale di Milano, by Aldo Rossi and Studio di Architettura (SDA). Projects represented include major and minor commissions, competition entries, and "dead projects". Architectural drawings are in the hand of Rossi and others, and the series also includes reprographic copies of drawings by Rossi and others. Arrangement within the series is roughly chronological. Textual records in this series also often include conceptual, design development, presentation and working drawings.
People:
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
Title:
Projects
Actions:
AP142.S1
Description:
The series includes architectural, urban planning and design projects, as well as installation projects for special events such as the Biennale di Venezia and Triennale di Milano, by Aldo Rossi and Studio di Architettura (SDA). Projects represented include major and minor commissions, competition entries, and "dead projects". Architectural drawings are in the hand of Rossi and others, and the series also includes reprographic copies of drawings by Rossi and others. Arrangement within the series is roughly chronological. Textual records in this series also often include conceptual, design development, presentation and working drawings.
Projects
Actions:
AP142.S1
Description:
The series includes architectural, urban planning and design projects, as well as installation projects for special events such as the Biennale di Venezia and Triennale di Milano, by Aldo Rossi and Studio di Architettura (SDA). Projects represented include major and minor commissions, competition entries, and "dead projects". Architectural drawings are in the hand of Rossi and others, and the series also includes reprographic copies of drawings by Rossi and others. Arrangement within the series is roughly chronological. Textual records in this series also often include conceptual, design development, presentation and working drawings.
Level of archival description:
Series 1
Series 1
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
