24946 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
People:
Subject:
architecture
architecture
Date:
published ca. 1902
published ca. 1902
Title:
Portfolio of views of English Cottages on the South Coast of England, at Birchington, Margate, Hastings, and various other towns
Actions:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
Portfolio of views of English Cottages on the South Coast of England, at Birchington, Margate, Hastings, and various other towns
Actions:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
Form:
photographs
photographs
Date:
published ca. 1902
published ca. 1902
People:
Subject:
architecture
architecture
Form:
drawings, textual records
drawings, textual records
Reference number:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
People:
Date:
1968 or 1969
1968 or 1969
Title:
Wooden box containing presentation material
Actions:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
Wooden box containing presentation material
Actions:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
Form:
drawings, textual records
drawings, textual records
Date:
1968 or 1969
1968 or 1969
People:
Form:
textual records, photographs
Quantity:
15 file
textual records, photographs
Quantity:
15 file
Actions:
Reference number:
ARCH242914
Description:
Nina Last (book) Review of White Walls Wilson - drafts of article by Mabel O. Wilson Kolbowski - correspondence regarding article by Silvia Kolbowski Bloomer (4000) - drafts of article by Jennifer Bloomer Vanstiphout, on Meier at The Hague - drafts of article by Wouter Vanstiphout Denis Ortiz, Jack's Underground - drafts Linder - drafts of article by Mark Linder Apter, Morocco in B/W - drafts of article by Emily Apter [Ernest] Pascucci, "White Forms, Forms of Whiteness" Cohen - article by Jean-Louis Cohen and Monique Eleb Appadurai - article by Arjun Appadurai Kwinter - drafts of article by Sanford Kwinter, correspondence Nelson - drafts of article by Steven Nelson, includes Guggenheim publicity kits with 8 photographs Browser Letter from Black Mountain College - drafts of article by Steven Browser Jazz Responses - includes Letters from New Orleans Images (5 photo contact prints)
ARCH242914
Description:
Nina Last (book) Review of White Walls Wilson - drafts of article by Mabel O. Wilson Kolbowski - correspondence regarding article by Silvia Kolbowski Bloomer (4000) - drafts of article by Jennifer Bloomer Vanstiphout, on Meier at The Hague - drafts of article by Wouter Vanstiphout Denis Ortiz, Jack's Underground - drafts Linder - drafts of article by Mark Linder Apter, Morocco in B/W - drafts of article by Emily Apter [Ernest] Pascucci, "White Forms, Forms of Whiteness" Cohen - article by Jean-Louis Cohen and Monique Eleb Appadurai - article by Arjun Appadurai Kwinter - drafts of article by Sanford Kwinter, correspondence Nelson - drafts of article by Steven Nelson, includes Guggenheim publicity kits with 8 photographs Browser Letter from Black Mountain College - drafts of article by Steven Browser Jazz Responses - includes Letters from New Orleans Images (5 photo contact prints)
People:
Date:
1996
1996
Title:
Article texts, correspondence, photos
Actions:
ARCH242914
Description:
Nina Last (book) Review of White Walls Wilson - drafts of article by Mabel O. Wilson Kolbowski - correspondence regarding article by Silvia Kolbowski Bloomer (4000) - drafts of article by Jennifer Bloomer Vanstiphout, on Meier at The Hague - drafts of article by Wouter Vanstiphout Denis Ortiz, Jack's Underground - drafts Linder - drafts of article by Mark Linder Apter, Morocco in B/W - drafts of article by Emily Apter [Ernest] Pascucci, "White Forms, Forms of Whiteness" Cohen - article by Jean-Louis Cohen and Monique Eleb Appadurai - article by Arjun Appadurai Kwinter - drafts of article by Sanford Kwinter, correspondence Nelson - drafts of article by Steven Nelson, includes Guggenheim publicity kits with 8 photographs Browser Letter from Black Mountain College - drafts of article by Steven Browser Jazz Responses - includes Letters from New Orleans Images (5 photo contact prints)
Article texts, correspondence, photos
Actions:
ARCH242914
Description:
Nina Last (book) Review of White Walls Wilson - drafts of article by Mabel O. Wilson Kolbowski - correspondence regarding article by Silvia Kolbowski Bloomer (4000) - drafts of article by Jennifer Bloomer Vanstiphout, on Meier at The Hague - drafts of article by Wouter Vanstiphout Denis Ortiz, Jack's Underground - drafts Linder - drafts of article by Mark Linder Apter, Morocco in B/W - drafts of article by Emily Apter [Ernest] Pascucci, "White Forms, Forms of Whiteness" Cohen - article by Jean-Louis Cohen and Monique Eleb Appadurai - article by Arjun Appadurai Kwinter - drafts of article by Sanford Kwinter, correspondence Nelson - drafts of article by Steven Nelson, includes Guggenheim publicity kits with 8 photographs Browser Letter from Black Mountain College - drafts of article by Steven Browser Jazz Responses - includes Letters from New Orleans Images (5 photo contact prints)
Form:
textual records, photographs
Quantity:
15 file
textual records, photographs
Quantity:
15 file
Date:
1996
1996
People:
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Reference number:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
People:
Date:
circa 1955- 2012
circa 1955- 2012
Title:
Kenneth Frampton certificates, diplomas, and collectables
Actions:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
Kenneth Frampton certificates, diplomas, and collectables
Actions:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Date:
circa 1955- 2012
circa 1955- 2012
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
People:
Date:
1970-2003
1970-2003
Title:
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Level of archival description:
Project
Project
Date:
1970-2003
1970-2003
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
People:
Date:
1990-1993
1990-1993
Title:
Prospecta Toyama '92 Observatory Tower, Imizu, Japan (1990-1993)
Actions:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
Prospecta Toyama '92 Observatory Tower, Imizu, Japan (1990-1993)
Actions:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
Level of archival description:
project
project
Date:
1990-1993
1990-1993
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
People:
Date:
1994-2014
1994-2014
Title:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Level of archival description:
Project
Project
Date:
1994-2014
1994-2014
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
People:
Date:
1973-2018
1973-2018
Title:
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Level of archival description:
Project
Project
Date:
1973-2018
1973-2018
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John C. Parkin fonds
John C. Parkin fonds
Reference number:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
People:
Date:
1929-1987
1929-1987
Title:
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1929-1987
1929-1987
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
People:
Date:
1948-2012
1948-2012
Title:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Level of archival description:
Series
Series
Date:
1948-2012
1948-2012
People:
