20898 Results
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Sub-series
Sub-series
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Reference number:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
People:
Date:
1999-2000
1999-2000
Title:
Anyone for Architecture Exhibition
Actions:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
Anyone for Architecture Exhibition
Actions:
AP116.S2.SS11.D7
Description:
File documents the planning and actual exhibition, "Eavesdropping on Architecture", held 3 June - 29 July, 2000, at The Urban Center, New York City, New York. Material in file was was produced between 1999 and 2000. FIle contains videocassettes, receipts, publicity material, correspondence, budgets and guest lists.
Level of archival description:
File 7
File 7
Date:
1999-2000
1999-2000
People:
Form:
textual records
textual records
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Reference number:
ARCH153755
Description:
1 catalogue for Massimo Scolari's exhibition at the IAUS in New York: Massimo Scolari, architecture between memory and hope : May 15 to June 30, 1976, May 20 to July 6, 1980 / introduction by Manfredo Tafuri. -- New York, N.Y. : Institute for Architecture and Urban Studies; distributed by MIT Press 1980. Scolari negatives for the catalogue and views of the Scolari exhibition
ARCH153755
Description:
1 catalogue for Massimo Scolari's exhibition at the IAUS in New York: Massimo Scolari, architecture between memory and hope : May 15 to June 30, 1976, May 20 to July 6, 1980 / introduction by Manfredo Tafuri. -- New York, N.Y. : Institute for Architecture and Urban Studies; distributed by MIT Press 1980. Scolari negatives for the catalogue and views of the Scolari exhibition
People:
Date:
1976-1980
1976-1980
Title:
Catalogue for Massimo Scolari's exhibition at the IAUS in New York
Actions:
ARCH153755
Description:
1 catalogue for Massimo Scolari's exhibition at the IAUS in New York: Massimo Scolari, architecture between memory and hope : May 15 to June 30, 1976, May 20 to July 6, 1980 / introduction by Manfredo Tafuri. -- New York, N.Y. : Institute for Architecture and Urban Studies; distributed by MIT Press 1980. Scolari negatives for the catalogue and views of the Scolari exhibition
Catalogue for Massimo Scolari's exhibition at the IAUS in New York
Actions:
ARCH153755
Description:
1 catalogue for Massimo Scolari's exhibition at the IAUS in New York: Massimo Scolari, architecture between memory and hope : May 15 to June 30, 1976, May 20 to July 6, 1980 / introduction by Manfredo Tafuri. -- New York, N.Y. : Institute for Architecture and Urban Studies; distributed by MIT Press 1980. Scolari negatives for the catalogue and views of the Scolari exhibition
Form:
textual records
textual records
Date:
1976-1980
1976-1980
People:
Form:
textual records
textual records
Reference number:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
People:
Date:
1965-1971
1965-1971
Title:
PDE IAUS, 1971: D Projects - 2 IAUS magazine: CASE Mag. 1965-1971
Actions:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
PDE IAUS, 1971: D Projects - 2 IAUS magazine: CASE Mag. 1965-1971
Actions:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
Form:
textual records
textual records
Date:
1965-1971
1965-1971
People:
Form:
events
events
Description:
Our Visiting Scholar Nader Vossoughian talks about informal urban planning as seen through the history of encyclopedism, using the Whole Earth Catalog as a case study. Click here for the Facebook event.
Our Visiting Scholar Nader Vossoughian talks about informal urban planning as seen through the history of encyclopedism, using the Whole Earth Catalog as a case study. Click here for the Facebook event.
Location:
Shaughnessy House
Presented in English Keyword(s):
Nader Vossoughian, visiting scholar, seminar
Shaughnessy House
Presented in English Keyword(s):
Nader Vossoughian, visiting scholar, seminar
Date:
9 August 2012 , 6PM
9 August 2012 , 6PM
Title:
Visiting Scholar Seminar: Nader Vossoughian
Actions:
Description:
Our Visiting Scholar Nader Vossoughian talks about informal urban planning as seen through the history of encyclopedism, using the Whole Earth Catalog as a case study. Click here for the Facebook event.
Visiting Scholar Seminar: Nader Vossoughian
Actions:
Description:
Our Visiting Scholar Nader Vossoughian talks about informal urban planning as seen through the history of encyclopedism, using the Whole Earth Catalog as a case study. Click here for the Facebook event.
Form:
events
events
Date:
9 August 2012
6PM
9 August 2012
6PM
Location:
Shaughnessy House
Presented in English Keyword(s):
Nader Vossoughian, visiting scholar, seminar
Shaughnessy House
Presented in English Keyword(s):
Nader Vossoughian, visiting scholar, seminar
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
People:
Date:
2003-2004
2003-2004
Title:
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Level of archival description:
Project
Project
Date:
2003-2004
2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP142.S1.D178
Description:
File documents an unexecuted urban planning proposal for Borgoricco, Italy. The proposal included residential, office, commercial and public buildings centred around the existing town hall also designed by Aldo Rossi. Material in this file was produced in 1990. File contains conceptual drawings and design development drawings.
AP142.S1.D178
Description:
File documents an unexecuted urban planning proposal for Borgoricco, Italy. The proposal included residential, office, commercial and public buildings centred around the existing town hall also designed by Aldo Rossi. Material in this file was produced in 1990. File contains conceptual drawings and design development drawings.
People:
Date:
1990
1990
Title:
Comune di Borgoricco, piano particolareggiato
Actions:
AP142.S1.D178
Description:
File documents an unexecuted urban planning proposal for Borgoricco, Italy. The proposal included residential, office, commercial and public buildings centred around the existing town hall also designed by Aldo Rossi. Material in this file was produced in 1990. File contains conceptual drawings and design development drawings.
Comune di Borgoricco, piano particolareggiato
Actions:
AP142.S1.D178
Description:
File documents an unexecuted urban planning proposal for Borgoricco, Italy. The proposal included residential, office, commercial and public buildings centred around the existing town hall also designed by Aldo Rossi. Material in this file was produced in 1990. File contains conceptual drawings and design development drawings.
Level of archival description:
File 178
File 178
Date:
1990
1990
People:
Level of archival description:
Project
Project
Title:
Fintas Town Centre
Fintas Town Centre
Actions:
Reference number:
AP022.S1.1978.PR08
Description:
File documents urban design guidelines for the cental core of a community of 300,000 residents, including offices, shopping complex, residential blocks (not built), Town of Fintas, Kuwait. File contains design development drawings, shop drawings, survey drawings, working drawings, textual records (includes photograps).
AP022.S1.1978.PR08
Description:
File documents urban design guidelines for the cental core of a community of 300,000 residents, including offices, shopping complex, residential blocks (not built), Town of Fintas, Kuwait. File contains design development drawings, shop drawings, survey drawings, working drawings, textual records (includes photograps).
People:
Date:
1978-1980
1978-1980
Title:
Fintas Town Centre
Actions:
AP022.S1.1978.PR08
Description:
File documents urban design guidelines for the cental core of a community of 300,000 residents, including offices, shopping complex, residential blocks (not built), Town of Fintas, Kuwait. File contains design development drawings, shop drawings, survey drawings, working drawings, textual records (includes photograps).
Fintas Town Centre
Actions:
AP022.S1.1978.PR08
Description:
File documents urban design guidelines for the cental core of a community of 300,000 residents, including offices, shopping complex, residential blocks (not built), Town of Fintas, Kuwait. File contains design development drawings, shop drawings, survey drawings, working drawings, textual records (includes photograps).
Level of archival description:
Project
Project
Date:
1978-1980
1978-1980
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CD035.S1.1988.PR01
Description:
This project series consists of material related to Coen Beeker's urban planning project for the district of Dar el Naim in Port Sudan, Sudan, in the1980s. The project series contains maps and aerial photographs of Port Sudan and the Dar el Naim area, and a restructuring proposal for Dar el Naim.
CD035.S1.1988.PR01
Description:
This project series consists of material related to Coen Beeker's urban planning project for the district of Dar el Naim in Port Sudan, Sudan, in the1980s. The project series contains maps and aerial photographs of Port Sudan and the Dar el Naim area, and a restructuring proposal for Dar el Naim.
People:
Date:
1982-1988
1982-1988
Title:
Restructuring of a suburban area, Port Sudan, Sudan (ca. 1988)
Actions:
CD035.S1.1988.PR01
Description:
This project series consists of material related to Coen Beeker's urban planning project for the district of Dar el Naim in Port Sudan, Sudan, in the1980s. The project series contains maps and aerial photographs of Port Sudan and the Dar el Naim area, and a restructuring proposal for Dar el Naim.
Restructuring of a suburban area, Port Sudan, Sudan (ca. 1988)
Actions:
CD035.S1.1988.PR01
Description:
This project series consists of material related to Coen Beeker's urban planning project for the district of Dar el Naim in Port Sudan, Sudan, in the1980s. The project series contains maps and aerial photographs of Port Sudan and the Dar el Naim area, and a restructuring proposal for Dar el Naim.
Level of archival description:
Project
Project
Date:
1982-1988
1982-1988
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
People:
Date:
circa 1975-2003
circa 1975-2003
Title:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Level of archival description:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
People:
Level of archival description:
Sub-series
Sub-series
Title:
Documentation and notes
Documentation and notes
Actions:
Reference number:
AP149.S4.SS1
Description:
This sub-series documents McGill School of Architecture courses given predominantly by Vikram Bhatt and related to the activities of the Minimum Cost Housing Group. The material in this sub-series was produced between 1976 and 2008 and includes Vikram Bhatt's course syllabi, such as the syllabus for a seminar of on urban agriculture, as well as courses notes.
AP149.S4.SS1
Description:
This sub-series documents McGill School of Architecture courses given predominantly by Vikram Bhatt and related to the activities of the Minimum Cost Housing Group. The material in this sub-series was produced between 1976 and 2008 and includes Vikram Bhatt's course syllabi, such as the syllabus for a seminar of on urban agriculture, as well as courses notes.
People:
Date:
1976-2008
1976-2008
Title:
Documentation and notes
Actions:
AP149.S4.SS1
Description:
This sub-series documents McGill School of Architecture courses given predominantly by Vikram Bhatt and related to the activities of the Minimum Cost Housing Group. The material in this sub-series was produced between 1976 and 2008 and includes Vikram Bhatt's course syllabi, such as the syllabus for a seminar of on urban agriculture, as well as courses notes.
Documentation and notes
Actions:
AP149.S4.SS1
Description:
This sub-series documents McGill School of Architecture courses given predominantly by Vikram Bhatt and related to the activities of the Minimum Cost Housing Group. The material in this sub-series was produced between 1976 and 2008 and includes Vikram Bhatt's course syllabi, such as the syllabus for a seminar of on urban agriculture, as well as courses notes.
Level of archival description:
Sub-series
Sub-series
Date:
1976-2008
1976-2008
People:
