25748 Results
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events
events
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Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
17 September 2015, 6PM
17 September 2015, 6PM
Title:
SAAL 1974: Inclusive Architecture in Portugal
Actions:
Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
SAAL 1974: Inclusive Architecture in Portugal
Actions:
Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Form:
events
events
Date:
17 September 2015
6PM
17 September 2015
6PM
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
People:
Date:
1963-1989
1963-1989
Title:
Certificates, including diploma and a medal, for various awards and honours
Actions:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
Certificates, including diploma and a medal, for various awards and honours
Actions:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
Form:
textual records
textual records
Date:
1963-1989
1963-1989
People:
Actions:
Reference number:
PH1979:0545
Description:
Album with fold-out map of panoramic view of Boston from Bunker Hill Monument (a granite obelisk), with illustrations and key to major points of interest, along with extensive informative text and illustration of the monument. Front cover imprinted as follows: A Panoramic View from Bunker Hill Monument. Engraved by James Smillie; from a drawing by R.P. Mallory. Boston: Redding & Co. 8 State Street, and for sale by H. Long & Brother; W.H. Graham; Burgess, Stringer & Co., New York; and Zeiber & Co., Philadelphia. 1848. White & Potter, Printers, Spring Lane, Boston.
PH1979:0545
Description:
Album with fold-out map of panoramic view of Boston from Bunker Hill Monument (a granite obelisk), with illustrations and key to major points of interest, along with extensive informative text and illustration of the monument. Front cover imprinted as follows: A Panoramic View from Bunker Hill Monument. Engraved by James Smillie; from a drawing by R.P. Mallory. Boston: Redding & Co. 8 State Street, and for sale by H. Long & Brother; W.H. Graham; Burgess, Stringer & Co., New York; and Zeiber & Co., Philadelphia. 1848. White & Potter, Printers, Spring Lane, Boston.
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1848
1848
Title:
A Panoramic View from Bunker Hill Monument
Actions:
PH1979:0545
Description:
Album with fold-out map of panoramic view of Boston from Bunker Hill Monument (a granite obelisk), with illustrations and key to major points of interest, along with extensive informative text and illustration of the monument. Front cover imprinted as follows: A Panoramic View from Bunker Hill Monument. Engraved by James Smillie; from a drawing by R.P. Mallory. Boston: Redding & Co. 8 State Street, and for sale by H. Long & Brother; W.H. Graham; Burgess, Stringer & Co., New York; and Zeiber & Co., Philadelphia. 1848. White & Potter, Printers, Spring Lane, Boston.
A Panoramic View from Bunker Hill Monument
Actions:
PH1979:0545
Description:
Album with fold-out map of panoramic view of Boston from Bunker Hill Monument (a granite obelisk), with illustrations and key to major points of interest, along with extensive informative text and illustration of the monument. Front cover imprinted as follows: A Panoramic View from Bunker Hill Monument. Engraved by James Smillie; from a drawing by R.P. Mallory. Boston: Redding & Co. 8 State Street, and for sale by H. Long & Brother; W.H. Graham; Burgess, Stringer & Co., New York; and Zeiber & Co., Philadelphia. 1848. White & Potter, Printers, Spring Lane, Boston.
Date:
1848
1848
People:
Subject:
architecture, urban planning
architecture, urban planning
Level of archival description:
Project
Project
Actions:
Reference number:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
People:
Date:
circa 1985
circa 1985
Title:
Dr. Bhimrao Ambedker University, housing study, Lucknow, India (circa 1985)
Actions:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Dr. Bhimrao Ambedker University, housing study, Lucknow, India (circa 1985)
Actions:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Level of archival description:
Project
Project
Date:
circa 1985
circa 1985
People:
Form:
articles
articles
Title:
Zomia Garden
Zomia Garden
Actions:
Yutong Lin on botanical imaginaries of the Himalaya-Hengduan mountain region
Published:
28 April 2025
28 April 2025
Title:
Zomia Garden
Yutong Lin on botanical imaginaries of the Himalaya-Hengduan mountain region
Actions:
Zomia Garden
Yutong Lin on botanical imaginaries of the Himalaya-Hengduan mountain region
Actions:
Quantity:
21 videocassette(s)
21 videocassette(s)
Actions:
Reference number:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
People:
Title:
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Quantity:
21 videocassette(s)
21 videocassette(s)
People:
Form:
works of art
works of art
Reference number:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
People:
Subject:
architecture
architecture
Date:
ca. 1741
ca. 1741
Title:
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Form:
works of art
works of art
Date:
ca. 1741
ca. 1741
People:
Subject:
architecture
architecture
Form:
drawings
Quantity:
6 drawing(s)
drawings
Quantity:
6 drawing(s)
Actions:
Reference number:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
People:
Date:
1960-1985 ?
1960-1985 ?
Title:
Summary of current ideas: Charts and conceptual sketches
Actions:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
Summary of current ideas: Charts and conceptual sketches
Actions:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
Form:
drawings
Quantity:
6 drawing(s)
drawings
Quantity:
6 drawing(s)
Date:
1960-1985 ?
1960-1985 ?
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Joseph Rykwert fonds
Joseph Rykwert fonds
Reference number:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
People:
Date:
1928-2022
1928-2022
Title:
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-2022
1928-2022
People:
Reference number:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
People:
Subject:
architecture, ornament, sculpture
architecture, ornament, sculpture
Date:
1869-1871
1869-1871
Title:
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Date:
1869-1871
1869-1871
People:
Subject:
architecture, ornament, sculpture
architecture, ornament, sculpture
