Tairan An Princeton University, School of Architecture « Anomalies, Anachronisms, and Other Instabilities of Nineteenth-century Italy »

Emilie Banville Université du Québec à Montréal, Faculté des arts « Of Agency and Adjacency: Interpretive Sustainability in the Archive »

Jana Berankova Columbia University, GSAPP « Productive Misunderstanding? French Philosophy and Theory of Architecture 1960-2000 »

Samuel Dubois Massachusetts Institute of Technology, History, Theory and Criticism of Architecture and Art « Revealing the Agency of Québec’s Polyvalente Schools »

Caroline Filice Smith Harvard University, GSD « Planning the New Left: radical designers, democratic social engineering, and the making of ‘the community’ as a scale of (anti)insurgent planning intervention, 1930-1980 »

Pinar Kutluay Middle East Technical University, History of Architecture « Translators of Ruins: Johann Joachim Winckelmann and Karl Friedrich Schinkel »

Vitório Leite Universidade de Coimbra, Architecture « Beyond the enlightenment: architecture as an operation of critical proximity »

Dijana Omeragić Apostolski McGill University, Peter Guo-hua Fu School of Architecture « Constructing Magnanimity: Architecture and Whiteness on the Early Modern Italian Peninsula, 1452-1616 »

Eliza Pertigkiozoglou McGill University, Peter Guo-hua Fu School of Architecture « Found in Translation: Digital Files as Archeological Artifacts of Collaborative Practices »

Shivani Shedde Princeton University, History and Theory of Architecture « A Third Way: Architectures of Dissent in the Afro-Asian Solidarity Project »

Amir Taheri University of Sydney, Architecture, Design and Planning « Revisiting the House Series through diagrams: Looking at the diagrams, diagrams look back! »

Merve Cigdem Talu McGill University, Peter Guo-hua Fu School of Architecture « Archives have feelings too: Emotions and urban guidebooks in nineteenth-century London »

Le Programme de résidences de recherche pour doctorants au CCA facilite l’accès aux documents et ressources de la bibliothèque du CCA, ainsi qu’à la collection de dessins et d’estampes, d’archives et de photographies, pour les étudiants du troisième cycle en histoire de l’art et de l’architecture. Pour en savoir plus, visitez la page du programme.