Entrée principale:

Fisher, Mark, 1968-2017, author.

Titre et auteur:

K-punk : the collected and unpublished writings of Mark Fisher (2004-2016) / edited by Darren Ambrose ; foreword by Simon Reynolds.

Publication:

London : Repeater, 2018.

Description:

1 online resource

Notes:
Includes bibliographical references.
Foreword / Simon Reynolds -- Editor's introduction / Darren Ambrose -- Why K?
Part one: Methods of dreaming: books (Book meme ; Space, time, light, all the essentials: reflections on J.G. Ballard season (BBC 4) ; Why I want to fuck Ronald Reagan ; A fairground's pastoral swings ; What are the politics of boredom?: (Ballard 2003 Remix) ; Let me be your fantasy ; Fantasy kits: Steven Meisel's "State of emergency" ; The assassination of J.G. Ballard ; A world of dread and fear ; Ripley's glam ; Methods of dreaming ; Atwood's anti-capitalism ; Toy stories: puppets, dolls and horror stories ; Zer0 Books statement)
Part two: Screens, dreams and spectres: film and television (A spoonful of sugar ; She's not my mother ; Stand up, Nigel Barton ; Portmeiron: an ideal for living ; Golgothic materialism ; This movie doesn't move me ; Fear and misery in the Third Reich 'n' Roll ; We want it all ; Gothic Oedipus: subjectivity and capitalism in Christiopher Nolan's Batman begins ; When we dream, do we dream we're Joey? ; Notes on Cronenberg's eXistenZ ; I filmed it so I didn't have to remember it myself ; Spectres of marker and the reality of the Third Way ; Dis-identity politics ; "You have always been the caretaker": the spectral spaces of the Overlook Hotel ; Coffee bars and internment camps ; Rebel without a cause ; Robot historian in the ruins ; Review of Tyson ; "They killed their mother"; Avatar as ideological symbol ; Precarity and paternalism ; Return of the gift: Richard Kelly's The box ; Contributing to society ; 'Just relax and enjoy it": Gewarfenheit on the BBC ; Star Wars was a sell-out from the start ; Gilliam Wearing: Self made ; Batman's political right turn ; Remember who the enemy is ; Beyond good and evil: Breaking bad ; Classless broadcasting: Benefits Street ; Rooting for the enemy: The Americans ; How to let go: The leftovers, Broadchurch and The missing ; The strange death of British satire ; Review: Terminator Genisys ; The house that fame built: Celebrity Big Brother ; Sympathy for the androids: the twisted morality of Westworld)
Part three: Choose your weapons: writing on music (The by now traditional Glasto rant ; Art pop, no, really ; k-punk, or the glampunk art pop discontinuum ; Noise as anti-capital: As the veneer of democracy starts to fade ; Lions after slumber, or what is sublimation today? ; The outside of everything now ; For your unpleasure: the hauter-couture of Goth ; It doesn't matter if we all die: the Cure's unholy trinity ; Look at the light ; Is pop undead? ; Memorex for the kraken: the Fall's pulp modernism ; Scritti's sweet sickness ; Postmodernism as pathology: Part 2 ; Choose your weapons ; Variations on a theme ; Running on empty ; You remind me of gold: dialogue with Mark Fisher and Simon Reynolds ; Militant tendencies feed music ; Autonomy in the UK ; The secret sadness of the twenty-first century: James Blake's Overgrown ; Review: David Bowie's The next day ; The man who has everything: Drake's Nothing was the same ; Break it down: DJ Rashad's Double cup ; Start your nonsense! on eMMplekz and Dolly Dolly ; Review: Sleaford Mods' Divide and exit and Clubbed up: The singles collection ; Test Dept: where leftist idealism and popular modernism collide ; No romance without finance)
Part four: For now, our desire is nameless: political writings (Don't vote, don't encourage them ; October 6, 1979: capitalism and bipolar disorder ; What if they had a protest and everyone came ; Defeating the Hydra ; The face of terrorism without a face ; Conspicuous force and verminisation ; My card, my life: comments on the AMEX Red campaign ; The great Bullingdon Club swindle ; The privatisation of stress ; Kettle logic ; Winter of discontent 2.0: notes on a month of militancy ; Football / capitalist realism / Utopia ; The game has changed ; Reality management ; UK tabloid ; The future is still ours: autonomy and post-capitalism ; Aesthetic poverty ; The only certainties are death and capital ; Why mental health is a political issue ; The London hunger games ; Time-wars: towards an alternative for the neo-capitalist era ; Not failing better, but fighting to win ; The happiness of Margaret Thatcher ; Suffering with a smile ; How to kill a zombie: strategising the end of neoliberalism ; Getting away with murder ; No one is bored, everything is boring ; A time for shadows ; Limbo is over ; Communist realism ; Pain now ; Abandon hope (Summer is coming) ; For now, our desire is nameless ; Anti-therapy ; Democracy is joy ; Cybergothic vs. steampunk ; Mannequin challenge)
Part five: We have to invent the future: interviews (They can be different in the future too: interviewed by Rowan Wilson for Ready, steady book (2010) ; Capitalism realism: : interviewed by for Richard Capes (2011) ; Preoccupying: : interviewed by the Occupied Times (2012) ; We need a post-capitalist vision: : interviewed by AntiCapitalist Initiative (2012) ; "We have to invent the future" an unseen interview with Mark Fisher (2012) ; Hauntology, nostalgia and lost futures : interviewed by Valerio Mannucci and Valerio Mattioli for Nero (2014))
Part six: We are not here to entertain you: reflections (One year later ... ; Spinoza, k-punk, Neuropunk ; Why Dissensus? ; New comments policy ; Comments policy (latest) ; Chronic demotivation ; How to keep Oedipus alive in cyberspace ; We dogmatists ; London litened ; No future 2012 ; Ridicule is nothing to be scared of (Slight return) ; Breakthrough in Grey lair ; Real abstractions: the application of theory in the modern world ; No I've never had a job ... ; Fear and misery in neoliberal Britain ; Exiting the vampire castle ; Good for nothing)

Résumé:

A comprehensive collection of the writings of Mark Fisher (1968-2017), whose work defined critical writing for a generation. This comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade. Edited by Darren Ambrose and with a foreword by Simon Reynolds

Ressources:
EBSCOhost
OverDrive
ProQuest Ebook Central
RBdigital
VLeBooks
Excerpts
Image

ISBN:

9781912248292 (electronic bk.)
1912248298 (electronic bk.)
9781912248285
191224828X

Sujet:

Civilization, Modern 21st century History and criticism.
Popular culture 21st century History and criticism.
Punk culture Great Britain.
Civilisation 21e siècle Histoire et critique.
Culture populaire 21e siècle Histoire et critique.
POLITICAL SCIENCE Public Policy Cultural Policy.
SOCIAL SCIENCE Anthropology Cultural.
SOCIAL SCIENCE Popular Culture.
Civilization, Modern
Popular culture
Punk culture
Great Britain

Classification/genre:

Electronic books.
Essay
essays.
Essays
Criticism, interpretation, etc.
Essais.

Vedettes secondaires:

Ambrose, Darren, editor.
Reynolds, Simon, 1963- writer of foreword.