Bread & Roses Catalog [electronic resource].
Museum of Modern Art in Warsaw 2016
Open access content
Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ambivalent affiliation with the intellectual or financial elite and their responsibility for the rest of the society. For artists occupy a paradoxical position among social classes. To quote Pierre Bourdieu, they form “the dominated part of the dominant class”; they can “flirt” both with the dominant elite and with the emancipation-oriented groups who feel oppressed. This peculiar bipolar position adopted by artists provokes reflection on the way they highlight their affiliation, identification or aspiration to a given social class, and the way they reveal their own privileged class position. We are interested in the process that transforms the existential and institutional figure of the artist into a medium that some use to demonstrate and modify their entanglement in the mechanisms of socioeconomic divisions. The exhibition shows the ways in which the tension that characterizes current political and social conflicts in Poland becomes central to the art world and the figure of the artist. It is a tension between the symbolic and financial elites and those who are excluded from the so-called establishment – between those adjusted to capitalism and those who feel used and humiliated.
https://www.librarystack.org/bread-roses-catalog/?ref=unknown
Art--Economic aspects
Art--Collectors and collecting
Twenty-first century in art
Text
Natalia Sielewicz
Łukasz Ronduda
Georgia Sagri
Metahaven
Michael Oswell
Jan Sowa
Andrew Norman Wilson
Annika Kuhlmann
Christopher Kulendran Thomas
Jacek Adamas
Iván Argote
Art Workers Coalition
Brace Brace
Jesse Darling
Debora Delmar Corp.
Deterritorial Support Group
Andrea Fraser
Nicolás Guagnini
Núria Güell
Rafał Jakubowicz
Christian Jankowski
Tobias Kaspar
Zofia Kulik
Gerard Kwiatkowski
Leigh Ledare
Li Liao
Zbigniew Libera
Michał Łagowski
Magdalena Malinowska
Adrián Melis
Marta Minujín
Teresa Murak
Daniela Ortiz
Zygmunt Piotrowski
Józef Robakowski
Daniel Rycharski
Cindy Sherman
Santiago Sierra
Łukasz Surowiec
Gavin Turk
Renzo Martens
Inscrivez-vous pour recevoir de nos nouvelles
Merci. Vous êtes maintenant abonné. Vous recevrez bientôt nos courriels.
Pour le moment, notre système n’est pas capable de mettre à jour vos préférences. Veuillez réessayer plus tard.
Vous êtes déjà inscrit avec cette adresse électronique. Si vous souhaitez vous inscrire avec une autre adresse, merci de réessayer.
Cete adresse courriel a été définitivement supprimée de notre base de données. Si vous souhaitez vous réabonner avec cette adresse courriel, veuillez contactez-nous
Veuillez, s'il vous plaît, remplir le formulaire ci-dessous pour acheter:
[Title of the book, authors]
ISBN: [ISBN of the book]
Prix [Price of book]
Merci d'avoir passé une commande. Nous vous contacterons sous peu.
Nous ne sommes pas en mesure de traiter votre demande pour le moment. Veuillez réessayer plus tard.