Feidelson, Lizzie, artist.

Lizzie Feidelson and Katherine Hubbard.

[Place of publication not identified] : Center for Experimental Lectures, 2014.

1 online resource.

Center for Experimental Lectures ; 8

"Lizzie Feidelson and Katherine Hubbard Hosted by The Shandaken Project Shandaken, NY Saturday August 30, 2014 The Center for Experimental Lectures invites you to join us upstate for our third annual Labor Day weekend event hosted by the Shandaken Project, for new lecture-performances by Lizzie Feidelson and Katherine Hubbard. The Shandaken Project will also present a selection of new video work by Chloé Rosetti, made while in residence this year. Guests are welcome any time in the afternoon and to stay on after the lectures into the night or overnight for eating, drinking, and camping. Lizzie Feidelson will present an untitled lecture on the social media presence of Bridgette MacFadden, a real woman from Boston, Massachusetts. We will mostly explore the complicity of watching, but also the uses and abuses of public information, and the act of performing oneself. Lizzie Feidelson was a fact checker at Us Weekly magazine from 2012 to 2014. She is also an associate editor for Triple Canopy, and has written for n+1, Critical Correspondence, Art in America, and Bookforum, mostly about dance. She is currently dancing with Moriah Evans and has performed her own work at Movement Research at Judson Church, Show Room, and REHEARSAL. She graduated from Brown University in 2012, where her thesis was a work of fan fiction about Merce Cunningham. Hubbard's presentation is tentatively titled Notes from Utah. Notes on gray. It will consider the relationship that photography creates between the human eye and the camera eye; film as a registration of light; grayscale as a range of tone and value; tone and value as markers of point of view. Engaging the audience with real-time, in-person examples of these lines of thinking throughout the lecture, Hubbard will mark the boundaries of vision human and camera present within the lecture space. Katherine Hubbard is an artist based in Brooklyn, New York. She works primarily as a photographer but her practice incorporates performance, sculpture, clothing text and video. Her recent performance, A thing and its thing-ness. It' s all just nouns and adjectives baby, a deconstructed operatic response to historical invisibility based on Der Wald, an opera composed by Ethel Smyth in the late 1800's, premiered at the Museum of Art and Design in New York in the fall of 2013. Forthcoming in 2014 she will be presenting Four Corners, a solo exhibition at Capricious 88 as well as Small Town Sex Shop in collaboration with Savannah Knoop at Recess, both in NY. Hubbard maintains an ongoing collaborative practice with artist A.K. Burns exploring the history of queer aesthetics, iterations of which have been exhibited at Recess, NY, The Brooklyn Museum of Art, and most recently as a performance for PopRally at the Museum of Modern Art. Their collective sculptural work is currently included in the NYC Makers Open exhibition at The Museum of Design. Her work has been included in the exhibitions Queer Objectivity at the University of Maryland Stamp Gallery in Maryland; in The Five Famous Fem(inists); Five Run Away Together, at Renseriet, in Stockholm, Sweden, as well as Photography Is and Always The Young Strangers both at Higher Pictures and Vision is elastic. Thought is elastic. at Murray Guy Gallery, all in New York. Hubbard is a graduate of the MFA program at Bard College and is currently part time faculty at Parsons The New School for Design."-- provided by distributor.

Artists.
Computer networks.
Digital media.
Photographic criticism.
Artistes.
Critique photographique.

Lectures.
Video recordings.

Hall, Gordon, editor.
Hubbard, Katherine, artist.
Library Stack, distributor.
The Shandaken Project, contributor.
Library Stack.