102 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Personnes et institutions:
Date:
entre 1929 et 1946
entre 1929 et 1946
Titre:
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Classification:
documents textuels
documents textuels
Date:
entre 1929 et 1946
entre 1929 et 1946
Personnes et institutions:
Classification:
expositions
expositions
Titre:
À l’écoute des archives
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
Localisation:
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Date:
18 décembre 2025 au 18 octobre 2026
18 décembre 2025 au 18 octobre 2026
Titre:
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
Classification:
expositions
expositions
Date:
18 décembre 2025 au
18 octobre 2026
18 décembre 2025 au
18 octobre 2026
Localisation:
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH259065
Description:
Correspondance avec le directeur du Crédit Foncier, incluant des notes et calculs, émissions des certificats, des catalogues, des évaluations, relatifs aux projets de réparation divers pour le Crédit Foncier.
ARCH259065
Description:
Correspondance avec le directeur du Crédit Foncier, incluant des notes et calculs, émissions des certificats, des catalogues, des évaluations, relatifs aux projets de réparation divers pour le Crédit Foncier.
Personnes et institutions:
Date:
1935-1936
1935-1936
Titre:
Correspondance avec client, notes, évaluations et calculs
Actions:
ARCH259065
Description:
Correspondance avec le directeur du Crédit Foncier, incluant des notes et calculs, émissions des certificats, des catalogues, des évaluations, relatifs aux projets de réparation divers pour le Crédit Foncier.
Correspondance avec client, notes, évaluations et calculs
Actions:
ARCH259065
Description:
Correspondance avec le directeur du Crédit Foncier, incluant des notes et calculs, émissions des certificats, des catalogues, des évaluations, relatifs aux projets de réparation divers pour le Crédit Foncier.
Classification:
documents textuels
documents textuels
Date:
1935-1936
1935-1936
Personnes et institutions:
Numéro de référence:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Personnes et institutions:
Date:
1989-04-27
1989-04-27
Titre:
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Date:
1989-04-27
1989-04-27
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
11 pages : 1 color illustrations ; 22 cm
Description:
11 pages : 1 color illustrations ; 22 cm
Auteur:
Sujet:
Publication:
Québec : Ministère de l'environnement du Québec, Direction des communications et de l'éducation, 1986.
Québec : Ministère de l'environnement du Québec, Direction des communications et de l'éducation, 1986.
Titre:
Émission de fumée dans l'atmosphère : article 20, loi sur la qualité de l'environnement ... article 10, règlement sur la qualité de l'atmosphère ...
Actions:
Exemplaires:
Description:
11 pages : 1 color illustrations ; 22 cm
Émission de fumée dans l'atmosphère : article 20, loi sur la qualité de l'environnement ... article 10, règlement sur la qualité de l'atmosphère ...
Actions:
Exemplaires:
Description:
11 pages : 1 color illustrations ; 22 cm
Classification:
livres
livres
Publication:
Québec : Ministère de l'environnement du Québec, Direction des communications et de l'éducation, 1986.
Québec : Ministère de l'environnement du Québec, Direction des communications et de l'éducation, 1986.
Auteur:
Sujet:
Classification:
graphique
graphique
Actions:
Exemplaires:
Description:
1 print (poster) : col. ; 62 x 46 cm.
Description:
1 print (poster) : col. ; 62 x 46 cm.
Auteur:
Sujet:
Publication:
Québec : La Fondation, [1987?]
Québec : La Fondation, [1987?]
Titre:
Fondation Québecoise en environnement : une super émission de 3 heures sur l'état actuel de l'environnement québécois : "pour l'avenir du monde" ...
Actions:
Exemplaires:
Description:
1 print (poster) : col. ; 62 x 46 cm.
Fondation Québecoise en environnement : une super émission de 3 heures sur l'état actuel de l'environnement québécois : "pour l'avenir du monde" ...
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Description:
1 print (poster) : col. ; 62 x 46 cm.
Classification:
graphique
graphique
Publication:
Québec : La Fondation, [1987?]
Québec : La Fondation, [1987?]
Auteur:
Sujet:
Classification:
livres
livres
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Exemplaires:
Description:
xv, 656 pages : illustrations ; 24 cm.
Description:
xv, 656 pages : illustrations ; 24 cm.
Auteur:
Sujet:
Publication:
New York : Wiley, ©1986.
New York : Wiley, ©1986.
Titre:
Fourier transform infrared spectrometry / Peter R. Griffiths, James A. de Haseth.
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Description:
xv, 656 pages : illustrations ; 24 cm.
Fourier transform infrared spectrometry / Peter R. Griffiths, James A. de Haseth.
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Description:
xv, 656 pages : illustrations ; 24 cm.
Classification:
livres
livres
Publication:
New York : Wiley, ©1986.
New York : Wiley, ©1986.
Auteur:
Sujet:
Classification:
livres
livres
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Description:
128 pages : color illustrations, color maps ; 25 cm
Description:
128 pages : color illustrations, color maps ; 25 cm
Auteur:
Sujet:
Publication:
Berkeley : University of California Press, ©2011.
Berkeley : University of California Press, ©2011.
Titre:
The atlas of climate change : mapping the world's greatest challenge / Kirstin Dow and Thomas E. Downing.
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Description:
128 pages : color illustrations, color maps ; 25 cm
The atlas of climate change : mapping the world's greatest challenge / Kirstin Dow and Thomas E. Downing.
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Description:
128 pages : color illustrations, color maps ; 25 cm
Classification:
livres
livres
Publication:
Berkeley : University of California Press, ©2011.
Berkeley : University of California Press, ©2011.
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Sujet:
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livres
livres
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Description:
237 pages : illustrations (chiefly colour), maps, plans ; 25 cm
Description:
237 pages : illustrations (chiefly colour), maps, plans ; 25 cm
Auteur:
Sujet:
Publication:
Zurich, Switzerland : Park Books, [2023], ©2023
Zurich, Switzerland : Park Books, [2023], ©2023
Titre:
Towards territorial transition / editors, Matthias Armengaud, Aglaée Degros with Radostina Radulova-Stahmer.
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Description:
237 pages : illustrations (chiefly colour), maps, plans ; 25 cm
Towards territorial transition / editors, Matthias Armengaud, Aglaée Degros with Radostina Radulova-Stahmer.
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Description:
237 pages : illustrations (chiefly colour), maps, plans ; 25 cm
Classification:
livres
livres
Publication:
Zurich, Switzerland : Park Books, [2023], ©2023
Zurich, Switzerland : Park Books, [2023], ©2023
Auteur:
Sujet:
