308 Résultats
Classification:
recherche
recherche
Actions:
Description:
None
None
Date:
mai 2016 au septembre 2017
mai 2016 au septembre 2017
Titre:
Programme de recherche multidisciplinaire : L’architecture et/pour la photographie
Actions:
Description:
None
Programme de recherche multidisciplinaire : L’architecture et/pour la photographie
Actions:
Description:
None
Classification:
recherche
recherche
Date:
mai 2016 au
septembre 2017
mai 2016 au
septembre 2017
Classification:
recherche
recherche
Actions:
Date:
mai 2014 au septembre 2015
mai 2014 au septembre 2015
Classification:
recherche
recherche
Date:
mai 2014 au
septembre 2015
mai 2014 au
septembre 2015
Classification:
recherche
recherche
Classification:
recherche
recherche
Date:
2017 au
2018
2017 au
2018
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Everlasting (Sans trêve)
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
25 septembre 2025 au 27 septembre 2026
25 septembre 2025 au 27 septembre 2026
Titre:
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Classification:
expositions
expositions
Date:
25 septembre 2025 au
27 septembre 2026
25 septembre 2025 au
27 septembre 2026
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Actions:
Description:
Culture Lab est une série de symposiums multidisciplinaires initiée et dirigée par Brian Boigon de 1991 à 1994. L’exposition fournit de nouveux indices sur les formes et les canaux par lesquels les discours architecturaux sont façonnés et circulent.
Culture Lab est une série de symposiums multidisciplinaires initiée et dirigée par Brian Boigon de 1991 à 1994. L’exposition fournit de nouveux indices sur les formes et les canaux par lesquels les discours architecturaux sont façonnés et circulent.
Localisation:
Salle octogonale Mot(s)-clé(s):
Culture Lab, numérique, divertissement, Farzin Lotfi-Jam, Sanford Kwinter
Salle octogonale Mot(s)-clé(s):
Culture Lab, numérique, divertissement, Farzin Lotfi-Jam, Sanford Kwinter
Date:
26 février 2026 au 30 août 2026
26 février 2026 au 30 août 2026
Titre:
Architecture, divertissement, interactivité : Culture Lab, Toronto 1991-1994
Actions:
Description:
Culture Lab est une série de symposiums multidisciplinaires initiée et dirigée par Brian Boigon de 1991 à 1994. L’exposition fournit de nouveux indices sur les formes et les canaux par lesquels les discours architecturaux sont façonnés et circulent.
Architecture, divertissement, interactivité : Culture Lab, Toronto 1991-1994
Actions:
Description:
Culture Lab est une série de symposiums multidisciplinaires initiée et dirigée par Brian Boigon de 1991 à 1994. L’exposition fournit de nouveux indices sur les formes et les canaux par lesquels les discours architecturaux sont façonnés et circulent.
Classification:
expositions
expositions
Date:
26 février 2026 au
30 août 2026
26 février 2026 au
30 août 2026
Localisation:
Salle octogonale Mot(s)-clé(s):
Culture Lab, numérique, divertissement, Farzin Lotfi-Jam, Sanford Kwinter
Salle octogonale Mot(s)-clé(s):
Culture Lab, numérique, divertissement, Farzin Lotfi-Jam, Sanford Kwinter
Classification:
articles
articles
Actions:
Des invités d'horizons multidisciplinaires discutent des implications spatiales liées à la transformation continue des idées sur la famille
Dossier:
Réinitialiser le social
Réinitialiser le social
Mot(s)-clé(s):
Soirée, famille, Quoi si ce n’est pas la famille?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Soirée, famille, Quoi si ce n’est pas la famille?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Publié:
7 juin 2021
7 juin 2021
Titre:
Quoi, si ce n’est pas la famille?
Des invités d'horizons multidisciplinaires discutent des implications spatiales liées à la transformation continue des idées sur la famille
Actions:
Quoi, si ce n’est pas la famille?
Des invités d'horizons multidisciplinaires discutent des implications spatiales liées à la transformation continue des idées sur la famille
Actions:
Dossier:
Réinitialiser le social
Réinitialiser le social
Classification:
événements
événements
Actions:
Description:
Cette table ronde réunit des chercheurs de diverses disciplines — études des médias et du cinéma, design et culture visuelle — afin d’explorer la modernité en Chine dans les années 1950 et 1960 à travers le prisme de la production matérielle et de la transformation spatiale. En se concentrant sur l’intensification de la productivité industrielle et de l’usage des terres,(...)
Cette table ronde réunit des chercheurs de diverses disciplines — études des médias et du cinéma, design et culture visuelle — afin d’explorer la modernité en Chine dans les années 1950 et 1960 à travers le prisme de la production matérielle et de la transformation spatiale. En se concentrant sur l’intensification de la productivité industrielle et de l’usage des terres,(...)
Mot(s)-clé(s):
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, Quelle modernité, GEM Lab, Concordia
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, Quelle modernité, GEM Lab, Concordia
Date:
19 février 2026, 18h à 20h
19 février 2026, 18h à 20h
Titre:
Discussion : Matière révolutionnaire
Actions:
Description:
Cette table ronde réunit des chercheurs de diverses disciplines — études des médias et du cinéma, design et culture visuelle — afin d’explorer la modernité en Chine dans les années 1950 et 1960 à travers le prisme de la production matérielle et de la transformation spatiale. En se concentrant sur l’intensification de la productivité industrielle et de l’usage des terres,(...)
Discussion : Matière révolutionnaire
Actions:
Description:
Cette table ronde réunit des chercheurs de diverses disciplines — études des médias et du cinéma, design et culture visuelle — afin d’explorer la modernité en Chine dans les années 1950 et 1960 à travers le prisme de la production matérielle et de la transformation spatiale. En se concentrant sur l’intensification de la productivité industrielle et de l’usage des terres,(...)
Classification:
événements
événements
Date:
19 février 2026
18h à 20h
19 février 2026
18h à 20h
Mot(s)-clé(s):
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, Quelle modernité, GEM Lab, Concordia
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, Quelle modernité, GEM Lab, Concordia
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Personnes et institutions:
Date:
1973-2015
1973-2015
Titre:
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Niveau de description archivistique:
Project
Project
Date:
1973-2015
1973-2015
Personnes et institutions:
