202 Résultats
Classification:
événements
événements
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Date:
29 novembre 2026, 14h à 16h
29 novembre 2026, 14h à 16h
Titre:
La distance entre nous et le sol : Tenir la distance
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
La distance entre nous et le sol : Tenir la distance
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Classification:
événements
événements
Date:
29 novembre 2026
14h à 16h
29 novembre 2026
14h à 16h
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
expositions
expositions
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Localisation:
salle octogonale
salle octogonale
Date:
21 septembre 2018 au 19 mai 2019
21 septembre 2018 au 19 mai 2019
Titre:
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Classification:
expositions
expositions
Date:
21 septembre 2018 au
19 mai 2019
21 septembre 2018 au
19 mai 2019
Localisation:
salle octogonale
salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Personnes et institutions:
Date:
1966-2018
1966-2018
Titre:
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Niveau de description archivistique:
Series
Series
Date:
1966-2018
1966-2018
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Rome
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
5 mars 2009
5 mars 2009
Titre:
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Classification:
événements
événements
Date:
5 mars 2009
5 mars 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Titre:
BMI/HQ
BMI/HQ
Numéro de référence:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
Personnes et institutions:
Date:
1967-1971
1967-1971
Titre:
BMI/HQ
Actions:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
BMI/HQ
Actions:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
Niveau de description archivistique:
File 74
File 74
Date:
1967-1971
1967-1971
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
livres
livres
Actions:
Description:
1 online resource
Auteur:
Sujet:
Publication:
[Place of publication not identified] : Rockbund Art Museum, 2025.
[Place of publication not identified] : Rockbund Art Museum, 2025.
Classification:
livres
livres
Publication:
[Place of publication not identified] : Rockbund Art Museum, 2025.
[Place of publication not identified] : Rockbund Art Museum, 2025.
Auteur:
Sujet:
Classification:
livres
livres
Exemplaires:
Description:
xii, 313 pages : illustrations ; 24 cm
Description:
xii, 313 pages : illustrations ; 24 cm
Auteur:
Sujet:
Publication:
Oakland, California : University of California Press, [2025], ©2025
Oakland, California : University of California Press, [2025], ©2025
Titre:
The development film in the Americas / Molly Geidel.
Actions:
Exemplaires:
Description:
xii, 313 pages : illustrations ; 24 cm
The development film in the Americas / Molly Geidel.
Actions:
Exemplaires:
Description:
xii, 313 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Oakland, California : University of California Press, [2025], ©2025
Oakland, California : University of California Press, [2025], ©2025
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
223 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 31 cm
Description:
223 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 31 cm
Auteur:
Sujet:
Publication:
Rotterdam : Nai010 Publishers, [2018], ©2018
Rotterdam : Nai010 Publishers, [2018], ©2018
Titre:
Spots in shots : narrating the built environment in short films / Mélanie van der Hoorn ; translation, Billy Nolan.
Actions:
Exemplaires:
Description:
223 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 31 cm
Spots in shots : narrating the built environment in short films / Mélanie van der Hoorn ; translation, Billy Nolan.
Actions:
Exemplaires:
Description:
223 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 31 cm
Classification:
livres
livres
Publication:
Rotterdam : Nai010 Publishers, [2018], ©2018
Rotterdam : Nai010 Publishers, [2018], ©2018
Auteur:
Sujet:
