1062 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP041.S3
Description:
This series documents exhibitions curated by Melvin Charney from 1965 to 2012, mainly in Canada, such as in Montréal, but also in the United States, in Belgium and in France. The series also documents many group exhibitions to which Melvin Charney participated, such as various edition of the Venice Biennale. This series includes correspondence, notes, proposals, photographic documentation showing the installations, promotional materials of the exhibitions and materials related to the publication of exhibition catalogues.
AP041.S3
Description:
This series documents exhibitions curated by Melvin Charney from 1965 to 2012, mainly in Canada, such as in Montréal, but also in the United States, in Belgium and in France. The series also documents many group exhibitions to which Melvin Charney participated, such as various edition of the Venice Biennale. This series includes correspondence, notes, proposals, photographic documentation showing the installations, promotional materials of the exhibitions and materials related to the publication of exhibition catalogues.
Personnes et institutions:
Date:
1965-2012
1965-2012
Titre:
Exhibitions
Actions:
AP041.S3
Description:
This series documents exhibitions curated by Melvin Charney from 1965 to 2012, mainly in Canada, such as in Montréal, but also in the United States, in Belgium and in France. The series also documents many group exhibitions to which Melvin Charney participated, such as various edition of the Venice Biennale. This series includes correspondence, notes, proposals, photographic documentation showing the installations, promotional materials of the exhibitions and materials related to the publication of exhibition catalogues.
Exhibitions
Actions:
AP041.S3
Description:
This series documents exhibitions curated by Melvin Charney from 1965 to 2012, mainly in Canada, such as in Montréal, but also in the United States, in Belgium and in France. The series also documents many group exhibitions to which Melvin Charney participated, such as various edition of the Venice Biennale. This series includes correspondence, notes, proposals, photographic documentation showing the installations, promotional materials of the exhibitions and materials related to the publication of exhibition catalogues.
Niveau de description archivistique:
Series
Series
Date:
1965-2012
1965-2012
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Personnes et institutions:
Date:
circa 1988
circa 1988
Titre:
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1988
circa 1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Richard Meier (1981)
Richard Meier (1981)
Numéro de référence:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
Personnes et institutions:
Date:
circa 1981
circa 1981
Titre:
Richard Meier (1981)
Actions:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
Richard Meier (1981)
Actions:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1981
circa 1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Pliny on my mind
Pliny on my mind
Numéro de référence:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Personnes et institutions:
Date:
1983
1983
Titre:
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Niveau de description archivistique:
Project
Project
Date:
1983
1983
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Personnes et institutions:
Date:
circa 1980--2019
circa 1980--2019
Titre:
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Niveau de description archivistique:
Series
Series
Date:
circa 1980--2019
circa 1980--2019
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
Le Corbusier : rascacielos, Madrid, Spain (1986-1987)
Actions:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Le Corbusier : rascacielos, Madrid, Spain (1986-1987)
Actions:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS02
Description:
The sub-series documents the exhibition "Architettura corretta londinese” curated by Pettena and presented at the Palazzo Te in Mantova, in 1981. The exhibition presented the work of young architects from London, including Nigel Coates, Zaha Hadid, Jenny Lowe and Peter Wilson. The exhibition is also the result of Pettena's interest in the critic of contemporary avant-garde architecture. The sub-series contains scans of the exhibition catalogue published by Casa del Mantegna, in Mantova. The sub-series also contains two u-matic tapes of unidentified video recordings possibly related to the exhibition.
AP207.S2.SS02
Description:
The sub-series documents the exhibition "Architettura corretta londinese” curated by Pettena and presented at the Palazzo Te in Mantova, in 1981. The exhibition presented the work of young architects from London, including Nigel Coates, Zaha Hadid, Jenny Lowe and Peter Wilson. The exhibition is also the result of Pettena's interest in the critic of contemporary avant-garde architecture. The sub-series contains scans of the exhibition catalogue published by Casa del Mantegna, in Mantova. The sub-series also contains two u-matic tapes of unidentified video recordings possibly related to the exhibition.
Personnes et institutions:
Date:
1981, 2013 - 2016
1981, 2013 - 2016
Titre:
Architettura corretta londinese (1981)
Actions:
AP207.S2.SS02
Description:
The sub-series documents the exhibition "Architettura corretta londinese” curated by Pettena and presented at the Palazzo Te in Mantova, in 1981. The exhibition presented the work of young architects from London, including Nigel Coates, Zaha Hadid, Jenny Lowe and Peter Wilson. The exhibition is also the result of Pettena's interest in the critic of contemporary avant-garde architecture. The sub-series contains scans of the exhibition catalogue published by Casa del Mantegna, in Mantova. The sub-series also contains two u-matic tapes of unidentified video recordings possibly related to the exhibition.
Architettura corretta londinese (1981)
Actions:
AP207.S2.SS02
Description:
The sub-series documents the exhibition "Architettura corretta londinese” curated by Pettena and presented at the Palazzo Te in Mantova, in 1981. The exhibition presented the work of young architects from London, including Nigel Coates, Zaha Hadid, Jenny Lowe and Peter Wilson. The exhibition is also the result of Pettena's interest in the critic of contemporary avant-garde architecture. The sub-series contains scans of the exhibition catalogue published by Casa del Mantegna, in Mantova. The sub-series also contains two u-matic tapes of unidentified video recordings possibly related to the exhibition.
Niveau de description archivistique:
Subseries
Subseries
Date:
1981, 2013 - 2016
1981, 2013 - 2016
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Niveau de description archivistique:
Subseries
Subseries
Date:
1999-2000
1999-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Exhibitions
Exhibitions
Numéro de référence:
AP022.S7
Description:
Series documents exhibitions about the work of Arthur Erickson. It contains for the exhition "Arthur Erickson - Selected Projects 1971-1985" held at the Cener for Inter-American Relations, New York, New York, from March 27 to June 6, 1985. The exhibition was organized by the Center, an affiliate of the Americas Society, and was curated by architect Barbara Shapiro, who worked in Erickson's office. The material consists of photographs of models presented in the exhibitions and the exhibition poster. The series also contains press release, exhibition description, project description, and articles related to the exhibition "Arthur Erickson: Critical Works" presented at the Vancouver Art Gallery in 2006.
AP022.S7
Description:
Series documents exhibitions about the work of Arthur Erickson. It contains for the exhition "Arthur Erickson - Selected Projects 1971-1985" held at the Cener for Inter-American Relations, New York, New York, from March 27 to June 6, 1985. The exhibition was organized by the Center, an affiliate of the Americas Society, and was curated by architect Barbara Shapiro, who worked in Erickson's office. The material consists of photographs of models presented in the exhibitions and the exhibition poster. The series also contains press release, exhibition description, project description, and articles related to the exhibition "Arthur Erickson: Critical Works" presented at the Vancouver Art Gallery in 2006.
Personnes et institutions:
Date:
1985
1985
Titre:
Exhibitions
Actions:
AP022.S7
Description:
Series documents exhibitions about the work of Arthur Erickson. It contains for the exhition "Arthur Erickson - Selected Projects 1971-1985" held at the Cener for Inter-American Relations, New York, New York, from March 27 to June 6, 1985. The exhibition was organized by the Center, an affiliate of the Americas Society, and was curated by architect Barbara Shapiro, who worked in Erickson's office. The material consists of photographs of models presented in the exhibitions and the exhibition poster. The series also contains press release, exhibition description, project description, and articles related to the exhibition "Arthur Erickson: Critical Works" presented at the Vancouver Art Gallery in 2006.
Exhibitions
Actions:
AP022.S7
Description:
Series documents exhibitions about the work of Arthur Erickson. It contains for the exhition "Arthur Erickson - Selected Projects 1971-1985" held at the Cener for Inter-American Relations, New York, New York, from March 27 to June 6, 1985. The exhibition was organized by the Center, an affiliate of the Americas Society, and was curated by architect Barbara Shapiro, who worked in Erickson's office. The material consists of photographs of models presented in the exhibitions and the exhibition poster. The series also contains press release, exhibition description, project description, and articles related to the exhibition "Arthur Erickson: Critical Works" presented at the Vancouver Art Gallery in 2006.
Niveau de description archivistique:
Series
Series
Date:
1985
1985
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Personnes et institutions:
Date:
1988-2005
1988-2005
Titre:
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Niveau de description archivistique:
Subseries
Subseries
Date:
1988-2005
1988-2005
Personnes et institutions:
