158 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Random Movies (1972)
Actions:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Random Movies (1972)
Actions:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Classification:
dessins
Quantité:
24 File
dessins
Quantité:
24 File
Numéro de référence:
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
Personnes et institutions:
Titre:
Employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains
Actions:
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
Employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains
Actions:
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
Classification:
dessins
Quantité:
24 File
dessins
Quantité:
24 File
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Date:
29 novembre 2026, 14h à 16h
29 novembre 2026, 14h à 16h
Titre:
La distance entre nous et le sol : Tenir la distance
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
La distance entre nous et le sol : Tenir la distance
Actions:
Description:
Le programme de courts métrages réunit des artistes qui interrogent les processus par lesquels les territoires sont imaginés, représentés et gouvernés. À travers des paysages simulés, des vues aériennes, des frontières et des systèmes de mesure, les films explorent la manière dont les territoires sont rendus accessibles à l’exercice du pouvoir avant même que la violence(...)
Classification:
événements
événements
Date:
29 novembre 2026
14h à 16h
29 novembre 2026
14h à 16h
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
Personnes et institutions:
Date:
1978
1978
Titre:
US Pre-Clearance Facility, Toronto International Airport, Mississauga, Ontario (1978)
Actions:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
US Pre-Clearance Facility, Toronto International Airport, Mississauga, Ontario (1978)
Actions:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
Niveau de description archivistique:
Project
Project
Date:
1978
1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Alliance Communications, Toronto (1995-1996)
Actions:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
Alliance Communications, Toronto (1995-1996)
Actions:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
Niveau de description archivistique:
Project
Project
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans le cadre de notre exposition L’atout de la ville c’est qu’elle n’a jamais été parfaite, Cinéma Public vous propose une série de trois soirées de projections dans le parc Baile, accompagnées d’ateliers.
Dans le cadre de notre exposition L’atout de la ville c’est qu’elle n’a jamais été parfaite, Cinéma Public vous propose une série de trois soirées de projections dans le parc Baile, accompagnées d’ateliers.
Localisation:
Parc Baile
Parc Baile
Date:
27 août 2026
27 août 2026
Titre:
Ciné-Façade : Habiter l’imperfection
Actions:
Description:
Dans le cadre de notre exposition L’atout de la ville c’est qu’elle n’a jamais été parfaite, Cinéma Public vous propose une série de trois soirées de projections dans le parc Baile, accompagnées d’ateliers.
Ciné-Façade : Habiter l’imperfection
Actions:
Description:
Dans le cadre de notre exposition L’atout de la ville c’est qu’elle n’a jamais été parfaite, Cinéma Public vous propose une série de trois soirées de projections dans le parc Baile, accompagnées d’ateliers.
Classification:
événements
événements
Date:
27 août 2026
27 août 2026
Localisation:
Parc Baile
Parc Baile
Classification:
événements
événements
Actions:
Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
Date:
7 décembre 2023, 18h30
7 décembre 2023, 18h30
Titre:
Documenter les déplacements III
Actions:
Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Documenter les déplacements III
Actions:
Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Classification:
événements
événements
Date:
7 décembre 2023
18h30
7 décembre 2023
18h30
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
Classification:
événements
événements
Actions:
Description:
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
Date:
22 octobre 2015 , 18h
22 octobre 2015 , 18h
Titre:
L'architecture présentée : First Office
Actions:
Description:
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
L'architecture présentée : First Office
Actions:
Description:
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
Classification:
événements
événements
Date:
22 octobre 2015
18h
22 octobre 2015
18h
Classification:
événements
événements
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Date:
21 août 2025, et 28 août
21 août 2025, et 28 août
Titre:
Cinéfaçade : Semer et résister en topographie brésilienne
Actions:
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Cinéfaçade : Semer et résister en topographie brésilienne
Actions:
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Classification:
événements
événements
Date:
21 août 2025
et 28 août
21 août 2025
et 28 août
Classification:
expositions
expositions
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Localisation:
Salles principales
Salles principales
Date:
25 novembre 2009 au 28 février 2010
25 novembre 2009 au 28 février 2010
Titre:
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Classification:
expositions
expositions
Date:
25 novembre 2009 au
28 février 2010
25 novembre 2009 au
28 février 2010
Localisation:
Salles principales
Salles principales
