521 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
CMHC Exhibition
CMHC Exhibition
Numéro de référence:
AP027.S1.D5
Description:
Proposed exhibit to promote the awareness and enjoyment of good design by means of a series of publicity, tours, and brochures. Educational intention directed toward mainly the younger generation, and individuals in prominent positions in industry or public affairs.
AP027.S1.D5
Description:
Proposed exhibit to promote the awareness and enjoyment of good design by means of a series of publicity, tours, and brochures. Educational intention directed toward mainly the younger generation, and individuals in prominent positions in industry or public affairs.
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Date:
1958-1959
1958-1959
Titre:
CMHC Exhibition
Actions:
AP027.S1.D5
Description:
Proposed exhibit to promote the awareness and enjoyment of good design by means of a series of publicity, tours, and brochures. Educational intention directed toward mainly the younger generation, and individuals in prominent positions in industry or public affairs.
CMHC Exhibition
Actions:
AP027.S1.D5
Description:
Proposed exhibit to promote the awareness and enjoyment of good design by means of a series of publicity, tours, and brochures. Educational intention directed toward mainly the younger generation, and individuals in prominent positions in industry or public affairs.
Niveau de description archivistique:
File 5
File 5
Date:
1958-1959
1958-1959
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
L'anarchitetto (1973)
L'anarchitetto (1973)
Numéro de référence:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Personnes et institutions:
Date:
2001-2010
2001-2010
Titre:
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
2001-2010
2001-2010
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Niveau de description archivistique:
Project
Project
Date:
1989-1993
1989-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
27 juillet 2017, 18h
27 juillet 2017, 18h
Titre:
Séminaire de chercheur en résidence : Irene Sunwoo
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Séminaire de chercheur en résidence : Irene Sunwoo
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Classification:
événements
événements
Date:
27 juillet 2017
18h
27 juillet 2017
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Cedric Price
Fonds Cedric Price
Numéro de référence:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Personnes et institutions:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Titre:
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Date:
16 mars 2017
16 mars 2017
Titre:
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Classification:
événements
événements
Date:
16 mars 2017
16 mars 2017
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
128 pages : illustrations ; 18 x 27 cm
Description:
128 pages : illustrations ; 18 x 27 cm
Auteur:
Sujet:
Publication:
Stockton, Calif. : Allen & Young, [1927?]
Stockton, Calif. : Allen & Young, [1927?]
Titre:
Architecture of Allen & Young.
Actions:
Exemplaires:
Description:
128 pages : illustrations ; 18 x 27 cm
Architecture of Allen & Young.
Actions:
Exemplaires:
Description:
128 pages : illustrations ; 18 x 27 cm
Classification:
livres
livres
Publication:
Stockton, Calif. : Allen & Young, [1927?]
Stockton, Calif. : Allen & Young, [1927?]
Auteur:
Sujet:
