Projet
AP004.S1.D4
Description:
*CONTENT WARNING* This project series documents the Caughnawaga United Church in Kahnawá:ke, Quebec, Canada, which ran the school Caughnawaga Mission (or Caughnawaga Methodist Mission School), recognized as part of the Federal Indian Day School system by the Federal Government of Canada.[1] Please take care in consulting these records and seek help when needed. For more information about the Day School system, please visit https://indiandayschools.com. Note that Kahnawá:ke was previously known as Caughnawaga and the name has been maintained in the project title to preserve the project's historical context. The church was built in 1928 to replace the existing building, which was becoming too small for the congregation. The stained glass of the church was done by Canadian artist Charles William Kelsey. The one-storey building was made from quarried stone, which congregation members moved from quarry to site on horse and buggy.[2] [1] Federal Indian Day School Class Action “Schedule K – List of Federal Indian Day Schools.” https://indiandayschools.com/en/wp-content/uploads/schedule-k.pdf [2] Kahnawake United Church “Kahnawake United Church - Voices of our Elders.” YouTube Video, 23:37, February 8, 2023, https://www.youtube.com/watch?v=xPLYQIJ4c98
1928
Caughnawaga United Church, Kahnawá:ke, Québec, Canada
Actions:
AP004.S1.D4
Description:
*CONTENT WARNING* This project series documents the Caughnawaga United Church in Kahnawá:ke, Quebec, Canada, which ran the school Caughnawaga Mission (or Caughnawaga Methodist Mission School), recognized as part of the Federal Indian Day School system by the Federal Government of Canada.[1] Please take care in consulting these records and seek help when needed. For more information about the Day School system, please visit https://indiandayschools.com. Note that Kahnawá:ke was previously known as Caughnawaga and the name has been maintained in the project title to preserve the project's historical context. The church was built in 1928 to replace the existing building, which was becoming too small for the congregation. The stained glass of the church was done by Canadian artist Charles William Kelsey. The one-storey building was made from quarried stone, which congregation members moved from quarry to site on horse and buggy.[2] [1] Federal Indian Day School Class Action “Schedule K – List of Federal Indian Day Schools.” https://indiandayschools.com/en/wp-content/uploads/schedule-k.pdf [2] Kahnawake United Church “Kahnawake United Church - Voices of our Elders.” YouTube Video, 23:37, February 8, 2023, https://www.youtube.com/watch?v=xPLYQIJ4c98
Project
1928
documents textuels
AP206.S2.069
Description:
File was originally housed in a binder along with content arranged in AP206.S2.070 and AP206.S2.071. This file includes the following papers: "A Conceptual Model of Urban Development" "Haryana's New Capital: Beyond Corbusier Planning and Urban Form" "The Capital Story" 1986 "Le Corbusier's Chandigarh: Architectural and the Cultural Context," 1990 "Delhi: The Deepening Urban Crisis edited by Patwant Singh and Ram Dhamija," review "Reflections on Art" "Modulor! A System of Proportions" "Le Corbusier and Later Development in Chandigarh," 1988
1985-1990
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.069
Description:
File was originally housed in a binder along with content arranged in AP206.S2.070 and AP206.S2.071. This file includes the following papers: "A Conceptual Model of Urban Development" "Haryana's New Capital: Beyond Corbusier Planning and Urban Form" "The Capital Story" 1986 "Le Corbusier's Chandigarh: Architectural and the Cultural Context," 1990 "Delhi: The Deepening Urban Crisis edited by Patwant Singh and Ram Dhamija," review "Reflections on Art" "Modulor! A System of Proportions" "Le Corbusier and Later Development in Chandigarh," 1988
documents textuels
1985-1990
Véritables archives des changements climatiques, les glaciers nous renseignent à la fois sur le passé et le présent, annonçant les climats encore à venir. Rejoignez-nous le 9 octobre lors d’une conférence par Cymene Howe, présentée dans le cadre de l’exposition Espaces Oscillants, autour du rôle que jouent les glaciers sur notre manière de concevoir le temps et(...)
Théâtre Paul-Desmarais
9 octobre 2025, 18h
La naissance et la disparition des glaces, par Cymene Howe
Actions:
Description:
Véritables archives des changements climatiques, les glaciers nous renseignent à la fois sur le passé et le présent, annonçant les climats encore à venir. Rejoignez-nous le 9 octobre lors d’une conférence par Cymene Howe, présentée dans le cadre de l’exposition Espaces Oscillants, autour du rôle que jouent les glaciers sur notre manière de concevoir le temps et(...)
Théâtre Paul-Desmarais
Geoff Manaugh se penche sur le design urbain dans le contexte d’études épidémiologiques, de pandémies et de quarantaines, à la lumière des mesures prises par les centres de contrôle et de prévention des maladies (CDC) mis en place par le gouvernement des États-Unis. Geoff Manaugh est l’auteur de BLDGBLOG et de The BLDGBLOG Book et il collabore régulièrement à titre(...)
Théâtre Paul-Desmarais
22 octobre 2009 , 19h
Geoff Manaugh : Cities of the CDC
Actions:
Description:
Geoff Manaugh se penche sur le design urbain dans le contexte d’études épidémiologiques, de pandémies et de quarantaines, à la lumière des mesures prises par les centres de contrôle et de prévention des maladies (CDC) mis en place par le gouvernement des États-Unis. Geoff Manaugh est l’auteur de BLDGBLOG et de The BLDGBLOG Book et il collabore régulièrement à titre(...)
Théâtre Paul-Desmarais
Bien qu’ayant accueilli par le passé des concerts, le théâtre Paul-Desmarais est plus réputé pour tenir des conférences et des projections de films. Alors que des concerts traditionnellement présentés dans la Chapelle historique du Bon-Pasteur se produiront momentanément au CCA, des phénomènes musicaux pourront être réintroduits dans le théâtre, ouvrant à de nouvelles(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, musique de chambre, musique classique, relève musicale.
31 janvier 2024 au 17 mai 2024
Concerts de la Chapelle historique du Bon-Pasteur
Actions:
Description:
Bien qu’ayant accueilli par le passé des concerts, le théâtre Paul-Desmarais est plus réputé pour tenir des conférences et des projections de films. Alors que des concerts traditionnellement présentés dans la Chapelle historique du Bon-Pasteur se produiront momentanément au CCA, des phénomènes musicaux pourront être réintroduits dans le théâtre, ouvrant à de nouvelles(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, musique de chambre, musique classique, relève musicale.
documents textuels
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
1986-1998
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
documents textuels
1986-1998
Projet
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
circa 1978-2018
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Project
circa 1978-2018
archives
Niveau de description archivistique:
Fonds
Fonds Victor Prus
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
1945-1992
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
archives
Niveau de description archivistique:
Fonds
1945-1992
dessins, documents textuels
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
1968-1986
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
dessins, documents textuels
1968-1986
archives
Niveau de description archivistique:
Fonds
Fonds Amancio Williams
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
1848-2010s
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
archives
Niveau de description archivistique:
Fonds
1848-2010s