2211 Résultats
Classification:
articles
articles
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Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Mot(s)-clé(s):
queer, architecture queer, pratique queer, Paris, conversation, avenir de la pratique architecturale, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
queer, architecture queer, pratique queer, Paris, conversation, avenir de la pratique architecturale, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
Publié:
1 mai 2023
1 mai 2023
Titre:
Paris : entre pratiques collectives et recherche de spatialités queer en ville
Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Actions:
Paris : entre pratiques collectives et recherche de spatialités queer en ville
Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Actions:
Classification:
articles
articles
Publié:
1 mai 2023
1 mai 2023
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Personnes et institutions:
Date:
1973-1976
1973-1976
Titre:
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Niveau de description archivistique:
Project
Project
Date:
1973-1976
1973-1976
Personnes et institutions:
Classification:
articles
articles
Actions:
Fredi Fischli, Niels Olsen et Irene Chin en conversation avec Tadeáš Říha et Kateřina Frejlachová
Titre:
Sur les paysages de la logistique
Fredi Fischli, Niels Olsen et Irene Chin en conversation avec Tadeáš Říha et Kateřina Frejlachová
Actions:
Sur les paysages de la logistique
Fredi Fischli, Niels Olsen et Irene Chin en conversation avec Tadeáš Říha et Kateřina Frejlachová
Actions:
Classification:
événements
événements
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Localisation:
Librarie du CCA
Librarie du CCA
Date:
15 mai 2014 , 18h
15 mai 2014 , 18h
Titre:
Linked By Air présente notre nouvelle série de publications numériques
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Linked By Air présente notre nouvelle série de publications numériques
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Classification:
événements
événements
Date:
15 mai 2014
18h
15 mai 2014
18h
Localisation:
Librarie du CCA
Librarie du CCA
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Personnes et institutions:
Titre:
Correspondence and notes for La biennale de Venise
Actions:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Correspondence and notes for La biennale de Venise
Actions:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
articles
articles
Titre:
Cultiver nos relations
Cultiver nos relations
Actions:
Mae-ling Lokko et Elizabeth (Lizzie) Biney-Amissah s’intéressent à l’interconnexion entre énergie, matériaux et reconstruction communautaire
Titre:
Cultiver nos relations
Mae-ling Lokko et Elizabeth (Lizzie) Biney-Amissah s’intéressent à l’interconnexion entre énergie, matériaux et reconstruction communautaire
Actions:
Cultiver nos relations
Mae-ling Lokko et Elizabeth (Lizzie) Biney-Amissah s’intéressent à l’interconnexion entre énergie, matériaux et reconstruction communautaire
Actions:
Dossier:
Forces de friction
Forces de friction
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1999:0489
Description:
documents include acoustics, roofing, siding/steel, graphic, programming report, phone conversations, connectors, additional services & fees, program, filing index, directory, furniture, trade catalogues, to do list, food service, blueprints, drawings
DR1999:0489
Description:
documents include acoustics, roofing, siding/steel, graphic, programming report, phone conversations, connectors, additional services & fees, program, filing index, directory, furniture, trade catalogues, to do list, food service, blueprints, drawings
Personnes et institutions:
Titre:
Acoustics, roofing, siding/steel, graphic, programming report
Actions:
DR1999:0489
Description:
documents include acoustics, roofing, siding/steel, graphic, programming report, phone conversations, connectors, additional services & fees, program, filing index, directory, furniture, trade catalogues, to do list, food service, blueprints, drawings
Acoustics, roofing, siding/steel, graphic, programming report
Actions:
DR1999:0489
Description:
documents include acoustics, roofing, siding/steel, graphic, programming report, phone conversations, connectors, additional services & fees, program, filing index, directory, furniture, trade catalogues, to do list, food service, blueprints, drawings
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Sur les traces de... rose
Sur les traces de... rose
Actions:
Description:
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Localisation:
Vitrines
Vitrines
Date:
11 septembre 2009 au 17 janvier 2010
11 septembre 2009 au 17 janvier 2010
Titre:
Sur les traces de... rose
Actions:
Description:
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Sur les traces de... rose
Actions:
Description:
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Classification:
expositions
expositions
Date:
11 septembre 2009 au
17 janvier 2010
11 septembre 2009 au
17 janvier 2010
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Localisation:
Vitrines
Vitrines
Date:
26 novembre 2009 au 17 janvier 2010
26 novembre 2009 au 17 janvier 2010
Titre:
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Classification:
expositions
expositions
Date:
26 novembre 2009 au
17 janvier 2010
26 novembre 2009 au
17 janvier 2010
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Personnes et institutions:
Date:
1953-2009
1953-2009
Titre:
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Niveau de description archivistique:
Series
Series
Date:
1953-2009
1953-2009
Personnes et institutions:
