2247 Résultats
Classification:
expositions
expositions
Actions:
Description:
Cette lecture critique qui s’appuie sur une série de projets représentatifs tirés de la Collection du CCA met en évidence les dynamiques quotidiennes spatiales et de pouvoir, créatrices de ces espaces médians mais rarement reconnues. Au-delà de la restitution, comment les architectes peuvent-ils participer à l’imaginaire d’avenirs plus justes pour les sites de dépossession?
Cette lecture critique qui s’appuie sur une série de projets représentatifs tirés de la Collection du CCA met en évidence les dynamiques quotidiennes spatiales et de pouvoir, créatrices de ces espaces médians mais rarement reconnues. Au-delà de la restitution, comment les architectes peuvent-ils participer à l’imaginaire d’avenirs plus justes pour les sites de dépossession?
Localisation:
Vitrines Mot(s)-clé(s):
Espaces médians, vitrines, Rafico Ruiz, Louise Paradis, autochtones, souveraineté, Ella den Elzen, Camille Saade-Traboulsi
Vitrines Mot(s)-clé(s):
Espaces médians, vitrines, Rafico Ruiz, Louise Paradis, autochtones, souveraineté, Ella den Elzen, Camille Saade-Traboulsi
Date:
10 février 2021 au 13 mars 2022
10 février 2021 au 13 mars 2022
Titre:
Espaces médians : repères de dépossession
Actions:
Description:
Cette lecture critique qui s’appuie sur une série de projets représentatifs tirés de la Collection du CCA met en évidence les dynamiques quotidiennes spatiales et de pouvoir, créatrices de ces espaces médians mais rarement reconnues. Au-delà de la restitution, comment les architectes peuvent-ils participer à l’imaginaire d’avenirs plus justes pour les sites de dépossession?
Espaces médians : repères de dépossession
Actions:
Description:
Cette lecture critique qui s’appuie sur une série de projets représentatifs tirés de la Collection du CCA met en évidence les dynamiques quotidiennes spatiales et de pouvoir, créatrices de ces espaces médians mais rarement reconnues. Au-delà de la restitution, comment les architectes peuvent-ils participer à l’imaginaire d’avenirs plus justes pour les sites de dépossession?
Classification:
expositions
expositions
Date:
10 février 2021 au
13 mars 2022
10 février 2021 au
13 mars 2022
Localisation:
Vitrines Mot(s)-clé(s):
Espaces médians, vitrines, Rafico Ruiz, Louise Paradis, autochtones, souveraineté, Ella den Elzen, Camille Saade-Traboulsi
Vitrines Mot(s)-clé(s):
Espaces médians, vitrines, Rafico Ruiz, Louise Paradis, autochtones, souveraineté, Ella den Elzen, Camille Saade-Traboulsi
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Personnes et institutions:
Date:
1936-1938
1936-1938
Titre:
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Niveau de description archivistique:
project
project
Date:
1936-1938
1936-1938
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Personnes et institutions:
Date:
1997-2003
1997-2003
Titre:
Biblioteca Municipal de Albergaria-a-Velha [Albergaria-a-Velha Municipal Library], Albergaria-a-Velha (1999)
Actions:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Biblioteca Municipal de Albergaria-a-Velha [Albergaria-a-Velha Municipal Library], Albergaria-a-Velha (1999)
Actions:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1997-2003
1997-2003
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153876
Description:
“On Reading Architecture” by Mario Gandelsonas (typewritten) Xerox of Newseek (Oct. 27, 1980) The Architectural Discourse: Gandelsonas's Course 50 Riverside Tenants Corp (PDE's residence): financial statement, December 31, 1981. Postcard from John Lobell to PDE Fragment of a thesis (2 chapters), 2 copies with notes Letters to Michael Spens from MIT Press
ARCH153876
Description:
“On Reading Architecture” by Mario Gandelsonas (typewritten) Xerox of Newseek (Oct. 27, 1980) The Architectural Discourse: Gandelsonas's Course 50 Riverside Tenants Corp (PDE's residence): financial statement, December 31, 1981. Postcard from John Lobell to PDE Fragment of a thesis (2 chapters), 2 copies with notes Letters to Michael Spens from MIT Press
Personnes et institutions:
Date:
1980-1981
1980-1981
Titre:
Miscellaneous [Articles and Lectures]
Actions:
ARCH153876
Description:
“On Reading Architecture” by Mario Gandelsonas (typewritten) Xerox of Newseek (Oct. 27, 1980) The Architectural Discourse: Gandelsonas's Course 50 Riverside Tenants Corp (PDE's residence): financial statement, December 31, 1981. Postcard from John Lobell to PDE Fragment of a thesis (2 chapters), 2 copies with notes Letters to Michael Spens from MIT Press
Miscellaneous [Articles and Lectures]
Actions:
ARCH153876
Description:
“On Reading Architecture” by Mario Gandelsonas (typewritten) Xerox of Newseek (Oct. 27, 1980) The Architectural Discourse: Gandelsonas's Course 50 Riverside Tenants Corp (PDE's residence): financial statement, December 31, 1981. Postcard from John Lobell to PDE Fragment of a thesis (2 chapters), 2 copies with notes Letters to Michael Spens from MIT Press
Classification:
documents textuels
documents textuels
Date:
1980-1981
1980-1981
Personnes et institutions:
Actions:
Numéro de référence:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1933-1934
1933-1934
Titre:
Bibliothèque Nationale Versailles - 1933-1934
Actions:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
Bibliothèque Nationale Versailles - 1933-1934
Actions:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
Date:
1933-1934
1933-1934
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
2009-2016
2009-2016
Titre:
Progetto D'Architettura n. 5 [Architectural Project no. 5] (1973)
Actions:
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
Progetto D'Architettura n. 5 [Architectural Project no. 5] (1973)
Actions:
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
2009-2016
2009-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Personnes et institutions:
Date:
circa 1993
circa 1993
Titre:
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Niveau de description archivistique:
Project
Project
Date:
circa 1993
circa 1993
Personnes et institutions:
Quantité:
4 journal(s)
4 journal(s)
Numéro de référence:
ARCH216215
Description:
extensive notes on society, sites, readings and sketches
ARCH216215
Description:
extensive notes on society, sites, readings and sketches
Personnes et institutions:
Date:
1951
1951
Titre:
Journals: Sweden
Actions:
ARCH216215
Description:
extensive notes on society, sites, readings and sketches
Journals: Sweden
Actions:
ARCH216215
Description:
extensive notes on society, sites, readings and sketches
Quantité:
4 journal(s)
4 journal(s)
Date:
1951
1951
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds A.D. Thacker
Fonds A.D. Thacker
Numéro de référence:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Personnes et institutions:
Date:
1913-1944
1913-1944
Titre:
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1913-1944
1913-1944
Personnes et institutions:
